It's an entertaining primer on the surprisingly arduous process, as well as a glimpse into the involvement of folks like Rosie O'Donnell, Boy George, Alan Cumming and Idina Menzel.
ShowBusiness: The Road to Broadway (2007)
Tomatometer
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Reviews Counted:51
Fresh:45
Rotten:6
Average Rating:7.3/10
Consensus: Made with obvious care and attention, Showbusiness is an entertaining, insightful look into Broadway.
Rated: PG [See Full Rating] for language and some sexual references
Runtime: 1 hr 44 mins
Genre: Musical & Performing Arts
Theatrical Release:May 11, 2007 Limited
Synopsis: Over the course of one Broadway musical season (2003-2004), "ShowBusiness" follows the four high-profile productions that would eventually become Tony nominees for Best Musical: a big-noise musical... Over the course of one Broadway musical season (2003-2004), "ShowBusiness" follows the four high-profile productions that would eventually become Tony nominees for Best Musical: a big-noise musical named "Wicked," the Rosie O'Donnell/Boy George collaboration, "Taboo," the much-anticipated Tony Kushner musical, "Caroline, or Change," and an irreverent puppet show named "Avenue Q." From casting to staging, from previews to red-carpeted opening nights, from the announcement of Tony nominations to the suspense-filled Tony Awards, "ShowBusiness" provides a never-before-seen look at the inner workings of Broadway musicals. Allowed unprecedented backstage access, director Dori Berinstein casts a camera's eye on rehearsals, backstage highs and lows, and the mysterious and wondrous creative process. Featuring a star-studded array of Broadway icons as well as ambitious new faces, "ShowBusiness" proves that 2003-2004 was truly a season to remember. --© Regent Releasing [More]
Starring: Kristin Chenoweth, Alan Cumming, Boy George, Idina Menzel
Starring: Kristin Chenoweth, Alan Cumming, Boy George, Idina Menzel, Rosie O'Donnell
Director: Dori Berinstein
Director: Dori Berinstein
Producer: Dori Berinstein
Studio: Regent Releasing
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Reviews for ShowBusiness: The Road to Broadway
In the end, I wish Berenstein had devoted her filmmaking to two musicals instead of four, thus affording even more screen time to each show's creative process (the audition process, the choreography, early rehearsals and such).
The film's slick and entertaining, an obvious must-see for musical hounds. It holds water for laypeople, though, because the insights into a communal creative process are so sharp.
Gives a strong impression of the atmosphere, excitement and complexity of a Broadway production.
Even audiences not enamored with Broadway musicals could find Dori Berinstein's documentary, about the trajectory of four Broadway shows, entertaining and informative.
Dori Berinstein's cameras catch gallant theater people doing what they've done since Sophocles was a pup: rehearsing, revising, worrying, learning, stretching, struggling to bump things up from good to wonderful and constantly, fervently hoping.
Dori Berinstein's fine documentary chronicles the production of four high-profile musicals during the 2003-'04 New York theater season.
Much of this strikingly human, rapidly paced and laudably well-rounded film is fascinating.
Does nothing to analyze why 'Wicked' and 'Avenue Q' became monster hits and the others didn't.
Anyone should be fascinated by the thoroughness and all-around intelligence this documentary applies to a multilayered and very entertaining subject.
Following the shows from rehearsals to Tony Awards night, [director Dori Berenstein] gets behind the scenes and does a good job conveying the incessant anxieties and glee of the talents involved.
The engaging story of the obsession that is Broadway musical theatre with the world-class melodies and melodrama that go with it. A vibrant microcosm of human hopes and dreams.
It's riveting to watch the shows' respective creators work, clash, whine, celebrate and commiserate as the season and their stories unfold.
The doc does a fine job conveying the magic of the Broadway experience, along with the particular heart and soul of those who work there.
Short on insight. You'll have to look elsewhere than this love letter to the Great White Way to explain why Wicked and Avenue Q became huge hits, and why Caroline, or Change joined Taboo as a costly flop.
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