A doubly tired remake: first of the infinitely better 1997 film from Japan, and second of virtually any cliche you can imagine from situation comedies.
Shall We Dance? (2004)
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Reviews Counted:145
Fresh:69
Rotten:76
Average Rating:5.5/10
Consensus: The cast is warmly appealing, but with the loss of cultural context and addition of big-name celebrities, this American version loses the nuances of the original.
Rated: PG-13 [See Full Rating] for some sexual references and brief language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Oct 15, 2004 Wide
Box Office: $57,825,111
Synopsis: A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE.... A workaholic lawyer’s life and marriage take an unexpected twirl when he follows a beautiful woman to a Chicago dance studio and becomes a clandestine ballroom dance competitor in SHALL WE DANCE. What begins as a romantic comedy soon turns into an exhilarating tale about the unexpected places one finds passion. SHALL WE DANCE is directed by Peter Chelsom from a screenplay by Audrey Wells (“Under The Tuscan Sun”) based on the runaway Japanese hit that won fans around the world. Inspired by the Japanese film’s light-hearted wit and thrilling dance sequences, this new version brings the story to the American search for fulfillment and happiness. Richard Gere stars as John Clark, a man with a wonderful job, charming wife (Susan Sarandon) and loving family, who nevertheless feels that something is missing as he makes his way every day through the city. Each evening on his commute home, John sees an entrancing young teacher (Jennifer Lopez) staring with a lost expression through the window of a dance studio. Haunted by her gaze, John impulsively jumps off the train one night, and signs up for dance lessons hoping to meet her. At first, it seems like a mistake. His teacher turns out to be not Paulina, but the older Miss Mitzi (Anita Gillette), and John proves just as clumsy as his equally clueless classmates on the dance-floor. Even worse, when he does meet Paulina, she icily tells John she hopes he has come to the studio to seriously study dance and not to look for a date. But, as his lessons continue, John discovers that his attraction to Paulina pales in comparison to the invigorating effects of falling in love with dancing. Now, keeping his new obsession from family and co-workers, John feverishly trains for Chicago’s biggest dance competition. His friendship with Paulina blossoms, as his enthusiasm rekindles her own lost passion for dance. But the more time John spends away from home, the more his wife becomes suspicious until she hires a private detective to uncover a possible affair. With his secret about to be revealed, John will have to do some fancy footwork to keep his dream going and realize what it is he really yearns for. [More]
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci
Starring: Richard Gere, Jennifer Lopez, Susan Sarandon, Stanley Tucci, Bobby Cannavale, Anita Gillette, Lisa Ann Walter, Omar Benson Miller, Richard Jenkins, Nick Cannon
Director: Peter Chelsom
Director: Peter Chelsom
Screenwriter: Audrey Wells
Producer: Simon Fields
Composer: John Altman, Gabriel Yared
Studio: Miramax Films
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Reviews for Shall We Dance?
So supple is this story about the man with two lead feet who walks into a dance class and then waltzes out of his midlife funk, that it pretty much survives the transplant from its Tokyo Zen garden to a Windy City rose arbor.
This version of Shall We Dance? tosses circumspection out of the window, milking every ounce of sentimentality, pathos and thrift-shop idiosyncrasy from the story line.
The filmmakers aren't afraid to lay on the schmaltz, especially at the end, but it never gets so heavy that Shall We Dance? doesn't step lively.
An unwieldy mess that gives every impression of having been made under a mandate to fill the Miramax crowd-pleaser slot.
The movie tries hard to duplicate the original's mood and story, but, like Gere or Lopez, is too much of a visual knockout to rope us in.
The original is about the restorative power of dance. The remake is about working a rap number into the movie so kids will buy the soundtrack.
Shall We Dance isn't half the movie its predecessor is, but it succeeds on its own terms.
'The Rumba is a vertical expression of a horizontal wish,' says J. Lo. Then again, so is sleepwalking.
The new Dance is a lukewarm Hollywood T-ball game, where the only goal is to please every potential audience member out there in the great unknown.
this is a thoroughly likable flick, one that will have even the most rhythmically challenged schlub leaving the theater with a bounce in his step and twinkle in his eye.
Too bad the title Lost in Translation, which aptly describes much of the story of the Shall We Dance? remake, was already taken.
a melodramatic nightmare marred by poorly contrived situations and emotionally weak characters
Peter Chelsom's one of the rare few these days who can truly create a world on film.
Shall We Dance opens so promisingly that it's a big disappointment when the picture suffers crucial missteps that throw off its entire rhythm.
Instead of class, we get crass. Instead of living characters, we get lazy stereotypes. Instead of light effervescence, we get a lead balloon.
Latest News for Shall We Dance?
March 11, 2005:
Audrey Wells to do Some Rearranging Over at Touchstone
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