Average Rating: 7.2/10
Reviews Counted: 43
Fresh: 39 | Rotten: 4
Thanks to a talented cast and its uncommon depth, Nichols' debut manages to rise above its overly familiar plot.
Average Rating: 7.1/10
Critic Reviews: 10
Fresh: 9 | Rotten: 1
Thanks to a talented cast and its uncommon depth, Nichols' debut manages to rise above its overly familiar plot.
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Two families linked by the same father explode into a violent rivalry in this independent Southern gothic drama, the first feature from director Jeff Nichols. Cleaman Hayes lived and died in Little Rock, AR, where he had seven sons by two different women. After wedding Nicole (Natalie Canerday), Cleaman sired three sons, and his lack of concern for their future was reflected in the fact he barely gave them names -- they were dubbed Son (Michael Shannon), Kid (Barlow Jacobs) and Boy (Douglas
Oct 12, 2007 Wide
Jul 1, 2008
International Film Circuit
All Critics (44) | Top Critics (11) | Fresh (39) | Rotten (4) | DVD (2)
A precisely modulated yet cumulatively forceful story of a rural family feud turned deadly.
Director Jeff Nichols lets the action unfold slowly following an impromptu insult, but the escalation of hatred and pain feels natural.
... here there's also an undercurrent of biblical revenge that lends the narrative a sense of violent menace and an almost continuous tension.
Few films are so observant about how we relate with one another. Few are as sympathetic.
Shotgun Stories is a cautionary tale about revenge, but more than that, it is a beautiful, authentic-feeling portrait of a family and a place.
An austere rural landscape, festering hatred, class tensions, terse dialogue -- these are common currency in indie movies these days. Shotgun Stories uses them all, but manages to stand out from the crowd.
There is indeed something mythical, even scriptural, about the struggle among the seven Hayes brothers in Jeff Nichols' remarkable Shotgun Stories.
There is much to "Shotgun Stories" that elevates it above the fray of Green derivatives and unflattering categorizations, bolstered by a roster of naturalistic, fully assimilated performances, led by "Bug"'s now ubiquitous Michael Shannon.
Good natural performances.
The credentials of many festival screenings might suggest to alert viewers that this isn't a shoot 'em up between two hill billy clans
Like Malick, Nichols knows that the sight of a combine transforming an Arkansas cotton field into an apocalyptic dust storm is as eloquent as anything his characters might say.
Brilliantly acted, superbly directed and beautifully shot, this is a gripping drama that really gets under your skin and marks writer-director Jeff Nichols out as a talent to watch.
Set in rural Arkansas, Jeff Nichols' relaxed, distinctive debut revels in the milieu of its redneck characters, but injects their rural half-blood feud with an almost mythic quality.
Writer/director Jeff Nichols is one to watch. He has fashioned a simple but powerful cautionary tale, equal parts Southern Gothic and Greek tragedy, and has given a familiar kind of material a fresh spin.
I'm sick of the kind of exceptional that Shotgun Stories represents.
The real key to the film is the commanding Michael Shannon.
The end reveals just how poetic, shifting and dazzling Nichols' touch was all along. That's because Shotgun Stories manages to pull away from a hair-trigger resolution with the same inherent right-ness that loaded the story with such tragic force.
This low-key yarn about lowbrow men isn't for everyone. But whatever its faults and limitations, Shotgun Stories casts a spell unlike any other movie we've seen in ages.
Jeff Nichols modern Western is laconic and lazily captivating, its silence slowly building to rage.
A masterpiece of the rural southern U.S. and the nearly uncontrollable, circular nature of violence and prejudice.
May 10, 2012Super Reviewer
You can tell that Jeff Nichols loves Days of Heaven! This film bleeds complexity in its simple characters and shows off its cinematography. The downside is that Nichols cuts out any trace of action that may entertain a mainstream audience. For film makers and lovers of a deep character studies, this film is classic.
December 27, 2011
Super Reviewer
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