This is required viewing for idealistic film students and bruised romantics alike.
Sex is Comedy (2004)
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Reviews Counted:45
Fresh:32
Rotten:13
Average Rating:6.4/10
Theatrical Release:Oct 20, 2004 Limited
Synopsis: To call a French filmmaker a provocateur may seem redundant, but feminist auteur Catherine Breillat has managed to shock even her most liberated compatriots. The bad girl of Gallic cinema, Breillat... To call a French filmmaker a provocateur may seem redundant, but feminist auteur Catherine Breillat has managed to shock even her most liberated compatriots. The bad girl of Gallic cinema, Breillat has become known for her graphic and cynical takes on male-female sexual relationships and has faced accusations of onset cruelty. SEX IS COMEDY is the director's witty take on her own mythology. Anne Parillaud plays Jeanne, a thinly veiled stand-in for Breillat herself. Jeanne's new movie is a sex-drenched tale that culminates in a scene that was actually featured in Breillat's controversial FAT GIRL (2001). In the scene, a slick older seducer manages to convince a young, beautiful virgin to submit to his aggressive sexual advances. The director's challenge is to coax her difficult actors into baring their souls, and bodies, in this wrenching, nearly pornographic exchange. Parillaud's Jeanne is a complex character--sometimes nurturing and unsure, and at other times cold and insulting. Her relationship with her gorgeous lead actor, played by Gregoire Colin, forms the emotional center of the film. Their seemingly endless debates about acting, sex, and relationships are combative, yet always flirtatious and sexually charged. Though this comedic take on filmmaking is the director's lightest movie yet, it still tackles larger issues of power, sexuality, and performance in an intellectual, and brutally honest way. [More]
Starring: Anne Parillaud, Gregoire Colin, Roxane Mesquida
Starring: Anne Parillaud, Gregoire Colin, Roxane Mesquida
Director: Catherine Breillat
Director: Catherine Breillat
Screenwriter: Catherine Breillat
Producer: Jean Francois Lepetit
Studio: IFC Films
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Reviews for Sex is Comedy
Rather than delve into the clinical details of sexual desire and behavior, Catherine Breillat's reflects on what it means for a filmmaker to conduct such an inquiry.
There are insightful moments about the delicate relationships between a director and her cast, and about the mind games that go on both behind the camera and in front of it.
Breillat's first foray into comedy is playful, whip-smart and far breezier in both tone and look than the stylized gender polemics she's known for.
The real revelation in this endlessly engaging feature is the ever-present Parillaud, who dominates the picture like her character dominates the set.
By Breillat's usually dire standards, this is practically a laff riot, and if you want to see her funniest, most accessible movie, this is the one to watch.
Those who are already in her camp will find much to feed on in this at once intellectualized and accessible, documentary-style peek inside the head of a passionately driven woman and artist.
The director is an irrepressible fount of complaints, theories, and lofty pronouncements.
Takes an absurdist approach to a sophomoric subject and wrings real laughs from it; a terrific comedy about lust, filmmaking, and the human psyche at its most clandestine.
It's refreshing to see this side of Breillat, a self-reflective artist whose evident anger over the sexual state of the world doesn't entirely subsume her, or her humanity.
Breillat offers sharp insights into the love-hate relationship between directors and actors and a fascinating glimpse into the particular methods of a notoriously provocative filmmaker.
an off-putting egocentrism...permeates [Breillat's] otherwise intriguing discourse on the relationship between directors and actors
Reminds us what a vulnerable undertaking acting can be, and what an intimate, manipulative, caring and torturous act directing is.
Shows a beguiling aptitude for self-mockery in the pursuit of polemic.
Movies about movie-making can be unbearably insular, but I can’t recall one that deals so specifically with the difficulties of love scenes without being exploitative.
Shakespearean in its complexity, an on-location As You Like It, brilliantly written and cleverly directed.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
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