Smokey and the Bandit Reviews
Burt Reynolds is the main man around the highways playing the Bandit Bo Darville, who's reckless driving and blatant disregard for the law are seen as a good thing(but we have to support the good guys right?). Jackie Gleason as the old Sheriff Buford T.Justice is good, pretty funny and he just makes you dislike him even though you kind of want to see more of him, the partnership between him and his deputy(who also happens to be his son) is a little stupid at times, but nevertheless still kind of funny. Sally Field is OK as Carrie a bride who well doesn't want to get married and meets the Bandit, the chemistry between all involved is pretty tight, and the director does a good job on that.
And on that note the director, Hal Needham, whose direction takes the film in a nice direction, fast paced and well timed but also with a few scatterings of jokes. The few times the movie is funny are probably outweighed by the poor jokes involved, I don't think it is the delivery that is off, the script just doesn't always make the joke come off right, and so your left either cringing or very mildly laughing, VERY mildly. It's basically the kind of movie to be enjoyed if you want fast pace as I say, look into too much and you'll just start to dislike it, I for one didn't take it seriously and found it alright.
I mean this movie grossed into the hundreds of millions, whether it deserves that is another question but does prove to me how big this movie was and possibly still is. That said this movie is not great, I mean as I have been saying it is satisfactory but far from very good, a movie that gives off the kind of vibe that it was going for just OK from start to finish. I think Burt Reynolds is a good addition to the movie; his presence is welcome and makes the movie a little more fun too, even with his very calm demeanour.
Overall the movie is as said throughout OK, never reaching the any true heights but still finishing up nicely. I would recommend this to those from the 70's, well OK not just people from the 70's, also those who enjoy good old fashioned fun and likeable characters, all mixed in a barely just about funny movie. This spawned two sequels and a TV series, some could say that shows success but for me it shows a film grossing well first time around and then milking the hell out of it!
The premise goes like this, two mega rich Texan cowboys want a driver to smuggle a load of Coors Beer from Texas (in the west), to Georgia (in the east), within a set time limit. No particular reason for this challenge I might add, this millionaire father and son duo merely want to see if a driver can succeed in the bet, for fun, because...reasons, don't question it. The snag is, Coors Beer was not allowed to be sold east of the Mississippi River, because...I don't know. The beer was also supposedly one of the finest beers in the USA at the time, but I still have no idea why it couldn't be sold in the east. So the Bandit steps up to the challenge with his sidekick the Snowman, they gotta collect the merchandise and haul it back east, if they manage it they stand to win $80,000!
Directed by Hal Needham and the first of his movies to feature fast cars and Burt Reynolds. Back in the late 70's, early 80's there was a definite splurge of these goofy fast car comedies, very loose plots about getting from A to B in a variety of vehicles, lots of slapstick, tomfoolery and sexy ladies. These movies were pure male fodder, for young lads, petrol heads and showboaters, Reynolds was (at the time) the epitome of the cool ladies man, not necessarily big and strong but rebellious, dashing and cocky, Errol Flynn in a fast car. In this movie we see him at his peak, the tash is dark and bushy, the attire is the stereotypical southern bar-hopping US cowboy, he's laid back but also on the ball, he smokes and he drives a slick black all American Pontiac Trans Am. Its like they made the Marlboro Man the main character...but in a fast car.
Everything about this movie is all American and that's what made it so popular around the world I believe, it was an insight into (southern) American life which many people (outside the US) had never seen before. The Bandit and his partner, one driving a badass muscle car and the other driving a typical all American big rig, tearing across the southern States with the law on their tail. Despite the fact this duo are breaking the law they are made out to be the good guys, Robin Hood types, just'a good ol' boys.
On the flip side you have the police which seems to consist of two people, the fat loud Buford T. Justice played by Jackie Gleason, and Junior Justice played by Mike Henry. Its quite clear to see the similarity between these two characters and the law enforcers of Hazzard County, especially the simple Junior Justice. However the whole angle for these two seems a bit far fetched, they are merely after the Bandit because he picked up Carrie (Sally Field) who was running away from her wedding with Junior. I don't believe Buford knows about the Bandits illegal cargo, he just wants to kidnap Sally Field's character and drag her back to get married against her will. To achieve this the Sheriff crosses numerous State lines and goes way out of his jurisdiction, seems ridiculous, but then again its not a sensible movie.
If you're expecting masses of car carnage then you might be disappointed, the only real devastation we see is to Buford's police car. The Bandit gets into various scraps and sticky situations along the journey from Texas to Georgia, but naturally evades most cleanly. The various police forces that try to nab the Trans Am of course end up flippin' over, crashing into each other or getting dunked into ditches. Along the route they are assisted by many other big rig drivers and locals that all believe the Bandit to be a local southern hero. This happens via everyone's CB radios which was also became very popular at the time, lots of rapid quickfire radio gibberish flying about that sounds cool but only truckers understand. Leaves you struggling to keep up with the dialog but its impressive sounding and actually authentic.
This is a very simple concept movie, there isn't really a lot to it. There aren't that many super duper stunts in all fairness, sure there's the obligatory 'Dukes of Hazzard' jump in the Trans Am and various bits of solid driving skills on show, but don't go expecting a 'Blues Brothers' riot of wreckage. Numerous drive-by shots of the now famous black Trans Am both near, far and wide, some in the rain, some in the gleaming sunshine, tyre spins, skids etc... Same again for the Kenworth rig and its iconic trailer art, lots of lovely wide shots and close-ups, and all vehicles with many interior shots of the cast as they speed along. Most of these sequences and shots are accompanied by a pretty good country soundtrack that's enough to get your foot tapping, overall it certainly delivers on open road auto porn that's for sure.
Its easy to see why this became such a hit, it was fresh, quirky, exhilarating stuff that kick started an entire genre. What's more it can be enjoyed by all ages as it offers thrills n spills for kids and adults, its one of those movies that was often shown on TV here in the UK. Looking back in retrospect I think it just about holds up, its stupid in places with the pratfall/slapstick comedy going overboard at times (Gleason's Buford and Henry's Junior mainly), but Needham keeps it together generally. Its basically one long real car chase interspersed with cheesy visual gags, cornball cult fun stuff, pure Americana.
Jackie Gleason was a funny sumbitch