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Severance (2007)
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Reviews Counted:84
Fresh:55
Rotten:29
Average Rating:6.1/10
Consensus: A twisted and bloody spoof on office life, Severance nicely balances comedy and nasty horror.
Runtime: 1 hr 31 mins
Genre: Horror/Suspense
Theatrical Release:Apr 20, 2007 Limited
Box Office: $66,719
Synopsis: A team-building exercise goes horribly wrong in this horror comedy, where HOSTEL meets OFFICE SPACE. A group of Brits (and a single, sexy American blonde played by Laura Harris of DEAD LIKE ME)... A team-building exercise goes horribly wrong in this horror comedy, where HOSTEL meets OFFICE SPACE. A group of Brits (and a single, sexy American blonde played by Laura Harris of DEAD LIKE ME) travels through the forests of Hungary to a remote lodge in order to mix business with pleasure. Led by their manager, Richard (Tim McInnerny, BLACKADDER), the co-workers soon realize that their trip is less about trust falls and rope courses than it is about death and destruction. Someone has targeted the team, and begins to take down the cubemates one by one. SEVERANCE is savvy and sly, but it never lets the comedy override the onscreen horror. Humor may temper the disturbing visuals, but this British comedy isn't SHAUN OF THE DEAD. It's far less flashy and a good deal darker, but it all works to great effect. This film is more in the spirit of DOG SOLDIERS, a movie with bleak gallows humor amid its blood and gore. In addition to its smart satire of office culture, SEVERANCE features stomach-churning scenes that rival the violence in films from the SAW trilogy. This film doesn't rely on A-list stars, with McInnerny vying with Harris and Toby Stephens (DIE ANOTHER DAY) for the position of most recognizable actor. But regardless of its lack of marquee talent, SEVERANCE ably mixes guts and giggles to create an entertaining and gruesome film. [More]
Starring: Danny Dyer, Laura Harris, Tim McInnerny, Toby Stephens
Starring: Danny Dyer, Laura Harris, Tim McInnerny, Toby Stephens, Claudie Blakely, David Gilliam, Andy Nyman, Babou Ceesay
Director: Christopher Smith
Director: Christopher Smith
Screenwriter: James Moran, Christopher Smith
Producer: Jason Newmark
Studio: Magnolia Pictures
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Reviews for Severance
... in the final third, the humor peels away, leaving us with a fairly standard-issue fright fest.
Smith can't find a tone to settle on here, and his imagination for the macabre is limited to the torture-porn aesthetics that have long overstayed their cinematic welcome.
Anyone who ever thought that maybe they could write a movie will, at least once, think to themselves, "I could have done so much better with this idea."
If anyone involved in this sloppy, inexplicable slasher flick had a notion of what they were doing or why, they've kept it to themselves.
"Severance" is just enough of an exploitation satire (think, Roger Corman in his heyday) to hold your interest beyond its gratuitous knife, blood and breast recipe for suspense and shock.
Every clash of tones that worked in Shaun of the Dead goes haywire here.
Sitting through its increasingly sluggish pace feels like, well, work.
Like a lesser '80s slasher movie, Severance is fine while it lasts, and forgettable once it's over.
They say, "Dying is easy, comedy is hard," but this cheeky gore fest proves that balancing the two is the trickiest act of all.
Comparisons to Shaun of the Dead are wildly overblown. Shaun had pages of hilarious dialogue, and Severance has, well, none.
The pacing is uneven, leading to a bumpy road where laughter and gore sometimes complement each other and sometimes are at odds. This makes Severance more of a mixed bag than an unqualified success.
It turns into yet another graphic Hostel-style killfest that eventually washes away all the fun ... with lots of blood.
corporate negligence works for a few laughs, but cuts out way too early for anything more
Disappointingly, Severance strays way too soon into serviceable run-around-screaming scenes, when what we really want are the banal showdowns familiar to fans of The Office.
This failed attempt at a horror comedy is one of those rare movies with virtually nothing to recommend it. I only note it here as a consumer service for those who might be misled into expecting it to be scary or funny, or both. It's not.
Like the Britain of Tony Blair, it's neither bloody awful nor bloody great. Which isn't to say, rest assured, that there isn't plenty of blood.
For British horror-comedy we'll take Shaun of the Dead, and for funny office dynamics, we'll take The Office.
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| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
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| 44% 44% | Night at the Museum: B… |
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|---|---|
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