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Movies / On DVD / Since Otar Left
Since Otar Left

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Since Otar Left (2004)

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Reviews Counted:53

Fresh:52

Rotten:1

Average Rating:7.9/10

Consensus: A drama that's both funny and moving.

Rated: Not Rated

Runtime: 1 hr 42 mins

Genre: Dramas

Theatrical Release:Apr 9, 2004 Limited

Box Office: $220,305

Synopsis: The crumbling squalor of former USSR city Tibilisi, Georgia, is the setting for a tale of three generations of Soviet women. Elder matriarch Eka (Esther Gorintin) lives for the letters from her... The crumbling squalor of former USSR city Tibilisi, Georgia, is the setting for a tale of three generations of Soviet women. Elder matriarch Eka (Esther Gorintin) lives for the letters from her beloved son Otar, who fled to Paris years ago as an illegal immigrant. Her daughter Marina (Nino Khomassourioze) strains under the pressures of their miserable existence in the now "free" country where the electricity and water work only sporadically and the buildings seem as depressed as the people. She loves her mother, though, and when news arrives of Otar's sudden death she asks her own daughter (Dinara Drukarova) to keep writing the letters so as not to break Eka's heart. The plot thickens when Eka decides to spend their life savings on three tickets to Paris so they can track down her beloved Otar. Director Julie Bertucelli previously worked as an assistant director to Krzystof Kieslowski (RED, WHITE, and BLUE trilogy) and she has inherited his genius for lighting, composition, and ability to find beauty in the most squalid domestic settings. The excellent cast conveys much with minimal dialogue, making this register far more deeply than as a mere allegory of a country coming to terms with its past lies and failures. It won the 2003 Critic's Week Grand Prize at Cannes. [More]

Starring: Esther Gorintin, Dinara Droukarova, Nino Khomassouridze, Temour Kalandadze

Starring: Esther Gorintin, Dinara Droukarova, Nino Khomassouridze, Temour Kalandadze, Roussoudan Bolkvadze, Sacha Sarichvili, Douta Skhirtladze

Director: Julie Bertuccelli

Director: Julie Bertuccelli
Screenwriter: Julie Bertuccelli, Bernard Renucci
Studio: Zeitgeist Films

[See More Credits]

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Release:

Jan 25, 2005

No Details Exist
 
 

Reviews for Since Otar Left

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21 - 40 (sorted by date)
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It feels very real, as if the filmmakers have recorded some actual real-life moments.

Full Review Source: Deseret News, Salt Lake City | comment Comment
07/09/04
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

Since Otar Left tells a story of conventional melodrama, and makes it extraordinary because of the acting.

Full Review Source: Chicago Sun-Times | comment Comment
06/25/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

A film, in which fictional characters become human by talking as real people really talk.

Full Review Source: Chicago Tribune | comment Comment
06/24/04
Allison Benedikt
Allison Benedikt
Chicago Tribune

A moving family drama.

Full Review Source: San Francisco Chronicle | comment Comment
06/11/04
Carla Meyer
Carla Meyer
San Francisco Chronicle
Top Critic Icon Top Critic

Director Julie Bertucelli...doesn't have a very distinctive visual style, but she's aided tremendously by the architecture and scenery of Georgia

Full Review Source: New Times | comment Comment
06/10/04
Luke Y. Thompson
Luke Y. Thompson
New Times

Director Julie Bertucelli's film works so well because of its adherence to the basics of good writing and strong acting.

Full Review Source: Empire Magazine | comment Comment
06/04/04
Nick Dawson
Nick Dawson
Empire Magazine

A story full of gentle grace notes and keen-eyed observation, writer-director Julie Bertuccelli's first feature is at turns funny, sweet, sad, trenchant and telling.

Full Review Source: Philadelphia Inquirer | comment Comment
06/03/04
Steven Rea
Steven Rea
Philadelphia Inquirer

Paced slowly and deliberately, 'Since Otar Left' nonetheless provides sufficient narrative drive to sustain interest in the outcome.

Full Review Source: culturevulture.net | comment Comment
06/02/04
Arthur Lazere
Arthur Lazere
culturevulture.net

Wonderful family drama.

Full Review Source: Boston Globe | comment Comment
05/28/04
Wesley Morris
Wesley Morris
Boston Globe
Top Critic Icon Top Critic

Seek out this quiet gem.

Full Review Source: E! Online | comment Comment
05/28/04
E! Online
N/R

Click to read the article

Full Review Source: New Republic | comment Comment
05/26/04
Stanley Kauffmann
Stanley Kauffmann
New Republic
Top Critic Icon Top Critic

Although the premise is rather obvious, and at times a little too full of its own whimsy, the portrayal of the women is very incisive.

Full Review Source: BBC | comment Comment
05/25/04
Stella Papamichael
Stella Papamichael
BBC

Since Otar Left could have played to broad comedy. Or it could have played to tearjerker sentimentality.

Full Review Source: Minneapolis Star Tribune | comment Comment
05/21/04
Jeff Strickler
Jeff Strickler
Minneapolis Star Tribune

Bertucelli has some pace problems -- the pokey movie is at least 15 minutes longer than it needs to be -- but she structures the story intelligently and cinematically.

Full Review Source: St. Paul Pioneer Press | comment Comment
05/21/04
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

In her first film, Julie Bertuccelli shows a pinpointed eye and a sweet gift for intimacy.

Full Review Source: San Diego Union-Tribune | comment Comment
05/21/04
David Elliott
David Elliott
San Diego Union-Tribune

...an insightful look at how three generations of women cope with changing times. Julie Bertuccelli's deft touch leaves one with a feeling of wistful hope.

Full Review Source: Reeling Reviews | comment Comment
05/16/04
Laura Clifford
Laura Clifford
Reeling Reviews

It makes its points quietly, with sorrow and humor and a rich palette of human emotions that transcend language and culture and nationality.

Full Review Source: Boxoffice Magazine | comment Comment
05/14/04
Tim Cogshell
Tim Cogshell
Boxoffice Magazine

A small film of surpassing beauty and sadness.

Full Review Source: Washington Post | comment Comment
05/14/04
Michael O'Sullivan
Michael O'Sullivan
Washington Post
Top Critic Icon Top Critic

It's a wonderful film with a love of intimacy, an eye for potent small moments that can go by unobserved and a willingness to explore the emotional complications of family relationships.

Full Review Source: Los Angeles Times | comment Comment
05/13/04
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

The kind of small film ... that expands our understanding of the emotional economy of family life, with its ebb and flow of love and hostility, secrecy and egregious candor.

Full Review Source: L.A. Weekly | comment Comment
05/12/04
Ella Taylor
Ella Taylor
L.A. Weekly
 
 
21 - 40 (sorted by date)
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