Under the clunky direction of Peter Chelsom, while forced to mouth inane dialogue by Audrey Wells ... a swell bunch of troupers get mangled in a monsoon of clichés.
Shall We Dance? (2004)
Tomatometer
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Reviews Counted:35
Fresh:15
Rotten:20
Average Rating:5.2/10
Consensus: The cast is warmly appealing, but with the loss of cultural context and addition of big-name celebrities, this American version loses the nuances of the original.
Rated: PG-13 [See Full Rating] for some sexual references and brief language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 15, 2004 Wide
Box Office: $57,825,111
Synopsis: A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE.... A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE. What begins as a romantic comedy soon turns into an exhilarating tale about the unexpected places one finds passion. SHALL WE DANCE is directed by Peter Chelsom from a screenplay by Audrey Wells (“Under The Tuscan Sun”) based on the runaway Japanese hit that won fans around the world. Inspired by the Japanese film’s light-hearted wit and thrilling dance sequences, this new version brings the story to the American search for fulfillment and happiness. Richard Gere stars as John Clark, a man with a wonderful job, charming wife (Susan Sarandon) and loving family, who nevertheless feels that something is missing as he makes his way every day through the city. Each evening on his commute home, John sees an entrancing young teacher (Jennifer Lopez) staring with a lost expression through the window of a dance studio. Haunted by her gaze, John impulsively jumps off the train one night, and signs up for dance lessons hoping to meet her. At first, it seems like a mistake. His teacher turns out to be not Paulina, but the older Miss Mitzi (Anita Gillette), and John proves just as clumsy as his equally clueless classmates on the dance-floor. Even worse, when he does meet Paulina, she icily tells John she hopes he has come to the studio to seriously study dance and not to look for a date. But, as his lessons continue, John discovers that his attraction to Paulina pales in comparison to the invigorating effects of falling in love with dancing. Now, keeping his new obsession from family and co-workers, John feverishly trains for Chicago’s biggest dance competition. His friendship with Paulina blossoms, as his enthusiasm rekindles her own lost passion for dance. But the more time John spends away from home, the more his wife becomes suspicious until she hires a private detective to uncover a possible affair. With his secret about to be revealed, John will have to do some fancy footwork to keep his dream going and realize what it is he really yearns for. [More]
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci, Bobby Cannavale, Anita Gillette, Lisa Ann Walter, Omar Benson Miller, Richard Jenkins, Nick Cannon
Director: Peter Chelsom
Director: Peter Chelsom
Screenwriter: Audrey Wells
Producer: Simon Fields
Composer: John Altman, Gabriel Yared
Studio: Miramax Films
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Reviews for Shall We Dance?
Occasionally charming but ultimately forgettable bit of fox-trot fluff.
Takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good Big Stupid American movie.
Turns a sweet, lilting story into a clunky, clichéd and tedious movie sitcom.
The original remains the standard, and it's a far deeper work, but this paint-by-numbers project manages to get by on its good humour and undeniably entertaining ensemble cast.
Where the original soared, the new version hugs the ground. It's like the difference between Fred Astaire's dancing and Richard Gere's.
Miscast, misguided and woefully misbegotten, this clumsy American remake of the deftly delicate 1996 sleeper hit from Japan is too blah to bludgeon.
A pleasant, uncomplicated, adult night out -- an event nearly as rare as a new romantic Hollywood musical.
There isn't even any exciting dancing here, and what hoofing there is has been heavily edited, usually with the dancers' feet cropped off.
A sleek Hollywood crowd-pleaser, more movie than art film, but its makers have wisely stuck not only to the spirit but often even to the letter of the original.
A funny, well-acted adult tale about the difficulty of holding onto happiness.
Invigorating, hopeful, funny and perfectly consciously corny at times.
Asks us to return to the days of yesteryear, when we would accept Cary Grant as a country bumpkin and Marilyn Monroe as an ugly duckling. These days, that's asking too much.
Waltzes us into a world where interesting emotional realities give way to stock responses.
Feels engineered the way women's magazines too often do: to deliver the feel-good without burdening us with too much feeling or thought.
Its missteps turn the delicate footwork of the original into a clunky thud.
Latest News for Shall We Dance?
March 11, 2005:
Audrey Wells to do Some Rearranging Over at Touchstone
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