As entertaining as it is illuminating.
Short Cut To Nirvana (2003)
Tomatometer
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Reviews Counted:32
Fresh:24
Rotten:8
Average Rating:6.4/10
Consensus: Short on depth but amazingly insightful, this glimpse into one of the world's largest spritual gatherings is worth viewing for the eye-opening experience alone.
Theatrical Release:Apr 15, 2005 Limited
Box Office: $30,789
Synopsis: The Kumbh Mela is the biggest gathering of people in the history of humanity – although few in the West have ever heard of it. More than 70 million pilgrims attend this extraordinary spiritual... The Kumbh Mela is the biggest gathering of people in the history of humanity – although few in the West have ever heard of it. More than 70 million pilgrims attend this extraordinary spiritual festival, which has been held every 12 years near Allahabad, India, for over two millennia. A vast tent city is established to accommodate the masses, and many of India’s greatest gurus and spiritual leaders set up camp to give discourses to their devotees. On certain auspicious days everyone takes a holy dip at the confluence of two actual rivers - the Ganges and Yamuna - and a mythical river, the Saraswati. On the main bathing day, more than 25 million people bathe in the sacred waters. This single act of faith is believed to cleanse the sins of a thousand lifetimes and secure release from the endless cycle of rebirth – literally a short cut to the state of purest bliss… nirvana. Short Cut to Nirvana: Kumbh Mela takes us on a voyage of discovery through this vivid and vibrant world, accompanied by an irrepressible young Hindu monk, Swami Krishnanand, and several Westerners, each on their own spiritual quest. With Swamiji we encounter some of the Kumbh Mela’s wisest and most fascinating characters, including an ascetic sadhu who has held his arm in the air for over 20 years, another who sits on a throne of nails, a Japanese devotee who is buried in a pit for three days, and a guru who proposes that Americans would do well to start meditating for three hours each day. We also spend time in the company of an honored guest, the Dalai Lama, as senior leaders of Hinduism and Buddhism join together in an historic moment of unity. More than a simple account of the Kumbh Mela, this film is a sensory experience of an ancient, grand occasion, a swirl of color and motion, song and cacophony, the sacred and the surreal -- spiritual India exactly as anyone would hope to find it. And from this ancient culture comes a powerful and uplifting message of harmony, unity, and peace for all humanity. -- © Mela Films [More]
Studio: Mela Films, LLC
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Reviews for Short Cut To Nirvana
Less a sober examination of this huge event than an impressionistic swirl of images and sounds (and, if you use your imagination, smells).
Highly recommended for anyone in search of a different answer to universal questions of faith and hope.
Unless you're utterly fascinated by the minutiae of Hinduism, you may find yourself wishing for more story to this story -- and this film does not oblige.
Instead of being pilgrims ourselves, we feel like we’re sightseers who stopped by on the tour bus to gawk at the locals, take a few pictures, and then hop back on.
The film gives an amazing feel for the complexity and diversity of such a massive event.
Short Cut to Nirvana is a swirl of color, an exotic procession of sights and sounds.
Too scattershot to make a real point about the true nature of a spiritual path.
Sacred subject matter notwithstanding, Maurizio Benazzo and Nick Day's entertaining film is a surprising spiritual cousin to the so-called 'mondo' movies of the '60s and '70s.
A documentary chronicle of the 2001 Kumbh Mela, a sort of spiritual Woodstock held every 12 years near Allahabad, India.
Mostly, Benazzo and Day leave us alone to take in the extraordinary sights and sounds.
While this documentary about a religious pilgrimage in India feels haphazard and superficial, the glimpses it offers are never less than fascinating.
An engrossing documentary that vividly presents the variety and vitality of Hindu devotion.
Benazzo and Day can only scratch a monumental, perhaps impossible, surface, but their effort is a worthy introduction to what is more than a single life’s task.
The directors and subjects evince enough contagious ecstasy to gladden the most angst-ridden Western hearts.
A remarkable and enlightening (although perhaps not to the point of nirvana itself) film.
Filmmakers Maurizio Benazzo and Nick Day are much more taken with the conventionish sideshow (there are estimates of these crowds ranging from 30 million to 70 million, making these the largest gatherings of humanity ever) than the deeper content.
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