Average Rating: 8.4/10
Reviews Counted: 29
Fresh: 28 | Rotten: 1
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The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger,
Apr 24, 1953 Wide
Aug 15, 2000
Paramount Home Video
All Critics (29) | Top Critics (4) | Fresh (29) | Rotten (1) | DVD (8)
Wyoming's scenic splendors against which the story is filmed are breathtaking. Sunlight, the shadow of rain storms and the eerie lights of night play a realistic part in making the picture a visual treat.
Here, as too often in his career, Stevens is aiming to have the last word on a genre: everything aims for 'classic' status, and everything falters in a mire of artsiness and obtrusive technique.
For Shane contains something more than beauty and the grandeur of the mountains and plains, drenched by the brilliant Western sunshine and the violent, torrential, black-browed rains...
There are intriguing mysteries in Shane, puzzles and challenges, not least in the title character and the way he is played by Alan Ladd.
"Come back, Shane!" Classic Western for the ages.
Western Poetry in Technicolor.
Despite being burdened with grand pretensions, George Steven's Shane stands securely as one of the most intelligent westerns of its era.
The direction is deliberate, but the attention to detail is impressive, and the perfromances of Jean Arthur, Alan Ladd, and Brandon De Wilde are so good and restrained that they overcome the social-mythical types they're playing.
A maravilhosa fotografia que explora as amplas locações e a força do elenco já seriam o bastante para criar um ótimo trabalho. Mas é a riqueza psicológica do misterioso protagonista e de sua relação com os Starrett que torna o filme inesquecível.
Shane isn't just one of the best movies of its genre or decade -- it's one of the finest films ever made.
It's the western styled as Arthurian legend, flawlessly cast, undeniably splendid.
Stevens' classic Western, with its inflated reputation, now looks as if it were self-consciously intended as a landmark film right from the start.
If the Western is the quintessential American mythology, Shane is its great knight-samurai archetype: stern in battle, mild with women and children, siding with the wronged.
An adult Western for those who still want to believe that there are guardian angels out there.
...This isn't just a western; it's a masterwork in which every little detail seems to contribute to the intensity in the air.
Often considered a high watermark for the western genre, and an integral part of the mythologizing of the Old West, this is George Stevens's production of that age -old story of a rugged loner who, bound by a sense of honor and decency, finds himself returning to a life he long abandoned and vowed to never return to,
January 7, 2012Super Reviewer
Shane, for the most part, fails to entertain or to offer high-quality story telling, which makes me wonder why we all consider it one of the great classics. You'll probably have more fun watching most other early westerns.
August 8, 2011
Super Reviewer
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