I'm sick of the kind of exceptional that Shotgun Stories represents.
Shotgun Stories (2007)
Tomatometer
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Reviews Counted: 29
Fresh: 26
Rotten:3
Average Rating: 7/10
Consensus: Thanks to a talented cast and its uncommon depth, Nichols' debut manages to rise above its overly familiar plot.
Runtime: 1 hr 32 mins
Genre: Dramas
Theatrical Release: Mar 26, 2008 Limited
Synopsis: Son Hayes never speaks of the scars on his back. The shotgun pellets left under his skin make for a sporadic pattern of blue-black dots. The men he works with take bets on how he got them. His brothers, Boy and Kid Hayes, don't discuss it. His... Son Hayes never speaks of the scars on his back. The shotgun pellets left under his skin make for a sporadic pattern of blue-black dots. The men he works with take bets on how he got them. His brothers, Boy and Kid Hayes, don't discuss it. His past, just like these scars, is never far behind him.
This stands true for the memory of his father, a man that never bothered to give his children proper names. He left the three brothers, Son, Boy and Kid, when they were young. Their last impressions were of a violent drunk who never hesitated to put his own needs ahead of his family. The brothers were left to be raised by their mother, a hateful woman, who to this day blames her children for the life she's been left with and the man she could not keep.
Their father, having left the memory of his children as completely as he left their home, managed to move on and put his life back together. He sobered up, became a devout Christian, married a wonderful woman, and fathered four new sons. All of who received proper names. His life became a model that most would aspire to, a man successful in business, community and family. His only true failing being the sons he turned his back on.
At the beginning of the film, we find Son, Boy and Kid as grown men. The three brothers' lives progress and their futures play out, but their past inevitably comes to claim them. Following a dispute at their father's funeral, a feud begins to simmer between these sons and the new young men their father has raised. It is an anger that has always rested uncomfortably in the background of their lives. However now, it is a thing that will rise up to overtake them all. Set against the cotton fields and back roads of Southeast Arkansas, these brothers discover the lengths to which each will go to protect their family.
--© Official Site [More]Starring: Michael Shannon, Douglas Ligon, Barlow Jacobs, Natalie Canerday
Starring: Michael Shannon, Douglas Ligon, Barlow Jacobs, Natalie Canerday, Glenda Pannell, Michael Abbott Jr., Travis Smith
Director: Jeff Nichols
Director: Jeff Nichols
Producer: David Gordon Green, Lisa Muskat, Jeff Nichols
Composer: Ben Nichols
Studio: International Film Circuit Inc.
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Reviews for Shotgun Stories
The end reveals just how poetic, shifting and dazzling Nichols' touch was all along. That's because Shotgun Stories manages to pull away from a hair-trigger resolution with the same inherent right-ness that loaded the story with such tragic force.
This low-key yarn about lowbrow men isn’t for everyone. But whatever its faults and limitations, Shotgun Stories casts a spell unlike any other movie we’ve seen in ages.
... here there's also an undercurrent of biblical revenge that lends the narrative a sense of violent menace and an almost continuous tension.
Few films are so observant about how we relate with one another. Few are as sympathetic.
An allegory of our times, Shotgun Stories is a tragedy of biblical scale and an intimate family drama.
It's clearly a labor of love and no doubt true to some regional ways and attitudes. But jeez, it's self-parodic, and all the more so for taking place in some uncharted corner of Dixie where nobody has the slightest sense of humor.
Shotgun Stories is a cautionary tale about revenge, but more than that, it is a beautiful, authentic-feeling portrait of a family and a place.
An interesting first effort from Nichols -- making him a director to look out for in the future.
No question, it's a humorless downer, but also an impressive character study, with depth proportionate to the tragic nature of its theme.
An austere rural landscape, festering hatred, class tensions, terse dialogue -- these are common currency in indie movies these days. Shotgun Stories uses them all, but manages to stand out from the crowd.
This promising debut feature is remarkable for its use of inaction, the threats, standoffs, aborted shoving matches, but very little actual violence.
Well-plotted, with a strong lead performance by Michael Shannon, and a fair amount of authentic regional flavor. It isn't really meant to be a treatise on Southern life. At heart, it's a country-fried genre film, minus the peppery white gravy.
[Star Michael Shannon is] one of the most formidable unsung actors working today in American movies.
Though none of the boys, now young men, talks about it, they all bear burdens of rejection and rage.
Yes, it's a mite pretentious and on the slow side. But debuting director Jeff Nichols has an eye for small-town America and a sensibility that he shares with fellow North Carolina School of the Arts alumnus David Gordon Greene.
Simple lives can have complicated histories, and Shotgun Stories has a hard, lived-in understanding of how the past is a monkey that's firmly attached to your back.
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