It bites hard.
Skins (2002)
Tomatometer
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Reviews Counted:57
Fresh:34
Rotten:23
Average Rating:5.9/10
Consensus: Though at times melodramatic, Skins' harsh depiction of life on the reservation is an eye-opener.
Theatrical Release:Sep 27, 2002 Limited
Synopsis: SKINS, based on the novel by Adrian C. Louis, is the impressive second feature of Native American director Chris Eyre (SMOKE SIGNALS). Filmed on location at the Pine Ridge Oglala Lakota reservation... SKINS, based on the novel by Adrian C. Louis, is the impressive second feature of Native American director Chris Eyre (SMOKE SIGNALS). Filmed on location at the Pine Ridge Oglala Lakota reservation in South Dakota, SKINS tells the story of Rudy (Eric Schweig), a policeman, and his older brother Mogie (Graham Greene of THE GREEN MILE), a jobless alcoholic. Mogie had once looked after his kid brother, but his experiences in Vietnam left him a bitter and broken man. Rudy frequently gives money to his mischievous older brother, which Mogie spends on beer. Frustrated with rampant alcoholism and crime on the "rez," Rudy becomes a vigilante. While Rudy thinks he's doing the right thing for his people, his extralegal activities lead to tragedy. SKINS is a powerful drama laced with acerbic humor. The film captures the harsh realities of Pine Ridge life with affection and wit, and breaks down negative stereotypes about Native Americans by portraying Mogie as a complex and ultimately very sympathetic human being. Eyre manages to make important points about contemporary Native American life without heavy handedness. His cast is very strong, particularly Greene, who delivers a phenomenal performance in this exceptionally moving and humane film. [More]
Starring: Eric Schweig, Graham Greene, Noah Watts, Lois Red Elk
Starring: Eric Schweig, Graham Greene, Noah Watts, Lois Red Elk, Gary Farmer, Michelle Thrush, Elaine Miles
Director: Chris Eyre
Director: Chris Eyre
Screenwriter: Jennifer D. Lyne
Producer: Jon Kilik, David Pomier
Composer: B.C. Smith
Studio: First Look
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Reviews for Skins
Although shot with little style, Skins is heartfelt and achingly real.
Less than engaging and certainly choppy, increasingly melodramatic and, I hate to say it, but often amateurish, the film squanders its potential and makes one hope that Eyre isn't regressing in his filmmaking abilities and efforts.
For a location-made movie offering scenes and characters a refreshing world apart from the usual tinsel, Skins does its subject proud.
The movie becomes talky and preachy, making grand statements without any of the passion for storytelling that Smoke Signals had.
Skins has a desolate air, but Eyre, a Native American raised by white parents, manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor.
It may be tougher than Smoke Signals, but Skins lacks both the coherence and the crowd appeal that marked Eyre's earlier movie.
Chris Eyre pulls no punches in his sophomore effort, an angry portrait of life on the impoverished Pine Ridge Indian Reservation in South Dakota.
Skins has a right to yawp, and we have a right to our grains of salt.
Might have been better off as a documentary, with less of Mr. Eyre's uninspired dramatics and more of his sense of observation and outrage.
Works both as an engaging drama and an incisive look at the difficulties facing Native Americans.
This bold and cathartic drama deserves to be experienced by those who cherish intimate dramas about individuals struggling against all odds to practice love, compassion, and forgiveness.
If Eyre wanted to tell a story of outrage and dignity, he should have guarded against so much preachiness.
As social exposé, Skins has its heart in the right place, but that's not much to hang a soap opera on.
A genuine glimpse into an inscrutable culture that's virtually screaming for survival.
The film makes strong arguments regarding the social status of America's indigenous people, but really only exists to try to eke out an emotional tug of the heart, one which it fails to get.
Skins could be dismissed as a mean spirited film ... if only it weren't so accurate in its depiction of man's shallowness.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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