Whimsical but wonderful - and very worthy of those awards.
Séraphine (2008)
Tomatometer
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Reviews Counted:84
Fresh:75
Rotten:9
Average Rating:7.5/10
Consensus: Seraphine is a well-crafted French film that effectively captures one woman's experience with art, religion, and mental illness, and features a brilliant performance from Yolande Moreau.
Theatrical Release:Jun 5, 2009 Limited
Box Office: $557,682
Synopsis: Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries... Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries in the world. Wilhelm Uhde (Tukur), a German art critic and collector - he was the first Picasso buyer and discoverer of naïve primitive painter Le Douanier Rousseau - discovers her paintings while she is working for him as a maid in the beautiful countryside of Senlis near Paris in the early part of the 20th century. A moving and unexpected relationship develops between the avant-garde art dealer and the visionary cleaning lady. Martin Provost’s fictionalized and poignant portrait of this forgotten painter is a testament to creativity and the resilience of one woman’s spirit.--© Music Box Films [More]
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich, Nico Rogner, Adelaide Leroux, Serge Lariviere, Francoise Lebrun
Director: Martin Provost
Director: Martin Provost
Screenwriter: Martin Provost, Marc Abdelnour
Producer: Milena Poylo, Gilles Sacuto
Studio: Music Box Films
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Reviews for Séraphine
Moreau’s stellar performance and the astral intensity of the paintings keep taking us where this story belongs, up into the skies.
The story is both genuinely fascinating and utterly heartbreaking, whilst also making pointed observations about the nature of art and art versus commerce.
Scores points for actually investing time in scenes depicting the extent to which she worked on her art.
Provost's film has few equals in depicting the dangerous territory between artistic inspiration and madness.
Where the film scores -- and scores very highly -- is in the characterizations of Séraphine and Uhde, both of whom emerge as wholly formed complex creations.
Séraphine, an outsider artist before the term was invented, is both a cautionary tale for contemporay artists of all and sundry media and a genuinely moving portrait of the artist as a young(ish) scullery maid.
Moreau's nuanced turn as the title character ensures that the film is not a complete loss. She's very convincing, especially when there arise some questions regarding her mental stability.
It ... works as an intimate story of one woman’s mental instability; the film commendably does not demur from recognizing that whatever powered Séraphine’s art was also responsible for her social awkwardness and institutionalization.
Yolande Moreau plays the industrious but touched washerwoman-turned-painter Séraphine de Senlis with an open-faced conviction that is almost unnerving in its intensity.
If you're in the mood for a gentle, unsentimental film, where the director has made choices that are intelligent and thoughtful, seek this out.
A moving, distinctly French tale, this sumptuous production is made complete with a brilliant performance by leading lady Yolande Moreau.
...Séraphine's art, religious fervor and mental breakdowns are all accepted as facts which may be witnessed but not explained.
Seraphine, a biopic of the early-20th century French painter Seraphine Louis aka Seraphine de Senlis, is among the best of its kind, thanks in no small part to the utterly believable, vanity-free performance of Yolande Moreau in the title role.
Seraphine is rare in its sympathetic focus on a laborer, yet refined in its execution.
The film belongs to Moreau. Half-derided, half-protected by her village neighbors, her Séraphine is dowdy, willful, gruff, determined: a blend of singing mystic and muttering madwoman.
Relies heavily on Moreau's gripping, continually surprising performance to effectively convey the oracular urgency and fractured, Dionysian mentality of Seraphine de Senlis and her work.
The euphoria, lunacy and transformative intensity of art receive passionate, perhaps immortal treatment in Seraphine, Martin Provost's quietly magical and urgently moving film.
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