With everything to work with, director Stanley Kubrick has teamed with jumpy Jack Nicholson to destroy all that was so terrifying about Stephen King's bestseller.
The Shining (1980)
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Reviews Counted:47
Fresh:41
Rotten:6
Average Rating:7.9/10
Runtime: 3 hrs
Genre: Horror/Suspense
Synopsis: Opening with spectacular aerial shots of a beautiful, mountainous landscape, Stanley Kubrick's horror classic THE SHINING sucks the viewer into his frightening tale with quiet, relaxing... Opening with spectacular aerial shots of a beautiful, mountainous landscape, Stanley Kubrick's horror classic THE SHINING sucks the viewer into his frightening tale with quiet, relaxing visuals--but the ominous soundtrack warns that all is not right at the gorgeous Overlook Hotel. Based on Stephen King's best-selling novel, the film stars Jack Nicholson at his eyebrow-raising best in his portrayal of Jack Torrance, a Vermont schoolteacher working at the Overlook as a winter caretaker. The glorious early-20th century resort only operates in warm weather because the snowy roads deny access in the colder months, so Jack brings his wife, Wendy (Shelley Duvall), with him, as well as his young son, Danny (Danny Lloyd), who possesses some unique psychic powers. As the Torrances settle in for the long, lonely months ahead, strange, unexplainable things start occurring in the hotel--and in every scene Jack seems to be growing a little more evil and dangerous.... Cinematographer John Alcott (who also worked on BARRY LYNDON and A CLOCKWORK ORANGE) allows his Steadicam to float eerily through the deserted halls and corridors of the hotel, creating a creepy air of tension as Jack plummets into madness. Kubrick's obsessive eye for detail is prevalent throughout; the famous scene where Danny rides his toy buggy through the hotel is remarkable for Alcott's gliding camerawork and the desolate sound of the wheels alternately scraping across the hardwood and carpeted floors. Nicholson and Duvall are outstanding throughout, with both actors running the full gamut of human emotions as the film races towards a thrilling conclusion. Supplemented by an oddball cast of dead twin girls, suicidal ax-murdering ghosts, Scatman Crothers as the hotel cook, and many other weird and wonderful figures, Kubrick's film is a pulse-racing treat that is among the best in his inimitable body of work. [More]
Starring: Jack Nicholson, Shelley Duvall, Scatman Crothers, Danny Lloyd
Starring: Jack Nicholson, Shelley Duvall, Scatman Crothers, Danny Lloyd
Director: Stanley Kubrick
Director: Stanley Kubrick
Story: Stephen King
Screenwriter: Stanley Kubrick, Diane Johnson
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Reviews for The Shining
Kubrick is after a cool, sunlit vision of hell, born in the bosom of the nuclear family, but his imagery -- with its compulsive symmetry and brightness -- is too banal to sustain interest, while the incredibly slack narrative line forestalls suspense.
Kubrick's unbalanced approach (over-emphasis on production values) results in soulless cardboard cutouts who can do little to generate audience empathy.
It's arguably the talented director's least appealing film, as it feels empty and soulless.
With remarkable visual panache and a keen sense of irony, Stanley Kubrick rehabilitates Stephen King's trashy, terrifying novel.
Kubrick's spellbinding 1980 horror epic is one of the true masterpieces to come out of the genre. And Nicholson's descent into unbridled insanity is simply unforgettable.
Kubrick's mostly riveting attempt to rewrite the conventions of the horror genre
One of Kubrick's most severely overcooked, overdetermined projects; Duvall fascinates, but the rest bores and wearies.
The trappings are brilliant, but Kubrick ultimately loses the essence of the source material — and he's too good to expect anything less.
One of the late 20th century's finest tales of the supernatural and a justly famous classic.
The beauty of Kubrick's film is the ambiguity of it all . . . will leave the gears turning long after the credits stop.
Not Kubrick's greatest work (let's be honest: entire sections of this film make no sense at all), but hey, it's creepy as hell.
Kubrick’s showcase of abilities, both with the camera and his characters, are incomparably haunting.
A deliberately paced, but endlessly creepy, horrifying motion picture.
It's the experience more so than the actual content of The Shining that radiates cold, anti-humanly indifferent terror.
The Shining goes halfway toward bringing back Franz Kafka's understanding of real horror as the evil that lies within.
Ostensibly a haunted house story, it manages to traverse a complex world of incipient madness, spectral murder and supernatural visions... and also makes you jump.
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| Tomatometer Percentage | Movie |
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