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Sixty Six (2008)
Tomatometer
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Reviews Counted:44
Fresh:28
Rotten:16
Average Rating:6/10
Consensus: Likable but overly sentimental, Sixty Six has snatches of sharp dialogue but is ultimately too predicable.
Rated: PG-13 [See Full Rating] for language, some sexual content and brief nudity
Runtime: 1 hr 35 mins
Genre: Comedies
Theatrical Release:Aug 1, 2008 Limited
Synopsis: Bernie Rubens (Gregg Sulkin) is a nerdy 12-year-old preparing for his Bar Mitzvah, which he wants to be a huge, ornate affair. However, his parents, Manny (Eddie Marsan) and Esther (Helena Bonham... Bernie Rubens (Gregg Sulkin) is a nerdy 12-year-old preparing for his Bar Mitzvah, which he wants to be a huge, ornate affair. However, his parents, Manny (Eddie Marsan) and Esther (Helena Bonham Carter), have accidentally scheduled it for the day of the 1966 World Cup final, so if England makes it, no one is expected to show for Bernie's big day. In the meantime, Manny, a depressed and depressing man unable to find any kind of happiness in his life, thinks the local grocery he runs with his slick brother, Jimmy (Peter Serafinowicz), can do battle with the supermarket conglomerate that has moved in next door. Once again, sad-sack Manny has made the wrong choice, leaving him with limited funds, unable to give Bernie the party he wants so badly. As England surprisingly starts playing better, Bernie begins rooting for his home team to lose; meanwhile, his breathing problems worsen, sending him to see Dr. Barrie (Stephen Rea), a big soccer fan who has some serious problems of his own. Based on director Paul Weiland's own experiences, SIXTY SIX, with a script by Peter Straughan and Bridget O'Connor, is a gentle, deeply touching film about the ups and downs of childhood--as well as the joys and sorrows that come with adulthood. Weiland mixes in just the right amount of slapstick humor and pathos. Sulkin gives a heartbreaking performance as Bernie, with excellent support from Marsan and Bonham Carter. And Richard Katz is a hoot as Bernie's blind rabbi. The period soundtrack features the Lovin' Spoonful's "Daydream" and Helen Shapiro's forgotten hit, "Walking Back to Happiness." Weiland includes photos from his own Bar Mitzvah over the closing credits. [More]
Starring: Helena Bonham-Carter, Eddie Marsan, Greg Sulkin, Stephen Rea
Starring: Helena Bonham-Carter, Eddie Marsan, Greg Sulkin, Stephen Rea
Director: Paul Weiland
Director: Paul Weiland
Screenwriter: Bridget O'Connor, Peter Staughan
Story: Paul Weiland
Producer: Tim Bevan, Eric Fellner, Elizabeth Karlsen
Composer: Joby Talbot
Studio: First Independent Pictures
Reviews for Sixty Six
Director Paul Weiland ("Made of Honor") co-wrote the tone-deaf screenplay for this cinematic abortion that features the ever-lousy Stephen Rea adding his specific brand of stench to a pasted-together movie that is predictable and boring as it is depressin
Weiland’s decision to enliven a predictable film à clef with Tim Burton–esque flair makes for a promising start, at least until the absurdo-fantastic gestures slip into gratuitousness.
A film that tries too hard and wastes a cast of skilled veterans and talented newcomers.
It’s designed to be crowd-pleasing and tug on hearts across the board, but there’s a manipulative quality that will put a ceiling on business.
Cleaves too closely to the pattern set out by more original films with similar subject matter. Its obvious distinctions of time and place come through in clever details, but these don't seem to serve Weiland's autobiography so much as situate it into a fa
A thick, gooey layer of voiceover narration from Bernie is just one of several tired devices that makes pic feel hackneyed, despite some choice cuts of dialogue.
The direction of this autobiographical tale by Paul Weiland (whose lengthy rap sheet runs all the way from Leonard Part 6 to Made of Honor) is less than subtle.
It's cliched and gooey, but because it's English, and has Helena Bonham Carter in a rare non-gothy role, viewers may be fooled into thinking it's quirky. No.
Though inspired by Weiland's own childhood, the film's plot sticks close to the underdog's coming-of-age formula and is marred by young Bernie's gratingly self-pitying voice-over.
Sixty Six may find a niche audience, but instead of depicting a boy's first steps toward manhood -- ceremony aside -- it turns into an uninvolving portrait of self-absorption.
Given the personal nature of the material, though, it's a shame Weiland resorts to the kind of coarse ethnic caricatures one hoped had died with Mike and Bernie Winters.
I think it’s a very heartfelt story, but we get the same thing over and over again.
Despite the whimsical voice-over and gloopy, sentimental tone, it's a hard film to dislike.
Like Running with Scissors or an exceptionally cruel episode of The Wonder Years, Paul Weiland's whimsical and eye-poppingly bright comedy is shot through with cringe-inducing misery.
Since Mr. Weiland himself had grown up in a Jewish section of North London, he was able to include many details of his own childhood.
...the sort of Jewish film that the whole family can enjoy without feeling they're fulfilling an obligation to see it.
Latest News for Sixty Six
July 30, 2008:
Coming-of-age comedy chronicles British Bar Mitzvah Boy's World Cup coincidence nightmare. ![]()
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June 29, 2008:
Trailer & Poster review ![]()
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| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 68% 68% | The Last Station | 12/23 |
| 75% 75% | Sherlock Holmes | 12/25 |
| 34% 34% | Nine | 12/25 |
| 30% 30% | It's Complicated | 12/25 |
| | Alvin and the Chipmunk… | 12/25 |
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