As a whole, Shall We Dance? is enjoyable.
Shall We Dance? (2004)
Tomatometer
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Reviews Counted:145
Fresh:69
Rotten:76
Average Rating:5.5/10
Consensus: The cast is warmly appealing, but with the loss of cultural context and addition of big-name celebrities, this American version loses the nuances of the original.
Rated: PG-13 [See Full Rating] for some sexual references and brief language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 15, 2004 Wide
Box Office: $57,825,111
Synopsis: A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE.... A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE. What begins as a romantic comedy soon turns into an exhilarating tale about the unexpected places one finds passion. SHALL WE DANCE is directed by Peter Chelsom from a screenplay by Audrey Wells (“Under The Tuscan Sun”) based on the runaway Japanese hit that won fans around the world. Inspired by the Japanese film’s light-hearted wit and thrilling dance sequences, this new version brings the story to the American search for fulfillment and happiness. Richard Gere stars as John Clark, a man with a wonderful job, charming wife (Susan Sarandon) and loving family, who nevertheless feels that something is missing as he makes his way every day through the city. Each evening on his commute home, John sees an entrancing young teacher (Jennifer Lopez) staring with a lost expression through the window of a dance studio. Haunted by her gaze, John impulsively jumps off the train one night, and signs up for dance lessons hoping to meet her. At first, it seems like a mistake. His teacher turns out to be not Paulina, but the older Miss Mitzi (Anita Gillette), and John proves just as clumsy as his equally clueless classmates on the dance-floor. Even worse, when he does meet Paulina, she icily tells John she hopes he has come to the studio to seriously study dance and not to look for a date. But, as his lessons continue, John discovers that his attraction to Paulina pales in comparison to the invigorating effects of falling in love with dancing. Now, keeping his new obsession from family and co-workers, John feverishly trains for Chicago’s biggest dance competition. His friendship with Paulina blossoms, as his enthusiasm rekindles her own lost passion for dance. But the more time John spends away from home, the more his wife becomes suspicious until she hires a private detective to uncover a possible affair. With his secret about to be revealed, John will have to do some fancy footwork to keep his dream going and realize what it is he really yearns for. [More]
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci, Bobby Cannavale, Anita Gillette, Lisa Ann Walter, Omar Benson Miller, Richard Jenkins, Nick Cannon
Director: Peter Chelsom
Director: Peter Chelsom
Screenwriter: Audrey Wells
Producer: Simon Fields
Composer: John Altman, Gabriel Yared
Studio: Miramax Films
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Reviews for Shall We Dance?
A sugarcoated American remake with all the same charms, but also the same flaws.
While its situations are never hugely believable, this long-delayed remake is otherwise a consistently delightful comedy of character and a surprisingly strong showcase for its stars.
A treat on two counts. First and foremost, it is a wildly entertaining and companionable film. Second, it is blessedly unpretentious.
It's a shame ... when the leading man's muse spends much of the film looking like all she could possibly inspire is an Easter Island-style statue.
The entire feature feels poorly motivated and low on energy. There's clearly something missing.
Shall We Dance opens so promisingly that it's a big disappointment when the picture suffers crucial missteps that throw off its entire rhythm.
The screenplay does not allow the dance to overshadow the human core of the story — Clark’s search for fulfillment, for the missing piece to make his life complete.
Shall We Dance? never seems to rise above its syrupy premise and ballroom antics.
The central idea -- that losing yourself in a small, private world can help you to better engage the larger world -- isn't lost in translation.
There's nothing wrong with Shall We Dance? exactly, except that it makes absolutely no sense.
Films about dance are so often memorable and inspiring; but despite this one's star wattage, or perhaps because of it, it doesn't win the contest.
Lopez's pout doesn't convey tragedy as much as brattiness, as if the catastrophe in Paulina's life was that she had missed out on a clearance sale at her favorite shoe store.
A hokey, poorly acted, and disappointing remake of the irresistible 1997 Japanese film.
A sweet, well-meaning pass at a story that just doesn't translate --you're gonna get stuck watching it with your mom or your girlfriend every time it shows up on TNT.
Very nearly as good as the original, a funny and unexpectedly touching story of a middle-age man finding inspiration in ballroom dance.
Occasionally charming but ultimately forgettable bit of fox-trot fluff.
The cultural nuances of the original have been lost and in their stead is the sort of deep insight into the human condition that can most readily be found in a fortune cookie
Latest News for Shall We Dance?
March 11, 2005:
Audrey Wells to do Some Rearranging Over at Touchstone
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