Smokey and the Bandit Reviews
The premise goes like this, two mega rich Texan cowboys want a driver to smuggle a load of Coors Beer from Texas (in the west), to Georgia (in the east), within a set time limit. No particular reason for this challenge I might add, this millionaire father and son duo merely want to see if a driver can succeed in the bet, for fun, because...reasons, don't question it. The snag is, Coors Beer was not allowed to be sold east of the Mississippi River, because...I don't know. The beer was also supposedly one of the finest beers in the USA at the time, but I still have no idea why it couldn't be sold in the east. So the Bandit steps up to the challenge with his sidekick the Snowman, they gotta collect the merchandise and haul it back east, if they manage it they stand to win $80,000!
Directed by Hal Needham and the first of his movies to feature fast cars and Burt Reynolds. Back in the late 70's, early 80's there was a definite splurge of these goofy fast car comedies, very loose plots about getting from A to B in a variety of vehicles, lots of slapstick, tomfoolery and sexy ladies. These movies were pure male fodder, for young lads, petrol heads and showboaters, Reynolds was (at the time) the epitome of the cool ladies man, not necessarily big and strong but rebellious, dashing and cocky, Errol Flynn in a fast car. In this movie we see him at his peak, the tash is dark and bushy, the attire is the stereotypical southern bar-hopping US cowboy, he's laid back but also on the ball, he smokes and he drives a slick black all American Pontiac Trans Am. Its like they made the Marlboro Man the main character...but in a fast car.
Everything about this movie is all American and that's what made it so popular around the world I believe, it was an insight into (southern) American life which many people (outside the US) had never seen before. The Bandit and his partner, one driving a badass muscle car and the other driving a typical all American big rig, tearing across the southern States with the law on their tail. Despite the fact this duo are breaking the law they are made out to be the good guys, Robin Hood types, just'a good ol' boys.
On the flip side you have the police which seems to consist of two people, the fat loud Buford T. Justice played by Jackie Gleason, and Junior Justice played by Mike Henry. Its quite clear to see the similarity between these two characters and the law enforcers of Hazzard County, especially the simple Junior Justice. However the whole angle for these two seems a bit far fetched, they are merely after the Bandit because he picked up Carrie (Sally Field) who was running away from her wedding with Junior. I don't believe Buford knows about the Bandits illegal cargo, he just wants to kidnap Sally Field's character and drag her back to get married against her will. To achieve this the Sheriff crosses numerous State lines and goes way out of his jurisdiction, seems ridiculous, but then again its not a sensible movie.
If you're expecting masses of car carnage then you might be disappointed, the only real devastation we see is to Buford's police car. The Bandit gets into various scraps and sticky situations along the journey from Texas to Georgia, but naturally evades most cleanly. The various police forces that try to nab the Trans Am of course end up flippin' over, crashing into each other or getting dunked into ditches. Along the route they are assisted by many other big rig drivers and locals that all believe the Bandit to be a local southern hero. This happens via everyone's CB radios which was also became very popular at the time, lots of rapid quickfire radio gibberish flying about that sounds cool but only truckers understand. Leaves you struggling to keep up with the dialog but its impressive sounding and actually authentic.
This is a very simple concept movie, there isn't really a lot to it. There aren't that many super duper stunts in all fairness, sure there's the obligatory 'Dukes of Hazzard' jump in the Trans Am and various bits of solid driving skills on show, but don't go expecting a 'Blues Brothers' riot of wreckage. Numerous drive-by shots of the now famous black Trans Am both near, far and wide, some in the rain, some in the gleaming sunshine, tyre spins, skids etc... Same again for the Kenworth rig and its iconic trailer art, lots of lovely wide shots and close-ups, and all vehicles with many interior shots of the cast as they speed along. Most of these sequences and shots are accompanied by a pretty good country soundtrack that's enough to get your foot tapping, overall it certainly delivers on open road auto porn that's for sure.
Its easy to see why this became such a hit, it was fresh, quirky, exhilarating stuff that kick started an entire genre. What's more it can be enjoyed by all ages as it offers thrills n spills for kids and adults, its one of those movies that was often shown on TV here in the UK. Looking back in retrospect I think it just about holds up, its stupid in places with the pratfall/slapstick comedy going overboard at times (Gleason's Buford and Henry's Junior mainly), but Needham keeps it together generally. Its basically one long real car chase interspersed with cheesy visual gags, cornball cult fun stuff, pure Americana.
This film, which doesn't really have a strong plot, is basically one long chase movie about a rebel who is tasked with going on an epic booklegging run from Texas to Georgia in 28 hours or less. On the way he picks up a runaway bride, and incurs the wrath of a Texas sheriff who is hell bent on stopping him. Unbeknownst to our hero is the main reason why the sheriff is after him: the runaway bride stood his son up at the altar.
Despite being a fun, funny, and entertaining chase movie, there's really no tension and suspense. Had Bandit known Sheriff Buford T. Justice's motive, then maybe there'd be a lot more to work with. Also, the audience could have used a better sense of how much time was left at various points during the movie. That also would have helped build up suspense.
Those are big flaws, but even then, there's something very likeable about this movie, even though it's pretty vacant. Burt Reynolds is charming and sly as Bandit, Jackie Gleason is an absolute riot as Justice. Sally Field may not be a supermodel or anything, but she's a good lookin' woman, and that's pretty evident her, especially since this was her in her (relatively) younger years.
I like silly, stupid, bonehead movies, but I was expecting more from this, especially since it seems to be so revered. It doesn't quite live up to its reputation, but I didn't totally hate it, and I'm glad I finally saw it. It is funny, and the cars and trucks are awesome, but this seems to take the easy way out and isn't what it could have been.
This is not an intelligent movie. There are no Oscar-caliber performances and no brilliant direction. It doesn't change the fact that Smokey and the Bandit remains fun to watch and the lines are still funny after the fifth time you've seen it or the fifteenth. The car chases are filmed well; you'll notice that the car crashes are surpassed only a few years later by John Landis' The Blues Brothers.
Smokey and the Bandit is one of the best Southern Rock/muscle car/beer and pizza movies you can rent or catch on TBS (although you miss most of Jackie Gleason's dialogue if you catch it on cable.) Check it out!