Average Rating: 7/10
Reviews Counted: 25
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Average Rating: 3.5/5
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Inspired by writer/director Eran Creevy's own teenage experiences, Shifty tells the tale of a man who returns to his old neighborhood on the outskirts of London, ostensibly to attend a party but more specifically to check up on an old friend. It's been a long time since Chris (Daniel Mays) left town, and now that he's finally returned, he's eager to check up on Shifty (Riz Ahmed), the lifelong friend he left behind. As it turns out, things aren't going to well for Shifty; not only has he taken
Oct 24, 2008 Wide
Aug 24, 2009
BBC Films - Official Site
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Creevy's fine ear for dialogue, sensitive and productive direction of actors and confident control of tone is all the more impressive for being delivered under the short schedule and tight budgetary exigencies.
Shifty is low-key, low budget, but high grade. It's a film about sitting and talking. And drug dealing. It builds slowly - some may want more action, but it has a surprisingly satisfying conclusion.
The dialogue is a nice mix of Pinteresque menace, drug lingo, laddism and cracking one-liners.
The film has a sense of authenticity and there's no sentimental suggestion that Shifty's way of life is the inevitable result of his background.
Moving, gripping and funny, this is a homegrown gem you can't help taking to your heart.
For a debut feature, Eran Creevy's semi-autobiographical drama shows a remarkably light touch, set in an anonymous London suburbia far removed from stereotypical East End of the wideboy film tradition.
Mercifully free of Danny Dyer cameos or Guy Ritchie mockneyisms, this works as both an entertaining gangster thriller and a hard-hitting piece of social realism. Absorbing, moving and authentic, Shifty never once strikes a false note.
Creevy eschews the woozy, arthouse ambience of Duane Hopkins' Better Things - another portrait of a drug-decimated community - for naturalistic dialogue and performances within carefully framed and composed shots; properly cinematic, grown-up direction.
Good central performances in this highly, entertaining character-driven debut.
The production values are lo-fi but spirited performances, matey humour and an edgy authenticity carry the story.
First-time director Eran Creevy kicks things up a notch with this shrewd and engaging drama, achieved on the smallest of budgets.
Written and directed by first-timer Eran Creevy, this quiet piece is mostly convincing in its mundane details, and doesn't feel the need to ramp up its plot too precipitately into guns and threats and spiralling vendetta.
Shifty boasts convincing performances, even-handed characterisation, creeping suspense and energy to burn.
As art, Shifty is unoriginal and tedious. I find it difficult to imagine who would pay to see this for entertainment.
It doesn't hit home quite like it should, but director Eran Creevy deserves credit for delivering something better than the usual Brit gruel.
First-time writer and director Eran Creevy delivers a film full of uneasy silences, punctuated by laddish banter and just enough action to keep you gripped.
It is all done with conviction, is well acted, particularly by the two leads, and is a brisk, promising debut for Creevy.
Drug crime on the outskirts of London sounds neither promising nor original, but Eran Creevy's debut feature is more character study than the usual Britcrim parade of guns and geezers.
The story may not be entirely unfamiliar but writer/director Eran Creevy transforms autobiographical material into an engaging, energetic little drama that is full of promise.
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