Where the original soared, the new version hugs the ground. It's like the difference between Fred Astaire's dancing and Richard Gere's.
Shall We Dance? (2004)
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Reviews Counted:145
Fresh:69
Rotten:76
Average Rating:5.5/10
Consensus: The cast is warmly appealing, but with the loss of cultural context and addition of big-name celebrities, this American version loses the nuances of the original.
Rated: PG-13 [See Full Rating] for some sexual references and brief language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 15, 2004 Wide
Box Office: $57,825,111
Synopsis: A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE.... A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE. What begins as a romantic comedy soon turns into an exhilarating tale about the unexpected places one finds passion. SHALL WE DANCE is directed by Peter Chelsom from a screenplay by Audrey Wells (“Under The Tuscan Sun”) based on the runaway Japanese hit that won fans around the world. Inspired by the Japanese film’s light-hearted wit and thrilling dance sequences, this new version brings the story to the American search for fulfillment and happiness. Richard Gere stars as John Clark, a man with a wonderful job, charming wife (Susan Sarandon) and loving family, who nevertheless feels that something is missing as he makes his way every day through the city. Each evening on his commute home, John sees an entrancing young teacher (Jennifer Lopez) staring with a lost expression through the window of a dance studio. Haunted by her gaze, John impulsively jumps off the train one night, and signs up for dance lessons hoping to meet her. At first, it seems like a mistake. His teacher turns out to be not Paulina, but the older Miss Mitzi (Anita Gillette), and John proves just as clumsy as his equally clueless classmates on the dance-floor. Even worse, when he does meet Paulina, she icily tells John she hopes he has come to the studio to seriously study dance and not to look for a date. But, as his lessons continue, John discovers that his attraction to Paulina pales in comparison to the invigorating effects of falling in love with dancing. Now, keeping his new obsession from family and co-workers, John feverishly trains for Chicago’s biggest dance competition. His friendship with Paulina blossoms, as his enthusiasm rekindles her own lost passion for dance. But the more time John spends away from home, the more his wife becomes suspicious until she hires a private detective to uncover a possible affair. With his secret about to be revealed, John will have to do some fancy footwork to keep his dream going and realize what it is he really yearns for. [More]
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci, Bobby Cannavale, Anita Gillette, Lisa Ann Walter, Omar Benson Miller, Richard Jenkins, Nick Cannon
Director: Peter Chelsom
Director: Peter Chelsom
Screenwriter: Audrey Wells
Producer: Simon Fields
Composer: John Altman, Gabriel Yared
Studio: Miramax Films
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Reviews for Shall We Dance?
Miscast, misguided and woefully misbegotten, this clumsy American remake of the deftly delicate 1996 sleeper hit from Japan is too blah to bludgeon.
Lopez has the simultaneous gift and curse of being exactly as good as her material; she fully inhabits the solemnity of Paulina without overshadowing the central conflict.
A treat on two counts. First and foremost, it is a wildly entertaining and companionable film. Second, it is blessedly unpretentious.
The Clark character holds us because Gere makes us understand the frustration of a guy who simply needs a new spark to rejuvenate a good but stale life.
A frequently awkward mesh of character study and broad comedic elements that's fairly winning nonetheless, thanks largely to the fine work of an attractive and likable cast.
Feels more American in origin: like Dirty Dancing III: The Viagra Years.
Runs the constant risk of dissolving into extreme silliness, but its continuous small-change pleasures and general sweetness grow in aggregate.
The central idea -- that losing yourself in a small, private world can help you to better engage the larger world -- isn't lost in translation.
It's an intelligent, funny, mature comedy that wears its heart on its sleeve and makes you care about the inner lives of ridiculously privileged human beings.
A pleasant, uncomplicated, adult night out -- an event nearly as rare as a new romantic Hollywood musical.
There isn't even any exciting dancing here, and what hoofing there is has been heavily edited, usually with the dancers' feet cropped off.
A sleek Hollywood crowd-pleaser, more movie than art film, but its makers have wisely stuck not only to the spirit but often even to the letter of the original.
It wants so badly to curry date-night favor, it never risks doing anything that would make for a memorable move.
Very nearly as good as the original, a funny and unexpectedly touching story of a middle-age man finding inspiration in ballroom dance.
There's nothing wrong with Shall We Dance? exactly, except that it makes absolutely no sense.
This American version doesn't have the same exquisite magic and profound understanding, but it is charming in its own way.
Latest News for Shall We Dance?
March 11, 2005:
Audrey Wells to do Some Rearranging Over at Touchstone
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