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Solas (2000)
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Reviews Counted: 18
Fresh: 16
Rotten:2
Average Rating: 7.3/10
Runtime: 1 hr 42 mins
Genre: Foreign Films
Synopsis: Like Satyajit Ray's APARAJITO or Yasujiro Ozu's TOKYO STORY, director Benito Zambrono's SOLAS is a quiet, realistic film that examines relationships between parents and children, the decline of... Like Satyajit Ray's APARAJITO or Yasujiro Ozu's TOKYO STORY, director Benito Zambrono's SOLAS is a quiet, realistic film that examines relationships between parents and children, the decline of traditional values, and urban anomie. While waiting for her husband to recover in a hospital, a mother (Maria Galiana) stays with her estranged daughter, Maria (Ana Fernandez), who fled her parents rural home in Andalusia because she could no longer bear her father's abusiveness and her mother's passivity. As the daughter struggles to find dignity in her job and her relationships with men, her mother quietly tries to brighten the life of her daughter and an elderly neighbor with only a dog for a companion. Gradually, Maria realizes that behind her mother's passivity is a strength and compassion that is rare in modern Spain. SOLAS, which means alone, is a low-budget film using little-known actors; it's strong and moving, however, with emotionally wrenching performances from the entire cast. Setting a high standard with his feature-film debut, Zambrano suggests that the solution to loneliness and poverty lies in remembering how to care for others. [More]
Starring: Paco de Osca, Antonio Dechant, Ana Fernández, Angel Fernandez
Starring: Paco de Osca, Antonio Dechant, Ana Fernández, Angel Fernandez, Juan Fernández, Maria Galiana, Carlos Alvarez-Novoa
Director: Benito Zambrano
Director: Benito Zambrano
Screenwriter: Benito Zambrano
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Reviews for Solas
A powerful film in its depiction of love, loneliness, despair and redemption.
Though not much fun to watch, Solas is an effective and believable portrayal of individuals struggling against the endemic poverty of Spain.
A wonderful film and one that shows just how much growing up US cinema has left to do.
It would have been better released in the United States under its translated title, Alone, which perfectly captures the message and the mood of this slender but touching tale.
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