Opening

44% The Other Woman Apr 25
—— Brick Mansions Apr 25
50% The Quiet Ones Apr 25
90% Locke Apr 25
79% The Machine Apr 25

Top Box Office

89% Captain America: The Winter Soldier $25.6M
51% Heaven Is for Real $22.5M
47% Rio 2 $22.2M
19% Transcendence $10.9M
9% A Haunted House 2 $8.8M
62% Draft Day $5.7M
40% Divergent $5.6M
71% Oculus $5.2M
77% Noah $5.0M
89% Bears $4.8M

Coming Soon

75% The Amazing Spider-Man 2 May 02
—— Walk Of Shame May 02
100% Neighbors May 09
—— Godzilla May 16
—— X-Men: Days of Future Past May 23

New Episodes Tonight

72% The 100: Season 1
97% The Americans: Season 2
100% Arrow: Season 2
—— Baby Daddy: Season 3
—— Hot in Cleveland: Season 5
100% Legit: Season 2
—— Melissa & Joey: Season 3
—— The Middle: Season 5
36% Mixology: Season 1
83% Modern Family: Season 5
—— The Soul Man: Season 3
—— Suburgatory: Season 3

Discuss Last Night's Shows

77% About a Boy: Season 1
—— Awkward: Season 4
—— Chicago Fire: Season 2
—— Faking It: Season 1
98% Fargo: Season 1
40% Glee: Season 5
36% Growing Up Fisher: Season 1
86% Marvel's Agents of S.H.I.E.L.D.: Season 1
80% The Mindy Project: Season 2
56% The Originals: Season 1
100% Supernatural: Season 9

Certified Fresh TV

77% About a Boy: Season 1
97% The Americans: Season 2
82% The Blacklist: Season 1
88% Brooklyn Nine-Nine: Season 1
98% Fargo: Season 1
98% Game of Thrones: Season 4
100% Hannibal: Season 2
86% Mad Men: Season 7
97% Orphan Black: Season 2
96% Silicon Valley: Season 1

Seven (Se7en) Reviews

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Terrence Rafferty
New Yorker
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Unfortunately, the movie's clammy design, glum cinematography, and lugubrious pace try to persuade us that what we're watching isn't an ingenious, silly piece of pulp but a serious meditation on the nature of evil.

Full Review Source: New Yorker

July 24, 2013
Desson Thomson
Washington Post
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Unfortunately, screenwriter Andrew Kevin Walker's finale, in addition to its grossness, feels like an act of treachery against the viewer.

Full Review Source: Washington Post

January 1, 2000
Richard Schickel
TIME Magazine
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It is very tiresome peering through the gloom trying to catch a glimpse of something interesting, then having to avert one's eyes when it turns out to be just another brutally tormented body.

Full Review Source: TIME Magazine

January 1, 2000

Once homicide detectives Morgan Freeman and Brad Pitt catch on to his modus operandi, there's little left in the movie to think about except, gee, wonder how the murderous maniac will do Sloth or Envy?

Full Review Source: Film Scouts

April 17, 2002
Michael Wilmington
Chicago Tribune
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Unfortunately, most of the scenes in Seven are unlikely, which means that by the end of the movie the duo is battling not just an insane killer but an off-the-wall screenwriter.

Full Review Source: Chicago Tribune | Original Score: 2.5/4

March 25, 2014
John Hartl
Seattle Times
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Were it not for the gravity and thoughtfulness of Morgan Freeman's performance as a retiring policeman, and the third-act appearance of its bizarre villain, Seven would be unendurable.

Full Review Source: Seattle Times | Original Score: 2/4

March 25, 2014
Sean Means
Film.com
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Eventually, with its irrationally downbeat ending, Seven even drags the viewer down into the abyss.

January 1, 2000
Barbara Shulgasser
San Francisco Examiner

The trouble with Seven is that while the premise is intriguing, the movie is gluey, bumbling and singularly un-thrilling.

Full Review Source: San Francisco Examiner

January 1, 2000
Kenneth Turan
Los Angeles Times
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Noticeable skill has gone into the making of Seven, but it's hard to take much pleasure in that.

Full Review Source: Los Angeles Times

February 13, 2001
Janet Maslin
New York Times
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The crime scenes are rendered in sickening detail, and the whole film has a murky, madly pretentious tone.

Full Review Source: New York Times

May 20, 2003
David Ansen
Newsweek
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So chic, studied and murky it resembles a cross between a Nike commercial and a bad Polish art film.

Full Review Source: Newsweek

March 31, 2008
Gary Thompson
Philadelphia Daily News

For all of the portentous atmosphere, Seven runs on a routine cop-show plot.

Full Review Source: Philadelphia Daily News | Original Score: 2/4

March 25, 2014
Rod Dreher
South Florida Sun-Sentinel

The two actors misfire here: Freeman is so low-key he's almost drowsy, and Pitt jumps around like a chihuahua to no effect. It doesn't help that the sound mix is so murky that much of their dialogue sinks into the murk.

Full Review Source: South Florida Sun-Sentinel

March 25, 2014
Jami Bernard
New York Daily News
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There's none of the humor that takes the sting out of slasher movies, and certainly none of the psychology and depth that made The Silence of the Lambs such an intellectual thriller.

Full Review Source: New York Daily News | Original Score: 1/4

March 25, 2014
Elliot Panek
Common Sense Media

Grim, slick, shocking thriller. Older teens only.

Full Review Source: Common Sense Media | Original Score: 3/5

January 1, 2011
Roger Ebert
Chicago Sun-Times
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Good as it is, it misses greatness by not quite finding the right way to end.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

January 1, 2000
James Berardinelli
ReelViews
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Seven is unnecessarily gory and runs for a little too long, but neither of these elements detracts much from the film's enjoyability (unless you have a weak stomach).

Full Review Source: ReelViews | Original Score: 3/4

January 1, 2000
Alan Jones
Radio Times

Seven is a work of extraordinary style, upsetting power and narrative daring.

Full Review Source: Radio Times | Original Score: 5/5

March 25, 2014
James Rocchi
Netflix

A harrowingly bleak vision that haunted me in the theatres and made my flesh slick with fear even on this recent re-viewing.

Full Review Source: Netflix | Original Score: 5/5

November 7, 2002
Stephen Hunter
Baltimore Sun

The investigation and the clues that lead to the murderer are well thought out and continually provocative. As a narrative, the film is quite involving.

Full Review Source: Baltimore Sun | Original Score: 2.5/4

March 25, 2014
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