Luis Bunuel's Simon of the Desert is a short, but highly satisfying, surrealist parable about religious faith and morality, self-righteous intolerance, temptation, and corruption.
Simon of the Desert (1965)
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Reviews Counted:13
Fresh:13
Rotten:0
Average Rating:8.3/10
Runtime: 46 mins
Genre: Foreign Films
Synopsis: Luis Buñuel's biting jab at the futility of asceticism and repentence is a surreal fable in his inimitable style. Simon, a 5th-century ascetic, stands on a pillar in the middle of the desert for... Luis Buñuel's biting jab at the futility of asceticism and repentence is a surreal fable in his inimitable style. Simon, a 5th-century ascetic, stands on a pillar in the middle of the desert for three decades in a worthless quest to achieve enlightenment. Satan, in a variety of disguises, futilely tries to tempt him to descend from his post. And finally one of these embodiments -- an alluring blonde -- gets so disgusted and bored with his endless babbling that she forcibly and irreverently dumps him into a Manhattan discotheque. [More]
Starring: Claudio Brook, Silvia Pinal, Hortensia Santovena
Starring: Claudio Brook, Silvia Pinal, Hortensia Santovena
Director: Luis Buñuel
Director: Luis Buñuel
Screenwriter: Julio Alejandro, Luis Buñuel
Composer: Raul Lavista
Producer: Gustavo Alatriste
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Release:
Feb 10, 2009
Reviews for Simon of the Desert
Mr. Bunuel's powerful, funny, startling but inconclusive commentary on man's frailties.
a perfect introduction for Buñuel neophytes to begin to find their way through the filmmaker's devious groove
Atheists make such good religious films (because) they tend to think about God all the time.
Buñuel's wit is piercingly sharp, his timing impeccable, and his visual style superbly unobtrusive and naturalistic -- proving again how much realism is required in surrealism.
Though flawed because of the cuts, what's there is Buñuel at his wittiest having a good laugh at the church's expense.
Simon of the Desert’s little Bible stories are twisted evocations of the dumbing down of faith by postmodern Christian anxieties and hang-ups.
Far from mocking his penitent protagonist, Buñuel values his tenacity of belief even while seeing his sacrifice as a useless monument
This is one of my favorite Bunuels, simply because it gets right to the point; he doesn't have time to beat around the bush.
Surrealist Luis Buñuel firmly digs his elbows into the side of organized religion
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