Simon Magus (1998)
Average Rating: 5.6/10
Reviews Counted: 30
Fresh: 19 | Rotten: 11
This debut film of Ben Hopkins' effectively evokes an atmosphere of magic and mysticism.
Average Rating: 5.4/10
Critic Reviews: 11
Fresh: 6 | Rotten: 5
This debut film of Ben Hopkins' effectively evokes an atmosphere of magic and mysticism.
liked it
Average Rating: 3.7/5
User Ratings: 514
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Movie Info
Director of award-winning short films Ben Hopkins embarked on this ambitious feature project with Robert Jones, the producer of The Usual Suspects. The screenplay is inspired by Central European folklore, spaghetti Westerns and industrial history. But the film, which runs like a fable, has its roots in folktales rather than history. It is the end of the 19th century and progress has arrived in Silesia. Travelers do not stop at the town anymore because the railway track is laid past the small
Jan 20, 2000 Wide
Samuel Goldwyn Films
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All Critics (36) | Top Critics (14) | Fresh (19) | Rotten (11) | DVD (1)
The villain sneers, and someone in the film- score department is banging a timpani in slow motion, meaning there's probably tragedy around the corner, but things are too earnest and sleepy to be sure.
An odd but original, at times even poetic, film about a vanished world.
Beautifully shot and lyrically told, Simon Magus is a beguiling study in contrasts, good and evil, darkness and light, hope and despair, joy and melancholy.
The more I think about Simon Magus, the less I'm sure what it's trying to say.
Hopkins shows masterful skill in shaping Simon's reality and unreality in this engrossing, suspenseful morality play.
Reasonably diverting, but the story never matches the movie's fantastic visual imagination.
Presents a fairy-tale Eastern Europe glimpsed from far off through the telescope of melancholy nostalgia.
A little too proud of its own eccentricities, often at the expense of the story.
Think of it as: "Fiddler on the Roof" as soap opera.
Full of magic and fantasy with an interesting mix of eccentric and complex characters.
The final montage sequence is exquisite, marking the emergence of an unusual and brilliant visual stylist.
A striking feature debut with a creditable stab at magical realism.
A wonderfully intense emotional experience.
A muddled work, neither truly scary nor compelling.
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