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The Shape of Things (2003)
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Reviews Counted:133
Fresh:86
Rotten:47
Average Rating:6.3/10
Consensus: LaBute returns to his earlier themes of cruelty in relationships, and the results hit hard.
Theatrical Release:May 9, 2003 Limited
Box Office: $662,763
Synopsis: Rachel Weisz, Paul Rudd, Gretchen Mol, and Frederick Weller star in Neil LaBute's adaptation of his own stage play, which also featured all four actors. The film focuses on the unlikely romance... Rachel Weisz, Paul Rudd, Gretchen Mol, and Frederick Weller star in Neil LaBute's adaptation of his own stage play, which also featured all four actors. The film focuses on the unlikely romance between precocious art grad student Evelyn (Weisz) and shy English undergrad Adam (Rudd). As their relationship progresses, the unhip, bookish Adam is brought out of his shell by the spontaneous, opinionated Evelyn. Soon Adam is losing weight, wearing contact lenses instead of glasses, and dressing more fashionably than before. However, Adam's changes begin to affect his longtime friendship with the optimistic, attractive Jenny (Mol) and the cocky, smug Philip (Weller), who are now engaged. Soon the four become involved in a variety of uncomfortable entanglements, ultimately leading to a disturbing revelation. A welcome return to form for LaBute after the period-piece detour of POSSESSION, THE SHAPE OF THINGS finds the provocative director-screenwriter back in the darkly comedic vein of his first two films, IN THE COMPANY OF MEN and YOUR FRIENDS AND NEIGHBORS. Whereas those two movies focused on the ruthless and manipulative side of the male psyche, this film features a woman carrying out the same sorts of questionable acts of cruelty. As LaBute's film goes from sweet to sadistic, it brings up larger issues involving art and relationships, but these points never detract from the fine ensemble performances or the intriguing central story. Shot in California, the sunny backdrop of THE SHAPE OF THINGS works wonderfully as the counterpoint to the film's shady proceedings and allows the stage-play roots of the tale to unfold in a different light. [More]
Starring: Rachel Weisz, Paul Rudd, Gretchen Mol, Frederick Weller
Starring: Rachel Weisz, Paul Rudd, Gretchen Mol, Frederick Weller
Director: Neil LaBute
Director: Neil LaBute
Screenwriter: Neil LaBute
Producer: Gail Mutrux, Philip Steuer, Rachel Weisz, Neil LaBute
Studio: Focus Features
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Reviews for The Shape of Things
There are barbs here to tickle anyone's paranoia, but the callousness isn't illustrative, just exploitative.
Aside from the faces of the actors, there is very little in The Shape of Things that is recognizably human.
Every time [LaBute's] characters start to act natural, begin to breathe, live and display ordinary human desire, they bump into the walls of the wildly unlikely plot structure in which he has imprisoned them.
The Shape of Things shows, yet again, what a singularly talented artist LaBute is--and how his penchant for excessive ugliness can nearly ruin a good thing.
Unconvincing and dull -- two adjectives I never expected to use in connection with any movie from Neil LaBute, who usually lives up to his reputation as 'film's shock jock.'
LaBute returns to familiar territory (albeit with a gender twist) that would have been best left unvisited.
Mr. LaBute is in danger of becoming an arch, one-trick relationship pony. In other words, he's starting to get boring.
In LaBute's movies, people are either clueless dupes or psychotic manipulators, while art is meant to rub your face in unpleasant 'truths.' And I think he takes a little too much pleasure in that nose-rubbing.
At best, the movie is a problematic chamber piece; at worst, a misdirected, slightly misanthropic pretension.
LaBute hammers this Shape to smithereens with argument after argument.
The facial jewellery, Elvis Costello music and cell phones notwithstanding, you keep expecting these people to challenge each other to duels with rapiers at dawn.
The characters don't seem to be people as much as they are stand-ins for ideas.
The problem with Shape is that it's exactly what it seems: a recycled four-character play ... that someone mistook for a clever movie.
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