The casting is unique, the acting able, and the camera work expert.
Skills Like This (2009)
Tomatometer
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Reviews Counted:26
Fresh:15
Rotten:11
Average Rating:5.8/10
Consensus: Though Skills Like This has little to distinguish, director Monty Miranda shows flashes of wit and talent.
Theatrical Release:Mar 20, 2009 Limited
Synopsis: An indie festival-circuit favorite, SKILLS LIKE THIS follows struggling writer Max (Spencer Berger) into a life of crime. He finds robbery to be his true calling after his play, THE ONION DANCE,... An indie festival-circuit favorite, SKILLS LIKE THIS follows struggling writer Max (Spencer Berger) into a life of crime. He finds robbery to be his true calling after his play, THE ONION DANCE, not only bombs, it puts his investor grandfather in the hospital. On a whim, he robs a bank and miraculously gets away with it. Everything seems predetermined that he should enter a life of crime (he gives the money away, Robin Hood-style), but then romance blooms with the cute bank teller (Kerry Knuppe) he robbed, and she tries to talk him into going straight. Meanwhile, his two aiding and abetting buddies have differing views on this newfound profession: the one who actually has a life, David (Gabriel Tigerman), is nervous about the risks, while the loud-mouthed lout in the bunch, Tommy (Brian D. Phelan), is impressed enough to think about actually getting a job. In director Monty Miranda's hands, the Denver locale blossoms into slacker heaven, with local indie-rock bands livening up the soundtrack and flashy editing recalling films like SNATCH and GOODFELLAS. Co-screenwriters and stars Berger and Tigerman imbue the film with just enough raunch and rolling-on-the-floor moments to keep the party alive, but not enough to sabotage the more serious elements, like Berger and Knuppe's genuinely touching onscreen chemistry. [More]
Starring: Spencer Berger, Gabriel Tigerman, Brian D. Phelan, Kerry Knuppe
Starring: Spencer Berger, Gabriel Tigerman, Brian D. Phelan, Kerry Knuppe, Ned Bellamy, Marta Martin, Jennifer Batter
Director: Monty Miranda
Director: Monty Miranda
Screenwriter: Spencer Berger
Story: Spencer Berger, Gabriel Tigerman
Producer: Donna Dewey, Tim Gray, Brian D. Phelan, Paul Aaron, Rock Obenchain
Composer: Andy Monley
Studio: Shadow Distribution
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Reviews for Skills Like This
It almost works, too, though ultimately this visually splendid but sluggish story of a twentysomething would-be writer and his impulsive, overnight career as a bank and convenience-store robber takes the money and runs nowhere.
The movie devolves into a series of increasingly pat, ill-thought-out setpieces, presided over by a hero who can’t really sell sincerity while he’s sporting three-day stubble and a massive jewfro.
The movie is so well made that it’s hard not to like this often funny movie regardless whether one takes the story too seriously.
Adding to the glut of slacker-loser comedies, Skills Like This isn't particularly good or bad, just very average.
It works here, however, thanks largely to the strength of Berger’s performance and the way the movie’s familiar “follow your heart” message is diluted by a goofy subplot involving David trying to help Tom find gainful employment.
A quirky little film that relies heavily on charm to make up for some rather glaring flaws in story, pacing and character. Fortunately, it has charm to spare.
A slick and clean cut piece of slacker comedy with great production and a fun sound track but sadly lacking in edginess.
Berger and director Monty Miranda would have been better off concentrating on the Max-Lucy love affair and Max's nonviolent, petty crimes instead of throwing in Max's two best buddies and their efforts to reinvent themselves.
Skills Like This gazes indulgently on 20-something aimlessness and the comfort of assigned roles. In Mr. Miranda’s hands sloth can be more appealing than you might think.
As charming an offbeat romantic comedy as anybody could hope to make on a micro-budget.
Despite stylish editing, lively performances and some effervescent dialogue, Skills Like This eventually becomes insipid, tedious, inane and a bit lackluster.
SKILLS LIKE THIS has a lot to offer, reminding us of the adage that the cheapest way to improve a film is with solid writing.
Berger appears to be a potential breakout talent, turning a character who could be endlessly irritating into an oddly charming, self-effacing rogue.
Latest News for Skills Like This
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February 15, 2009:
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