Opening

43% The Great Gatsby May 10
43% Peeples May 10
96% Stories We Tell May 10
86% The Painting May 10
20% Assault On Wall Street May 10
43% Aftershock May 10
84% Sightseers May 10
18% No One Lives May 10

Top Box Office

77% Iron Man 3 $174.1M
46% Pain & Gain $7.5M
77% 42 $6.1M
56% Oblivion $5.6M
69% The Croods $4.2M
8% The Big Wedding $3.9M
98% Mud $2.2M
60% Oz the Great and Powerful $2.1M
4% Scary Movie 5 $1.4M
81% The Place Beyond The Pines $1.3M

Coming Soon

89% Star Trek Into Darkness May 16
29% Erased May 17
100% Frances Ha May 17
—— The English Teacher May 17

Side Effects Reviews

Page 1 of 9

Its big twist is telegraphed so soon after its start, there's zero shock value and zero suspense as the film plods towards its pathetically pat ending.

Full Review Source: NECN | Original Score: C-

February 6, 2013
Mark Ellis
Schmoes Know

Stick around, Mr. Soderbergh, you have a better walk-off film in you than this one.

Full Review Source: Schmoes Know | Original Score: 2.9/5

February 5, 2013
Jamie Dunn
The Skinny

A ludicrous thriller disguised as a sociopolitical statement on the US pharmaceutical industry.

Full Review Source: The Skinny | Original Score: 2/5

March 7, 2013
Matthew Toomey
ABC Radio Brisbane

What starts out as an intriguing drama degenerates into a silly thriller during its later stages. The rules of logic don't seem to apply.

Full Review Source: ABC Radio Brisbane | Original Score: C+

February 27, 2013
Tony Macklin
tonymacklin.net

Hitch used illogic, but he never plummeted into hokum as Side Effects does.

Full Review Source: tonymacklin.net | Original Score: 2.0/5

February 11, 2013
Stephen Silver
EntertainmentTell

Starts out as a unique, fascinating and very daring movie, until it abruptly clicks and turns into something completely different and not nearly as good.

Full Review Source: EntertainmentTell | Original Score: 2/5

February 7, 2013
Todd McCarthy
Hollywood Reporter
Top Critic IconTop Critic

In trying to merge this alarmist theme with an old-fashioned murder mystery, the filmmakers throw at least one plot-twist sucker-punch too many, leaving the viewer with an "Oh, come on" reaction to the entire film.

Full Review Source: Hollywood Reporter

February 3, 2013
Geoff Berkshire
Zap2it.com

The narrative twists and turns ... are no match for the far more interesting mystery still unfolding off screen.

Full Review Source: Zap2it.com | Original Score: C+

February 8, 2013
James Mottram
The List

Side Effects boasts a fine cast, an authentic milieu and a script that flirts with the experimental. But it also underwhelms in the crucial final third.

Full Review Source: The List

February 18, 2013
Laura Clifford
Reeling Reviews

..Soderbergh and Burns were trying to make a statement about Big Pharma and the American Healthcare system within the structure of the thriller genre, but their insistence on building upon one 'shocking' revelation after the next becomes ludicrous quickly

Full Review Source: Reeling Reviews | Original Score: C

February 7, 2013
Susan Granger
SSG Syndicate

Sleek and stylish yet silly and far-fetched, it dissolves into a cinematic depressant.

Full Review Source: SSG Syndicate | Original Score: 5/10

February 25, 2013
Robert Denerstein
Movie Habit

Soderbergh's latest (and possibly last) proves involving right until the penultimate act

Full Review Source: Movie Habit

February 22, 2013
Scott Bowles
USA Today
Top Critic IconTop Critic

The movie descends into a TV-grade police procedural, with twists so sharp and a plot so convoluted you may need meds to clear your head.

Full Review Source: USA Today | Original Score: 2/4

February 7, 2013
Rafer Guzman
Newsday
Top Critic IconTop Critic

"Side Effects" has the sleek, chic look of a Soderbergh film -- cool colors, seductive lighting -- but the script, by frequent collaborator Scott Z. Burns, is disappointingly clunky.

Full Review Source: Newsday | Original Score: 2/4

February 7, 2013
Sara Maria Vizcarrondo
Movies With Butter

Courtroom drama, forensic thriller, romantic murder mystery...It's as if, the prescription for genre side effects, is more genres.

Full Review Source: Movies With Butter

March 15, 2013
Keith Uhlich
Time Out New York
Top Critic IconTop Critic

The emotional depths of the film's first half get bludgeoned by the simplistically lurid twists and turns, which hinge on some egregiously homophobic stereotypes that Soderbergh's clinical touch fails to complicate.

Full Review Source: Time Out New York | Original Score: 3/5

February 5, 2013
John A. Nesbit
Old School Reviews

turns out to be a psychological thriller that uses pharmaceuticals as the MacGuffin

Full Review Source: Old School Reviews | Original Score: C

February 4, 2013
Jeffrey Overstreet
Looking Closer

The surprises aren't much to get excited about. They come from the Magic 8 Ball of Hollywood Plot Twists, as arbitrary as they are implausible.

Full Review Source: Looking Closer | Original Score: C+

February 8, 2013
John Beifuss
Commercial Appeal (Memphis, TN)

As smart and stylish as one would expect, but like Soderbergh's other recent artsy genre essays - 'Haywire,' 'Contagion' - its duller than its sources (in this case, 'Bigger Than Life,' 'Basic Instinct' and 'Psycho').

Full Review Source: Commercial Appeal (Memphis, TN) | Original Score: 2.5/4

February 18, 2013
Dustin Putman
DustinPutman.com

Beginning as an urgent indictment and culminating in a silly, sudsy about-face that means very little and is sure to produce groans, the film betrays and cheats itself out of a point.

Full Review Source: DustinPutman.com | Original Score: 2/4

February 7, 2013
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