When the movie focuses on Gere's marriage to Susan Sarandon and how honesty can save love, Dance will sneakily kick-step its way into your heart.
Shall We Dance? (2004)
Tomatometer
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Reviews Counted:145
Fresh:69
Rotten:76
Average Rating:5.5/10
Consensus: The cast is warmly appealing, but with the loss of cultural context and addition of big-name celebrities, this American version loses the nuances of the original.
Rated: PG-13 [See Full Rating] for some sexual references and brief language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 15, 2004 Wide
Box Office: $57,825,111
Synopsis: A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE.... A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE. What begins as a romantic comedy soon turns into an exhilarating tale about the unexpected places one finds passion. SHALL WE DANCE is directed by Peter Chelsom from a screenplay by Audrey Wells (“Under The Tuscan Sun”) based on the runaway Japanese hit that won fans around the world. Inspired by the Japanese film’s light-hearted wit and thrilling dance sequences, this new version brings the story to the American search for fulfillment and happiness. Richard Gere stars as John Clark, a man with a wonderful job, charming wife (Susan Sarandon) and loving family, who nevertheless feels that something is missing as he makes his way every day through the city. Each evening on his commute home, John sees an entrancing young teacher (Jennifer Lopez) staring with a lost expression through the window of a dance studio. Haunted by her gaze, John impulsively jumps off the train one night, and signs up for dance lessons hoping to meet her. At first, it seems like a mistake. His teacher turns out to be not Paulina, but the older Miss Mitzi (Anita Gillette), and John proves just as clumsy as his equally clueless classmates on the dance-floor. Even worse, when he does meet Paulina, she icily tells John she hopes he has come to the studio to seriously study dance and not to look for a date. But, as his lessons continue, John discovers that his attraction to Paulina pales in comparison to the invigorating effects of falling in love with dancing. Now, keeping his new obsession from family and co-workers, John feverishly trains for Chicago’s biggest dance competition. His friendship with Paulina blossoms, as his enthusiasm rekindles her own lost passion for dance. But the more time John spends away from home, the more his wife becomes suspicious until she hires a private detective to uncover a possible affair. With his secret about to be revealed, John will have to do some fancy footwork to keep his dream going and realize what it is he really yearns for. [More]
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci, Bobby Cannavale, Anita Gillette, Lisa Ann Walter, Omar Benson Miller, Richard Jenkins, Nick Cannon
Director: Peter Chelsom
Director: Peter Chelsom
Screenwriter: Audrey Wells
Producer: Simon Fields
Composer: John Altman, Gabriel Yared
Studio: Miramax Films
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Reviews for Shall We Dance?
The cultural nuances of the original have been lost and in their stead is the sort of deep insight into the human condition that can most readily be found in a fortune cookie
It's a sweet story sabotaged by routine characters and dumb plot turns.
Audrey Wells' badly flawed adaptation of the original screenplay tries to bridge [the] cultural gap but it doesn't work
A totally delightful film overflowing with passion for life, love -- and ballroom dancing.
Largely forgettable because the central love story, between a married couple played by Richard Gere and Susan Sarandon, has nary a spark.
The screenplay does not allow the dance to overshadow the human core of the story — Clark’s search for fulfillment, for the missing piece to make his life complete.
It wants so badly to curry date-night favor, it never risks doing anything that would make for a memorable move.
This mildly entertaining bauble will disappear from your memory even before you've dislodged the last popcorn husks from your back teeth.
The new Dance is a lukewarm Hollywood T-ball game, where the only goal is to please every potential audience member out there in the great unknown.
The 1996 original is classier, deeper, more poignant. A Ginger Rogers to this Beyoncé.
So supple is this story about the man with two lead feet who walks into a dance class and then waltzes out of his midlife funk, that it pretty much survives the transplant from its Tokyo Zen garden to a Windy City rose arbor.
Latest News for Shall We Dance?
March 11, 2005:
Audrey Wells to do Some Rearranging Over at Touchstone
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