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Movies / On DVD / Since Otar Left
Since Otar Left

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Since Otar Left (2004)

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98 %
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Reviews Counted: 53

Fresh: 52

Rotten:1

Average Rating: 7.9/10

Consensus: A drama that's both funny and moving.

Rated: Not Rated

Runtime: 1 hr 42 mins

Genre: Foreign Films

Theatrical Release:Apr 9, 2004 Limited

Box Office: $220,305

Synopsis: The crumbling squalor of former USSR city Tibilisi, Georgia, is the setting for a tale of three generations of Soviet women. Elder matriarch Eka (Esther Gorintin) lives for the letters from her... The crumbling squalor of former USSR city Tibilisi, Georgia, is the setting for a tale of three generations of Soviet women. Elder matriarch Eka (Esther Gorintin) lives for the letters from her beloved son Otar, who fled to Paris years ago as an illegal immigrant. Her daughter Marina (Nino Khomassourioze) strains under the pressures of their miserable existence in the now "free" country where the electricity and water work only sporadically and the buildings seem as depressed as the people. She loves her mother, though, and when news arrives of Otar's sudden death she asks her own daughter (Dinara Drukarova) to keep writing the letters so as not to break Eka's heart. The plot thickens when Eka decides to spend their life savings on three tickets to Paris so they can track down her beloved Otar. Director Julie Bertucelli previously worked as an assistant director to Krzystof Kieslowski (RED, WHITE, and BLUE trilogy) and she has inherited his genius for lighting, composition, and ability to find beauty in the most squalid domestic settings. The excellent cast conveys much with minimal dialogue, making this register far more deeply than as a mere allegory of a country coming to terms with its past lies and failures. It won the 2003 Critic's Week Grand Prize at Cannes. [More]

Starring: Esther Gorintin, Dinara Droukarova, Nino Khomassouridze, Temour Kalandadze

Starring: Esther Gorintin, Dinara Droukarova, Nino Khomassouridze, Temour Kalandadze, Roussoudan Bolkvadze, Sacha Sarichvili, Douta Skhirtladze

Director: Julie Bertuccelli

Director: Julie Bertuccelli
Screenwriter: Julie Bertuccelli, Bernard Renucci
Studio: Zeitgeist Films

[See More Credits]

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Release:

Jan 25, 2005

No Details Exist
 
 

Reviews for Since Otar Left

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Urban Cinefile | comment Comment
10/18/08
Urban Cinefile Critics
Urban Cinefile
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Time Out

La principal fortaleza del film, además de la atenta mirada y la sensibilidad de Bertuccelli, es ese impecable trío de actrices.

Full Review Source: Uruguay Total | comment Comment
03/30/05
Enrique Buchichio
Uruguay Total
N/R

Click to read the article

Full Review Source: Looking Closer | comment Comment
12/19/04
J. Robert Parks
Looking Closer

Bertuccelli neatly unpacks these three women’s burdened lives and leaves us with a haunting souvenir—the last scene is a shimmering revelation.

Full Review Source: Vue Weekly (Edmonton, Canada) | comment Comment
12/09/04
Brian Gibson
Vue Weekly (Edmonton, Canada)

Bertuccelli convinces us of her capability of sketching portraits of incredible characters that are credible.

Full Review Source: european-films.net | comment Comment
12/01/04
Boyd van Hoeij
european-films.net

Bertuccelli tackles Since Otar Left... with the kind of ambitious imagination that makes one marvel at a natural filmmaker's unexpected and original choices.

Full Review Source: Seattle Times | comment Comment
11/12/04
Tom Keogh
Seattle Times
N/R

Click to read the article

Full Review Source: Seattle Post-Intelligencer | comment Comment
11/12/04
Seattle Post-Intelligencer

A showcase for three very talented actresses.

Full Review Source: Oregonian | comment Comment
09/17/04
Marc Mohan
Oregonian

The finely crafted film shows the complex needs and anxieties of a three-generation family living in a country that has undergone dramatic political and cultural changes.

Full Review Source: Miami Herald | comment Comment
08/27/04
Marta Barber
Miami Herald

...deliberately paced but always interesting...

Full Review Source: Reel Film Reviews | comment Comment
08/21/04
David Nusair
Reel Film Reviews

This emotionally rich situation is played for all its worth by the entire cast, but the standout is Gorintin.

Full Review Source: Atlanta Journal-Constitution | comment Comment
08/19/04
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
Top Critic Icon Top Critic

You feel like you're watching a real family traipse through an uncertain world instead of actors creating relationships on the spot.

Full Review Source: Fresno Bee | comment Comment
08/18/04
Donald Munro
Fresno Bee

Competently made with occasional flashes of brilliance

Full Review Source: Movie Habit | comment Comment
08/11/04
Marty Mapes
Movie Habit

It is a film that understands women, but more importantly, understands life.

Full Review Source: Toronto Star | comment Comment
08/06/04
Peter Howell
Toronto Star
Top Critic Icon Top Critic

The film is as intense as all family relationships.

Full Review Source: Jam! Movies | comment Comment
08/06/04
Liz Braun
Jam! Movies

Otar and Lenin make terrific bookends on the post-communist experience for average citizens.

Full Review Source: Denver Post | comment Comment
08/06/04
Michael Booth
Denver Post
Top Critic Icon Top Critic

Whatever film acting is about -- technique, presence or truth-telling -- [Esther Gorintin] got it.

Full Review Source: Globe and Mail | comment Comment
08/06/04
Liam Lacey
Globe and Mail
Top Critic Icon Top Critic

If you want a film whose ending is happy and sad at the same time look no further.

Full Review Source: RTE Interactive (Dublin, Ireland) | comment Comment
08/05/04
Harry Guerin
RTE Interactive (Dublin, Ireland)

It feels very real, as if the filmmakers have recorded some actual real-life moments.

Full Review Source: Deseret News, Salt Lake City | comment Comment
07/09/04
Jeff Vice
Deseret News, Salt Lake City
 
 
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