Average Rating: 6.2/10
Reviews Counted: 30
Fresh: 19 | Rotten: 11
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Average Rating: 4.6/10
Critic Reviews: 7
Fresh: 2 | Rotten: 5
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Average Rating: 3.2/5
User Ratings: 6,323
A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie
Feb 14, 1975 Wide
Jan 21, 2003
Sony Pictures Home Entertainment
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There's a self-awareness to Shampoo that gives the movie a cleansing sadness and, oddly, makes Beatty an affectingly amoral roue.
Shampoo, made in 1975 but set in 1968, the night before Richard Nixon's election to the presidency, was directed by Hal Ashby and written by Robert Towne and Warren Beatty, who may have produced one of the best scripts in the last three decades.
The laughs are tempered by bleakness and the film ends up saddened by its characters' waywardness.
Disappointment comes in all weights and flavors, but the brand that's generated by Hal Ashby's Shampoo is a bit harder to swallow than some.
Shampoo never quite connects its images of national mediocrity and personal self-deception.
An immensely-successful film whose vein of strong black humour disguises its criticisms of American morals and society.
Once you leave the theater, you become hard-pressed to remember much about this film.
Kitsch, stylish and a little on the empty side, Shampoo is mirror image of the decade that spawned it.
Beatty mercilessly lampoons his own offscreen image in a bumptious comedy of manners that turns persuasively sombre at the end.
Star-producer Warren Beatty takes a stereotypically gay character, a glamorous hairdresser, and turns it into a womanizer in Beverly Hills, which is sort of Our Town, suburbia as small-town America, only four decades later.
The jokes and characters are archetypes of America's most ridiculous era, which makes Shampoo serve better as a historical record than a timeless comedy.
A lacerating portrait of an emotionally empty hairdresser and the multitudinous female company he keeps.
It's a bit slow by today's standards; it doesn't hold up.
There's a deep, soulful confusion here that isn't careless with frivolity.
Audience Reviews for Shampoo
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