Sleuth remains an effective display of acting, with enough twists and turns to satisfy the newcomers and avoid insulting the faithful.
Sleuth (2007)
Tomatometer
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Reviews Counted:117
Fresh:42
Rotten:75
Average Rating:5.1/10
Consensus: Sleuth is so obvious and coarse, rather than suspenseful and action-packed, that it does nothing to improve on the original version
Rated: R [See Full Rating] for strong language.
Runtime: 86 mins
Genre: Thriller, Murder, Theatrical Release, Remake
Theatrical Release:Oct 12, 2007 Limited
Box Office: $205,005
Synopsis: In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played... In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played Andrew Wyke, a droll old writer whose wife is having an affair with the young, ambitious Milo Tindle, played by Caine. Thirty-five years later, Caine is starring as Wyke in an updated version of SLEUTH, completely rewritten by Nobel Prizewinner Harold Pinter and directed by multiple Oscar nominee Kenneth Branagh. Jude Law, who played the Michael Caine role in the 2004 remake of ALFIE, now takes over as Tindle, a hairdresser-actor who has shown up at Wyke's estate to demand that Wyke divorce his wife so Tindle can marry her. But the extremely successful and wealthy Wyke is not about to give up his wife without a very determined and well-calculated battle of wits. Wyke lives by himself in a home that features dozens of electronic gadgets and odd contraptions, forcing Tindle to always be on the lookout for something strange to happen. The cat-and-mouse game continues as Tindle and Wyke play mind games with each other in a thrilling contest of one-upsmanship that soon involves a gun. Caine is marvelous as Wyke, strutting through his home with the absolute confidence that he will get the best of Tindle, but Law, who is also one of the film's producers, holds up his end of the drama, giving as good as he gets. Branagh keeps a steady hand as director, not allowing the camera to get in the way of the two dueling characters, but Tim Harvey's unusual production design nearly steals the show. [More]
Starring: Michael Caine, Jude Law
Starring: Michael Caine, Jude Law
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Harold Pinter
Producer: Jude Law, Simon Halfon, Tom Sternberg, Marion Pilowksy, Kenneth Branagh, Simon Moseley
Composer: Patrick Doyle
Studio: Sony Pictures Classics
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Reviews for Sleuth
Anyone with 138 minutes to spare can have a fuller, more satisfying entertainment experience in every way by hunting up the original.
A grand exercise in watching two marvelous actors rip into some crackling dialogue. It's the thespian equivalent of jousting, and it's fascinating to watch.
Ironically it's Branagh's relentless and painfully obvious attempts to keep the action visually 'interesting' that makes the proceedings come off even more stagy.
And, amid the movie's many technologies of watching and acting, its "gotcha" tricks are surprisingly unsophisticated.
Shaffer, who adapted the 1972 version himself, surely would be less than thrilled by the post-modern, minimalist interpretation given to his best-known work, and understandably so.
This remake isn't as radical as last week's Heartbreak Kid redo. But it's similarly unsatisfying.
Sleuth gradually becomes soulless and no fun, and what's the point of that?
...like watching a pair of one-man shows face off against each other.
In Sleuth what he [Kenneth Branagh] celebrates is perplexing, ominous, insinuating material in the hands of two skilled actors.
Even though it held no real surprises for me, I was still able to enjoy it simply for the spectacle of watching Caine and Law tearing into each other in the most nastily erudite manner possible.
Branagh, whose screen career with Shakespeare began on a high note with Henry V and has gone steadily downhill since, does a nice job keeping a stagebound piece relatively cinematic without resorting to the usual opening-up techniques.
If you consider what the exalted quartet of Branagh, Pinter, Caine and Law might have done with the project, and what they did to it, Sleuth has to be the worst prestige movie of the year.
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November 23, 2007:
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The Shakespearian thesp tells us about re-adapting the classic play, originally made into a 1972 film with Laurence Olivier and Michael Caine. More...
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