The best ensemble acting I've seen (so far) in 2003.
The Shape of Things (2003)
Tomatometer
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Reviews Counted:133
Fresh:86
Rotten:47
Average Rating:6.3/10
Consensus: LaBute returns to his earlier themes of cruelty in relationships, and the results hit hard.
Theatrical Release:May 9, 2003 Limited
Box Office: $662,763
Synopsis: Rachel Weisz, Paul Rudd, Gretchen Mol, and Frederick Weller star in Neil LaBute's adaptation of his own stage play, which also featured all four actors. The film focuses on the unlikely romance... Rachel Weisz, Paul Rudd, Gretchen Mol, and Frederick Weller star in Neil LaBute's adaptation of his own stage play, which also featured all four actors. The film focuses on the unlikely romance between precocious art grad student Evelyn (Weisz) and shy English undergrad Adam (Rudd). As their relationship progresses, the unhip, bookish Adam is brought out of his shell by the spontaneous, opinionated Evelyn. Soon Adam is losing weight, wearing contact lenses instead of glasses, and dressing more fashionably than before. However, Adam's changes begin to affect his longtime friendship with the optimistic, attractive Jenny (Mol) and the cocky, smug Philip (Weller), who are now engaged. Soon the four become involved in a variety of uncomfortable entanglements, ultimately leading to a disturbing revelation. A welcome return to form for LaBute after the period-piece detour of POSSESSION, THE SHAPE OF THINGS finds the provocative director-screenwriter back in the darkly comedic vein of his first two films, IN THE COMPANY OF MEN and YOUR FRIENDS AND NEIGHBORS. Whereas those two movies focused on the ruthless and manipulative side of the male psyche, this film features a woman carrying out the same sorts of questionable acts of cruelty. As LaBute's film goes from sweet to sadistic, it brings up larger issues involving art and relationships, but these points never detract from the fine ensemble performances or the intriguing central story. Shot in California, the sunny backdrop of THE SHAPE OF THINGS works wonderfully as the counterpoint to the film's shady proceedings and allows the stage-play roots of the tale to unfold in a different light. [More]
Starring: Rachel Weisz, Paul Rudd, Gretchen Mol, Frederick Weller
Starring: Rachel Weisz, Paul Rudd, Gretchen Mol, Frederick Weller
Director: Neil LaBute
Director: Neil LaBute
Screenwriter: Neil LaBute
Producer: Gail Mutrux, Philip Steuer, Rachel Weisz, Neil LaBute
Studio: Focus Features
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Reviews for The Shape of Things
The facial jewellery, Elvis Costello music and cell phones notwithstanding, you keep expecting these people to challenge each other to duels with rapiers at dawn.
In The Shape of Things, love doesn't just hurt: It bites, and bites deep.
LaBute keeps the tone surprisingly light -- for a LaBute film, anyway.
[LaBute's] observation of human nature is keener than before, his dialogue more attuned to ambiguities.
The Shape of Things shows, yet again, what a singularly talented artist LaBute is--and how his penchant for excessive ugliness can nearly ruin a good thing.
An amazing piece of writing and one that will provoke laughs, discussion and anger.
It’s hard to believe, but LaBute seems to be getting even more insidious...twisting an old tale with a new take and his no-bones-about-it allusions to the creation myth.
Such an effective emotional roller coaster that its flaws seem diminished
A cinematic puzzle that's more schematic than natural, and one with a distinctly sour aftertaste, but despite the artificiality it still works.
Not simply a cynical view of modern romance but a statement about the poisons embracing the human condition.
As unflinching in its honesty as it is sharp in its observation and a great adaptation from stage to screen.
This is the dark side of human interaction: ugly and cruel, but powerful and resonant nonetheless.
With outstanding performances from Rudd and Weisz, this is an unsettling, provocative and nasty little gem.
Anchored by two great leads and full of interesting, deeply debatable ideas, Shape still feels stagey and boxed in -- like a brilliantly unknowable friend existing in a world not your own.
The balanced struggle between and among sexes is engaging for a good chunk of the film.
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