Simon Killer (2013)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Though its bleak themes may be off-putting for some, Simon Killer is an engrossing, effective character study of a brutal, enigmatic figure.


Movie Info

A heartbroken American on a soul-searching trip to Paris finds his buried secrets clawing their way to the surface in this neo-noir thriller from writer/director Antonio Campos (Afterschool). Lovelorn in the aftermath of a recent break-up with his longtime girlfriend, American college graduate Simon (Brady Corbet) wanders the streets of Paris aimlessly, and drifts into a sex parlor where he encounters mysterious prostitute Victoria (Mati Diop). His emotions suddenly reawakened, Simon hatches a … More

Rating: Unrated
Genre: Mystery & Suspense, Drama
Directed By:
Written By: Brady Corbet, Antonio Campos
In Theaters:
On DVD: Sep 17, 2013
Box Office: $21.3k
Runtime:
IFC Films

Cast


as Victoria

as Sophie

as René
Show More Cast

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Critic Reviews for Simon Killer

All Critics (50) | Top Critics (18)

Simon Killer is a sensory, experiential film - more of a state of mind than a straightforward story.

Full Review… | May 15, 2013
Miami Herald
Top Critic

Self-consciousness passing for style.

Full Review… | May 2, 2013
Seattle Times
Top Critic

"Simon Killer" is a beautifully made look at ugliness and brutality, the kind of oxymoronic exercise that fascinates some and repels others.

Full Review… | May 2, 2013
Arizona Republic
Top Critic

Another terrific performance from Brady Corbet, but it's in the service of a parade of horrors that never leads anywhere interesting.

Full Review… | April 12, 2013
TheWrap
Top Critic

It is brutally raw and difficult watching.

Full Review… | April 11, 2013
Los Angeles Times
Top Critic

The overall sense
of chilly disengagement becomes trying, and there's a last-minute switch that suggests that Campos is trying to have his croissant and eat it.

Full Review… | April 10, 2013
Time Out
Top Critic

Audience Reviews for Simon Killer

'Simon Killer'. A wonderful character study into a deeply-disturbed individual. Writing, acting, directing, soundtrack. Tick.

c0up
c0up  

Super Reviewer

Following a rough break-up with his girlfriend, twenty-something New Yorker, Simon (Corbet) travels to Paris where an acquaintance, Carlo (Ronchi) has allowed him to make use of his apartment. Simon spends days walking the city, seemingly attracting negative attention from many locals. One night he wanders into a brothel where he meets prostitute Noura (Diop), who seems to show him more affection than is normal for such a situation. A few nights later, Simon is attacked by a group of youths (after possibly provoking them on purpose) and turns up at the brothel, telling Noura he has nowhere to stay. She invites him to stay with her and quickly falls for him romantically. It soon becomes apparent he's far from the innocent abroad she mistook him for.

Last year, Campos acted as producer for Sean Durkin's feature debut, 'Martha Marcy May Marlene'. Here, the roles are reversed, with Durkin producing Campos' follow-up to 2008's 'Afterschool'. Between the two of them, they seem to be forming a two-man American new-wave. While the rest of the American indie film community seems intent on boring us with dull "dramedies", Campos and Durkin ignore the restrictions of their budgets to give us low budget movies of a quality not seen since the Australian New Wave of the seventies. Like those Aussie flicks, their movies feel geographically unique; not quite American, not yet European, but borrowing the best elements of both schools.

Like 'MMMM', 'Simon Killer' is a "snippet" movie. Rather than a traditional three act structure consisting of a beginning, middle and end, we find ourselves thrown in at the deep end of the narrative. At first Simon appears to be a sympathetic victim of his own romantic nature, struggling to adapt to an intimidating alien city. It's a cinematic con-trick, deftly played by Campos and his committed, perfectly cast, leading man. Over the past decade we've grown accustomed to seeing Anglo-Saxons suffer at the hands of Europeans, be it physically ('Hostel'), psychologically ('Berberian Sound Studio'), or culturally ('Vicky, Christina, Barcelona'), but here Campos and Corbet flip things around. Early on, Simon appears to be suffering from mistreatment at the hands of Parisians, both aggressive males and apathetic females. As things progress, and Campos' constantly tracking camera begins to allow us to see his subject's face, rather than following him from behind to conceal his true nature, we realize Simon, not Paris, is the film's true antagonist.
Campos isn't a film-maker prone to spoon-feeding his audience, and his long takes (one unbroken static shot on a dance-floor is a stunning representation of Simon's coiled aggression) may well test the patience of less committed viewers. Those who appreciate a film which allows you to fill in the blanks will be richly rewarded. The American New-Wave has arrived!

themoviewaffler.com
The Movie Waffler

Super Reviewer

Convincing portrait/collage of a psychopath with a slow pace, Simon Killer is beautifully filmed and has a career best performance from a nuanced Brady Corbet. An excellent soundtrack and skewed visual style add to the strangely addictive quality the film. One if a kind, and not for everyone.

danieljparsons
Daniel Parsons

Super Reviewer

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