Shadow Magic isn't interested in psychology or character study. It's a series of tableaux and on that level succeeds admirably.
Shadow Magic (2001)
Tomatometer
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Reviews Counted:49
Fresh:35
Rotten:14
Average Rating:6.2/10
Consensus: Charmingly sweet, Shadow Magic captures the sense of wonder of audiences experiencing the world of motion pictures for the first time.
Theatrical Release:Apr 6, 2001 Limited
Synopsis: Peking, 1902. The Feng Tai Photo Shop is in a frenzy of preparation for the arrival of Peking's most important opera star, Lord Tan. Liu Jinglun (Xia Yu), the chief photographer, is oblivious to... Peking, 1902. The Feng Tai Photo Shop is in a frenzy of preparation for the arrival of Peking's most important opera star, Lord Tan. Liu Jinglun (Xia Yu), the chief photographer, is oblivious to the chaos as he tinkers with a broken Victrola he has found in a junk pile on his way to work. His boss, Master Ren (Liu Peiqi), chides Liu for his incessant fascination with Western novelties, which he feels have no place in traditional Chinese society. In the flurry of activity surrounding Lord Tan's photo session, a foreigner, Raymond Wallace (Jared Harris), arrives. Raymond has come to introduce "Shadow Magic," the first silent movies, to Imperial Peking. From their first flicker, Liu is captured by the magic of the moving images. "Shadow Magic" unfolds against a backdrop of animosity towards foreigners. Peking is still smarting from the wounds caused by the Boxer Rebellion and the European occupation of the city. Liu must hide his friendship with Raymond from his employer, Master Ren, and his father, Old Liu (Wang Jingming). As Liu spends more time with Raymond and the "Shadow Magic" show, he starts to slip up in his work at the photo shop. He lies to Master Ren, never admitting that he's been working with the foreigner. Liu's desire to learn the "foreigner's trick" also jeopardizes his relationship with the woman he loves Ling (Xing Yufei), the daughter of Lord Tan. Lord Tan is concerned that the "Shadow Magic" show and its Western influence will steal away his audience. Liu knows that he would be prevented from seeing Ling if his alliance with Raymond became public. The conflict comes to a climax at the birthday celebration of the Empress Dowager. Lord Tan is to sing for her, Master Ren is to take her photograph, and Raymond is to show his films. Liu must choose between assisting Master Ren or assisting Raymond. He chooses Raymond and is disowned by Master Ren and his father. On the momentous day, amidst all the pomp, the players are admitted to the Forbidden City. With much at stake for all involved, Raymond and Liu are commanded to begin the screening. The Empress loves the movies and the rest of the audience is enraptured. However, an accident occurs, producing tragic consequences for both men. Liu loses hope of ever accomplishing his dreams becoming a filmmaker and marrying Ling and Raymond is expelled from the country. Nonetheless, Liu's spirit is not vanquished. After receiving a package from Raymond, Liu stakes all he has on one last effort to convince Peking of the beauty of "Shadow Magic." -- © 2001 Sony Pictures Classics [More]
Starring: Jared Harris, Xia Yu, Peiqi Lu, Liping Lu
Starring: Jared Harris, Xia Yu, Peiqi Lu, Liping Lu, Yufei Xing, Jingming Wang
Director: Ann Hu
Director: Ann Hu
Screenwriter: Ann Hu
Producer: Sandra Schulberg, Zhang Xia, Cheng Zheng, You-Ning Lee
Composer: Lida Zhang
Studio: Sony Pictures Classics
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Reviews for Shadow Magic
It's a film about film, and Hu's love of the medium's storytelling power shines through every frame.
Sumptuous, warm, continually amazing, it's a completely enjoyable couple of hours at the flickers.
Transports us to a world that still had a capacity for awe, and that's the core of its charm.
The film is at its best as a document of a changing culture and also as a loving essay on the power of cinema.
What makes Shadow Magic a mixed bag, both emotionally and thematically, is its burden of debt to mass appeal.
The film never quite builds the compulsive emotional power it needs to be an unforgettable personal drama. But it's full of other good stuff.
It's predictable, sentimental, and more than a little nostalgic. Yet it's also quite endearing, growing on you like a warm, fuzzy, fungus until you're overpowered by its affection and innocence.
A valentine to motion pictures and a celebration of friendships crossing national and ethnic lines.
Evokes the dawn of cinema in China with much charm, humor and subtlety.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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