Opening

72% World War Z Jun 21
77% Monsters University Jun 21
61% The Bling Ring Jun 21
60% Maniac Jun 21
100% A Hijacking Jun 21
66% Unfinished Song Jun 21
100% The Attack Jun 21
—— The Haunting of Helena Jun 21

Top Box Office

55% Man of Steel $116.6M
85% This Is the End $20.7M
50% Now You See Me $11.0M
71% Fast & Furious 6 $9.6M
38% The Purge $8.3M
34% The Internship $7.1M
62% Epic $6.3M
87% Star Trek Into Darkness $6.3M
11% After Earth $4.1M
78% Iron Man 3 $3.0M

Coming Soon

—— How To Make Money Selling Drugs Jun 26
—— White House Down Jun 28
—— The Heat Jun 28
56% I'm So Excited! Jun 28

The Slaughter Rule Reviews

Page 1 of 2
Michael Szymanski
International Press Academy

| Original Score: 2/5

September 23, 2005
Manohla Dargis
Los Angeles Times
Top Critic IconTop Critic

Unlike Terrence Malick, whose shadow looms over the film's visual style, the Smiths over-explain, not grasping that all those barren fields and blood-red clouds are doing plenty of work for them.

Full Review Source: Los Angeles Times | Original Score: 2/5

January 23, 2003
Jeffrey M. Anderson
Combustible Celluloid

A timid template of an indie movie that glides through all the proper turns, sticks up all the appropriate signposts, and never once takes a demanding or truthful step.

Full Review Source: Combustible Celluloid | Original Score: 2/4

February 7, 2003
Christopher Null
Filmcritic.com

Everyone's got demons to deal with -- from Gideon's guilt over a kid that played for him and died under mysterious circumstances to the audience's unwillingness to sit through two hours of yet another inspirational football movie.

Full Review Source: Filmcritic.com | Original Score: 2/5

January 11, 2004
Mick LaSalle
San Francisco Chronicle
Top Critic IconTop Critic

Writer-directors Andrew and Alex Smith go for emotional truth, but what they come up with is often silly.

Full Review Source: San Francisco Chronicle | Original Score: 1/4

February 7, 2003
David Noh
Film Journal International

First-time filmmakers Andrew and Alex Smith have a potentially intriguing and very different tale, but they consistently shoot themselves in the foot with their amateurishly self-conscious direction.

Full Review Source: Film Journal International

January 11, 2003
Hazel-Dawn Dumpert
L.A. Weekly

None of the characters' troubled histories or transformations are as compelling as Gosling and Duvall's unforced emotional complexity would promise or merit.

Full Review Source: L.A. Weekly

January 23, 2003
Emanuel Levy
EmanuelLevy.Com

| Original Score: 2/5

October 8, 2005
Annlee Ellingson
Boxoffice Magazine

Morse, usually saddled with earnest supporting parts, is a revelation in the role, his boundless, good-natured energy camouflaging the contradictions roiling beneath the surface.

Full Review Source: Boxoffice Magazine | Original Score: 3/5

July 10, 2002
James Rocchi
Netflix

Montana's wide-open spaces -- and the closed hearts of the people who live there -- make for a sincere, superbly acted story of loss and need.

Full Review Source: Netflix | Original Score: 4/5

February 11, 2003
Kirk Honeycutt
Hollywood Reporter
Top Critic IconTop Critic

A coming-of-age tale that nicely exploits the ruggedness of rural Montana and the rough-hewn, often tenuous nature of male friendships in those parts.

April 8, 2002
Eric D. Snider
EricDSnider.com

It has hints of greatness, but fails to completely realize them.

Full Review Source: EricDSnider.com | Original Score: B-

September 18, 2002
Cole Smithey
ColeSmithey.com

Gosling and Morse give strong performances in this bitter pill movie.

| Original Score: 3/5

October 10, 2005
Stephen Holden
New York Times
Top Critic IconTop Critic

This promising but confused first film is best viewed as a touching portrait of thwarted, volatile male passion in a world where you could almost say that geography is destiny

Full Review Source: New York Times | Original Score: 3/5

July 10, 2002
Dennis Lim
Village Voice
Top Critic IconTop Critic

The lead performances could hardly be better.

Full Review Source: Village Voice

January 7, 2003

Sex, alcohol, and the brutality of football. It may seem like a 'guy' movie, but the relationship struggles make this accessible to all audiences.

Full Review Source: TheMovieChicks.com | Original Score: 3.5/5

January 10, 2003
Joshua Tanzer
Offoffoff

Best movie I saw in 2002. Features a terrifyingly real performance by David Morse.

Full Review Source: Offoffoff | Original Score: 4/4

March 10, 2003
J. R. Jones
Chicago Reader
Top Critic IconTop Critic

David Morse, who's spent the last 20 years kicking around network television and building up an resume of impressive movie credits, establishes himself as a truly formidable presence in this powerful first feature by Alex and Andrew Smith.

Full Review Source: Chicago Reader

February 16, 2011
Donald J. Levit
ReelTalk Movie Reviews

Beautiful in its stark way.

Full Review Source: ReelTalk Movie Reviews

January 12, 2003
Megan Turner
New York Post
Top Critic IconTop Critic

Its focus on the complex relationship between an emotionally wounded youth and the sexually ambiguous older man who mentors him is a welcome detour from genre routine.

| Original Score: 2.5/4

January 8, 2003
Jonathan W. Hickman
Entertainment Insiders
September 5, 2003
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