Opening

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Shadow Magic Reviews

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Emanuel Levy
EmanuelLevy.Com

| Original Score: 3/5

June 12, 2005
Philip Martin
Arkansas Democrat-Gazette

| Original Score: 3/5

April 22, 2005
Ryan Cracknell
Apollo Guide

In her debut film, director and producer Ann Hu creates a beautiful world with strong characters, both main and supporting.

Full Review Source: Apollo Guide | Original Score: 76/100

September 17, 2001
Jeff Vice
Deseret News, Salt Lake City

Despite the fact that it's occasionally corny, Shadow Magic is also so low-key and so charming that you might not care.

Full Review Source: Deseret News, Salt Lake City

June 29, 2001
Joe Baltake
Sacramento Bee

Some of the hostile reactions to Wallace and his movie machine may seem heavy-handed, but the film reminds us that China had been exploited by Western culture, making the opposition a bit more palatable.

Full Review Source: Sacramento Bee

June 15, 2001
Jim Lane
Sacramento News & Review

Hu's affection is contagious, and there are wonderful moments.

Full Review Source: Sacramento News & Review | Original Score: 3/5

June 11, 2001
Jeanne Aufmuth
Palo Alto Weekly

resonates with modern values but maintains its old world charm

| Original Score: 3/4

June 5, 2001
Charles Ealy
Dallas Morning News
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Makes us appreciate what today's audiences take for granted: the miracle of the cinema.

Full Review Source: Dallas Morning News

May 17, 2001
Loren King
Chicago Tribune
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Gives us a glimpse of what it must have been like to be mesmerized and seduced by images that still convey magic and mystery.

May 17, 2001
Marjorie Baumgarten
Austin Chronicle

A sweet evocation of a world on the verge of change.

Full Review Source: Austin Chronicle | Original Score: 3/5

May 7, 2001

Boston Globe
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Shadow Magic isn't interested in psychology or character study. It's a series of tableaux and on that level succeeds admirably.

May 4, 2001
Barry Johnson
Oregonian

Xia gives Jinglun an earnest likability.

Full Review Source: Oregonian

April 27, 2001
Curtis Morgan
Miami Herald
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There is a humane touch here missing from so many modern movies.

April 27, 2001
Michael O'Sullivan
Washington Post
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It's a film about film, and Hu's love of the medium's storytelling power shines through every frame.

Full Review Source: Washington Post | Original Score: 4/5

April 20, 2001
Stephen Hunter
Washington Post
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Sumptuous, warm, continually amazing, it's a completely enjoyable couple of hours at the flickers.

Full Review Source: Washington Post | Original Score: 4.5/5

April 20, 2001
Desmond Ryan
Philadelphia Inquirer
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Transports us to a world that still had a capacity for awe, and that's the core of its charm.

April 20, 2001
Eric Harrison
Houston Chronicle
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The film is at its best as a document of a changing culture and also as a loving essay on the power of cinema.

Full Review Source: Houston Chronicle

April 20, 2001
Cynthia Fuchs
Philadelphia City Paper

Charming if sometimes clumsy.

Full Review Source: Philadelphia City Paper

April 20, 2001
William Arnold
Seattle Post-Intelligencer

The film never quite builds the compulsive emotional power it needs to be an unforgettable personal drama. But it's full of other good stuff.

Full Review Source: Seattle Post-Intelligencer | Original Score: B

April 13, 2001
Tor Thorsen
Reel.com

It's predictable, sentimental, and more than a little nostalgic. Yet it's also quite endearing, growing on you like a warm, fuzzy, fungus until you're overpowered by its affection and innocence.

| Original Score: 3/4

April 13, 2001
Jeffrey M. Anderson
Combustible Celluloid
May 26, 2006
Jean Lowerison
San Diego Metropolitan
October 21, 2002
Robert Denerstein
Denver Rocky Mountain News
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August 9, 2002

Boston Phoenix
March 24, 2002
Elizabeth Wright
Senses of Cinema
November 26, 2001
Urban Cinefile Critics
Urban Cinefile
November 23, 2001
Jack Garner
Rochester Democrat and Chronicle
October 30, 2001
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