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SciusciÓ (Shoe Shine) (Shoe-Shine) (1947)

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Release Date: Apr 27, 1946 Wide

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91

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Average Rating: 4.2/5
User Ratings: 950

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Movie Info

Vittorio DeSica's Shoeshine (Sciuscia) is a must-see example of Italian neorealist cinema, ranking with such other neorealist classics as DeSica's Bicycle Thieves (1948) and Umberto D. (1952) and Roberto Rossellini's Rome, Open City (1945). Using nonprofessional actors, DeSica and co-screenwriter Cesare Zavattini, also one of neorealism's leading figures, paint an uncompromising picture of the lives of Italian street children abandoned by their parents at the end of World War II. The film

May 17, 2011

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All Critics (9) | Top Critics (3) | Fresh (4) | Rotten (0) | DVD (2)

When viewed today seems to be in need of a buffing.

August 13, 2008 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

Vittorio De Sica's second film was the first major success of the neorealistic movement and the first film to win the Best Foreign Language Oscar.

June 14, 2005 Full Review Source: EmanuelLevy.Com
EmanuelLevy.Com

Shoeshine's tragedy evolves from the overall environment and system as much as it does from the individual choices the boys make.

December 7, 2002 Full Review Source: Old School Reviews

Audience Reviews for SciusciÓ (Shoe Shine) (Shoe-Shine)

This drama did not engage me as much as De Sica's Bicycle Thieves. The neorealist practice of using nonprofessional actors works well enough, but many of the characters are not as distinctly drawn. Pasquale and Giuseppe work shining shoes for the lingering G.I.s in order to buy a horse. They get mixed up with Giuseppe's older brother's gang and end up in a juvenile prison. In an interesting twist of the teen crime drama norm, the younger Giuseppe, who has family, is the more hard-nosed one, while the older Pasquale, who is an orphan, is more innocent to the ways of prison. Tragically, trying to do the right thing leads Pasquale to betray Giuseppe's trust. They both encounter complications adjusting to life in prison, but ultimately their friendship is torn apart. This Italian film does not have a happy ending.
November 8, 2013
hypathio7

Super Reviewer

In "Shoe Shine," Pasquale(Franco Interlenghi) and Giuseppe(Rinaldo Smordoni) are two boys in postwar Italy who work a variety of odd jobs in order to save up to buy a horse. One of those jobs involves selling American blankets to a psychic(Maria Campi). While there, the boys become unintentionally part of a robbery that also ends up giving them enough cash for their horse. The bad news is that this also brings them to the attention of the police who put them in juvenile prison in hopes of getting the names of their adult confederates out of them.

"Shoe Shine" is a very moving, yet also occasionally playful, film that also contains a very serious message. If, Bill Hicks notwithstanding, you feel that children are the future(and I think that's why a psychic is involved in the story), then the film makes an excellent case for the authorities squandering Italy's future by treating its orphan children so poorly in jailing and punishing so many, instead of trying to care for them. This is at a time when children were forced to grow up too quickly, anyway, while not being educated in any meaningful way. At least, Pasquale and Giuseppe have an eye on their future by buying a horse as an investment, and not just to ride on.
May 5, 2012
Harlequin68
Walter M.

Super Reviewer

The film's title is somewhat misleading, suggesting a tale of shoeshine boys scraping out a living in the streets. Actually, that's just the exposition -- at its core, this is a tragedy about two boys who bond via a horse, and then are divided by a reformatory. The score is too unsubtle at times, but the black and white cinematography is exquisite. The untrained young actors are quite affecting, and if you have a soft spot for crying children (and who doesn't?), grab some Kleenex beforehand.
August 12, 2011
Eric Broome

Super Reviewer

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  • Shoeshine (Sciuscia) (DE)
  • Shoeshine (Sciuscia) (UK)
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