Modest sci-fi entry out of Mexico %u2013 about the ultimate offshore labor force - shows impressive vision but lacks the story to keep it going.
Sleep Dealer (2009)
Tomatometer
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Reviews Counted:27
Fresh:16
Rotten:11
Average Rating:5.7/10
Consensus: Sleep Dealer's depth and energy are almost enough to overcome a shaky screenplay and pedestrian acting.
Rated: PG-13 [See Full Rating] for some violence and sexuality.
Runtime: 90 mins
Genre: Foreign Films
Theatrical Release:Apr 17, 2009 Limited
Box Office: $35,050
Synopsis:
Sleep Dealer is our tomorrow today, a corporation-controlled, militarized near future where the United States has successfully closed its borders. Finally. Through American technology we have...
Sleep Dealer is our tomorrow today, a corporation-controlled, militarized near future where the United States has successfully closed its borders. Finally. Through American technology we have developed a capacity, a digital network, to have all the work with none of the workers constructing our buildings, picking our fruit, manning our planes. There are no water shortages.
Memo Cruz (Peña) lives with his parents and his brother in the small, dusty village of Santa Ana del Rio, in Mexico. Santa Ana is an isolated farming community, the kind of place that seems frozen in time -- except for the hi-tech, militarized dam that was built by a corporation, and now controls Santa Ana’s water supply. Memo couldn’t care less about Santa Ana. He loves technology, and dreams of leaving his small pueblo and finding work in the hi-tech factories in the big cities in the north. But for now, Memo is trapped in Santa Ana del Rio.
One night, while using his homemade radio, Memo stumbles across something he’s never heard before – the communications of the security forces that are constantly patrolling the area around his village, to protect the dam from ‘Aqua-Terrorists.’ Unknown to him, or his family, Memo is now under the crosshairs. Security agents at the water company’s headquarters in the United States, have spotted Memo’s radio intercept, and conclude that it’s a threat. Memo is then forced to realize his dream of leaving Santa Ana in the worst possible way when his homemade radio -- and his house -- are destroyed in a reckless remote-control bombing.
Driven by feelings of guilt, and a need to earn money, Memo leaves his family and his pueblo to go north, find work, and help his family start again. He heads to the massive border city of Tijuana. On the way, Memo meets a young woman, sharp and beautiful, named Luz (Varela). Luz is an aspiring journalist who dreams of writing a story that might one day change the world. She’s curious about Memo, and she asks him a few questions as they approach Tijuana. As Memo arrives to Tijuana, “City of the Future,” we follow Luz. Alone in her apartment, Luz connects herself to the net, via implanted nodes in her body, and speaks. As she describes her day, the computer records visuals from her memories and the sound of her voice. She puts these recorded memories up for sale on the net -- a blog, straight from the brain. The next day, to Luz’s surprise, someone, somewhere out there has bought her memory -- and has paid in advance for more.
A strange and complex relationship is set in motion between Memo and Luz. She wants to learn more about him, to sell more memories to her anonymous client. But he is cautious about revealing the real reasons he’s come to Tijuana. All Memo cares about is getting work that pays -- and to do it he needs to connect to the network too -- he needs nodes. When the identity of Luz's reader is revealed, a chain of events is set in motion that will connect three strangers, and change their lives -- maybe even change the world -- forever. --© Maya Entertainment
Starring: Luis Fernando Peña, Leonor Varela, Jacob Vargas, Tenoch Huerta
Starring: Luis Fernando Peña, Leonor Varela, Jacob Vargas, Tenoch Huerta, Metztli Adamina, Jose Concepcion Macias, Emilio Guerrero
Director: Alex Rivera
Director: Alex Rivera
Screenwriter: Alex Rivera, David Riker
Producer: Anthony Bregman
Composer: Tomandandy
Studio: Maya Releasing
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Reviews for Sleep Dealer
The combination of rusty amateurism, future technology, and clear-and-present politics creates a trippy time-space kick: This dusty little movie feels like yesterday, today, and tomorrow.
It's a good story and is well-acted and nicely shot, but its pace is disappointingly plodding.
Alex Rivera's overstuffed but intriguing feature debut, Sleep Dealer, takes a speculative leap into Tijuana's near future, imagining the next evolution of cheap labor.
"Sleep Dealer" is a refreshingly atmospheric low budget sci-fi thriller in the vein of Kathryn Bigelow's "Strange Days," that shows great promise for director/co-writer Alex Rivera.
A sci-fi production that skewers globalization challenges the intellect but fails to stir the emotions, a victim of an inadequate budget.
Clearly, Rivera knows one of the great gifts of the sci-fi genre. An uncanny world invites new ways of seeing. It offers new chances to ask the hard -- and too often, hardened -- questions.
Occasionally shaky effects are the biggest drawback in a mostly smart sci-fi cautionary tale.
A layer of special effects, impressively done on low budget, and vague ideas about military control and corporate greed, camouflage a naive, simplistic tale about fathers and sons and attachment to the land that would make Gregory Nava (El Norte) proud.
This inventive indie sci-fi movie has plenty of big ideas to make up for its small budget.
what you'll be left with after seeing Sleep Dealer is not a collection of cool scenes so much as a collection of compelling questions about where our world is headed
Made on the cheap compared to Hollywood flicks, this thrillingly original and heartfelt Mexican film is a truly human story about the impact of technology on individuals and on society.
The freshness and ingenuity of this techno-thriller should spark a cult following.
Adventurous, ambitious and ingeniously futuristic, Sleep Dealer is a welcome surprise.
A jumbled vision ... too many predictable lines like, 'Sometimes you control the machine, and sometimes the machine controls you.'
I'm glad to have science fiction back in the forefront in 2009 but that doesn't mean they're all going to work. Consider Sleep Dealer a near-miss.
[This] lo-fi sci-fi debut is jam-packed with sly satirical gestures that more than compensate for its more-traditional shortcomings.
Sleep Dealer should have something striking to say about what the future looks like according to the third-world workers that are building it at their own expense but it has nothing memorable nor particularly coherent to offer.
Sleep Dealer is an unusually thoughtful science fiction film, using the speculative energy of the genre to explore some troubling and complex contemporary issues.
Sleep Dealer is reminiscent of a Philip K. Dick dystopia that might actually read better than it looks here, with average acting, slightly incoherent plotting and cheap special effects.
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