A Dead Film Walking, a zombie of a film, a shuffling Frankenstein's monster of a film, leaking electricity from its badly-fitting neck bolts, tragically whimpering at the pointless agony of its own brief existence.
Sleuth (2007)
Tomatometer
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Reviews Counted:117
Fresh:42
Rotten:75
Average Rating:5.1/10
Consensus: Sleuth is so obvious and coarse, rather than suspenseful and action-packed, that it does nothing to improve on the original version
Rated: R [See Full Rating] for strong language.
Runtime: 86 mins
Genre: Thriller, Murder, Theatrical Release, Remake
Theatrical Release:Oct 12, 2007 Limited
Box Office: $205,005
Synopsis: In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played... In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played Andrew Wyke, a droll old writer whose wife is having an affair with the young, ambitious Milo Tindle, played by Caine. Thirty-five years later, Caine is starring as Wyke in an updated version of SLEUTH, completely rewritten by Nobel Prizewinner Harold Pinter and directed by multiple Oscar nominee Kenneth Branagh. Jude Law, who played the Michael Caine role in the 2004 remake of ALFIE, now takes over as Tindle, a hairdresser-actor who has shown up at Wyke's estate to demand that Wyke divorce his wife so Tindle can marry her. But the extremely successful and wealthy Wyke is not about to give up his wife without a very determined and well-calculated battle of wits. Wyke lives by himself in a home that features dozens of electronic gadgets and odd contraptions, forcing Tindle to always be on the lookout for something strange to happen. The cat-and-mouse game continues as Tindle and Wyke play mind games with each other in a thrilling contest of one-upsmanship that soon involves a gun. Caine is marvelous as Wyke, strutting through his home with the absolute confidence that he will get the best of Tindle, but Law, who is also one of the film's producers, holds up his end of the drama, giving as good as he gets. Branagh keeps a steady hand as director, not allowing the camera to get in the way of the two dueling characters, but Tim Harvey's unusual production design nearly steals the show. [More]
Starring: Michael Caine, Jude Law
Starring: Michael Caine, Jude Law
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Harold Pinter
Producer: Jude Law, Simon Halfon, Tom Sternberg, Marion Pilowksy, Kenneth Branagh, Simon Moseley
Composer: Patrick Doyle
Studio: Sony Pictures Classics
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Reviews for Sleuth
Message to Jude: You have more chance of convincingly concealing that receding hairline than becoming the new Michael Caine. Stop trying to be something you are not — a charismatic actor.
This is the kind of intimate physicality that Pinter pumps into Shaffer’s script. But it will take a better director than Branagh to tease it into the real world.
Directed by Kenneth Branagh and scripted by no less than Harold Pinter, the wicked charm of Sleuth Mk1 has been stripped away to leave a nasty, dispiriting and strangely cold psychological thriller.
A bold, initially fascinating but ultimately misguided attempt to 'Pinter-ize' an old-fashioned puzzle. Great mysteries leave their audience marveling 'how did they do that?' Sleuth 2007 leaves you scratching your head, wondering why they bothered.
Caine and Law rustle up a spicy chemistry which sustains a sizzle for an hour or so. But the second half panders to Pinter’s self-indulgence, unravelling Branagh’s high-tensile head-fuck as a hollow skirmish.
No amount of visual flourish, sadly, can compensate for the woeful lack of chemistry between the leads or arch dialogue that sounds more like a Pinter parody than the man himself.
When Sylvester Stallone’s Get Carter is no longer the worst remake of a Michael Caine movie, you have to ask yourself: what’s it all about?
Perhaps the year's most pointless remake (and that's saying something), Sleuth is something of a disappointment, thanks to poor direction, dodgy acting and a laughably bad script.
Kenneth Branagh’s direction, its self-consciously skewed angles and surveillance-cam cutaways highlighting his weakness for the misplaced flourish, is more of a hindrance than a help.
Minus a couple of brisk, black laughs, this hollow remake botches the twists and sucks the fun right out of its feisty source.
Sleuth is no longer a fun whodunnit; it's been transformed into a baffling whatthehellweretheythinking?
A film that’s right up there with Crash, The Island of Dr. Moreau (1996), and the Kennedy White House for sheer wasted potential and misguided ambition.
A tedious bit of shenanigans and sleight of hand lifelessly realized by director Kenneth Branagh.
Director Kenneth Branagh clearly is having fun navigating Tim Harvey's slick set design, but eventually the characters' deadly competitiveness becomes tedious.
While the cagey old pro does manage to hold our interest throughout, Law badly flounders in the sort of vehicle that seems tailor-made for him.
It doesnt work, and the reasons why are no mystery, no mystery at all.
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November 23, 2007:
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The Shakespearian thesp tells us about re-adapting the classic play, originally made into a 1972 film with Laurence Olivier and Michael Caine. More...
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