42% Sin City: A Dame to Kill For Aug 22
50% If I Stay Aug 22
—— When The Game Stands Tall Aug 22
7% Are You Here Aug 22
97% Love Is Strange Aug 22

Top Box Office

21% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
14% Let's Be Cops $17.8M
35% The Expendables 3 $15.9M
31% The Giver $12.3M
21% Into The Storm $7.9M
66% The Hundred-Foot Journey $7.2M
64% Lucy $5.5M
41% Step Up: All In $2.7M
62% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
85% The Congress Aug 29
—— The Calling Aug 29

New Episodes Tonight

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Franklin & Bash: Season 4
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
57% Legends: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
43% Young & Hungry: Season 1

Discuss Last Night's Shows

—— Covert Affairs: Season 5
88% Finding Carter: Season 1
67% Matador: Season 1
—— Perception: Season 3
—— Pretty Little Liars: Season 5
—— Rizzoli & Isles: Season 5
—— Royal Pains: Season 5
—— Sullivan & Son: Season 3
57% Tyrant: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
83% Extant: Season 1
88% The Honorable Woman: Season 1
86% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

We Are What We Are Reviews

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Chuck Bowen
Slant Magazine

A competent barebones transfer of a horror film that deserves to win a wider audience among the Netflix crowd.

Full Review Source: Slant Magazine

August 8, 2011
Laura Clifford
Reeling Reviews

Grau equates his cannibal family much like Tobe Hooper's Texas clan - as disenfranchised poor people living on the fringes of society struggling with their own familial power structure.

Full Review Source: Reeling Reviews | Original Score: B-

July 20, 2011
Jeremy Heilman

If the resulting work ultimately fails to completely marry its disparate goals, it's to Grau's credit that he manages to make this slow-burning horror drama work as well as he does.

Full Review Source: | Original Score: 57/100

July 14, 2011
Mark Olsen
Los Angeles Times
Top Critic IconTop Critic

An unexpectedly rich exploration of family bonds, blood rituals and the oftentimes zombie-like desire to assume the roles proscribed to each of us, played out with a sharp undertow of political allegory and darkly comic sensibility.

Full Review Source: Los Angeles Times | Original Score: 3.5/5

February 24, 2011
Elvis Mitchell

You might want to catch We Are What We Are before its inevitable, much-too-glossy remake brightens the walls of American multiplexes.

Full Review Source: Movieline | Original Score: 7.5/10

February 24, 2011
Jeannette Catsoulis
New York Times
Top Critic IconTop Critic

Unfolding in an impoverished neighborhood in Mexico City, this disturbing debut paints social decay with bold, elegant strokes and dizzying camera angles.

Full Review Source: New York Times | Original Score: 4/5

February 18, 2011
V.A. Musetto
New York Post
Top Critic IconTop Critic

Grau's script is intelligent, and it has something to say about family and social dysfunction. You just might want to skip meat for a few days.

Full Review Source: New York Post | Original Score: 3/4

February 18, 2011
Ian Buckwalter
Top Critic IconTop Critic

Like zombie auteur George Romero at his best, Grau locks his sights on his social commentary of choice and goes after it with the zeal of a 19-year-old cannibal girl sinking an ax into the skull of her next meal.

Full Review Source: NPR | Original Score: 7.5/10

February 17, 2011
Geoff Berkshire

A visually striking debut for writer-director Jorge Michel Grau, who proves he has the chops for atmospheric horror even when his pretentious storytelling tendencies undermine the end result.

Full Review Source: | Original Score: 3/5

February 17, 2011
Chris Cabin

lack of exposition and an air of genuine confusion are key to the film's modest successes

Full Review Source: | Original Score: 3.5/5

February 17, 2011
Keith Phipps
AV Club
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Grau effectively mixes wry, bloody, deadpan gags, family drama, and stomach-churning violence.

Full Review Source: AV Club | Original Score: B

February 17, 2011
Brian Juergens

With its sly message of self-empowerment in the face of overwhelming odds, this is pretty much the Mexico City Pride float of Mexican gay cannibal movies.

Full Review Source: | Original Score: 7/10

February 17, 2011
J. Hoberman
Village Voice
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We Are What We Are is a darkly comic social allegory as well as an atmospheric little genre flick.

Full Review Source: Village Voice

February 15, 2011
Jason Best
Movie Talk

Mexican director Jorge Michel Grau['s] macabre film has its share of grisly moments, but more importantly, it also has something to say.

Full Review Source: Movie Talk

November 22, 2010
Rich Cline
Shadows on the Wall

It's often very grisly, but has a fine sense of visual style and an extremely black streak of comedy.

Full Review Source: Shadows on the Wall | Original Score: 4/5

November 17, 2010
Sophie Ivan

Without doubt, the best Mexican cannibal horror movie of the decade.

Full Review Source: Film4 | Original Score: 3/5

November 15, 2010
Nigel Floyd
Time Out
Top Critic IconTop Critic

While it concerns itself with the gruesome logistics of finding bodies to be ritually sacrificed and chopped into bite-size pieces, Grau's hybrid film achieves a morbid fascination that is reinforced by Santiago Sanchez's artfully scuzzy cinematography.

Full Review Source: Time Out | Original Score: 3/5

November 15, 2010

This is a film that's often more interesting to deconstruct than watch because Grau hasn't yet worked out how to marry his intellectual ideas with a throat-gripping storytelling style.

Full Review Source: Scotsman | Original Score: 3/5

November 15, 2010
Robbie Collin
News of the World

Should win fans from the horror and arthouse crowds alike.

Full Review Source: News of the World | Original Score: 3/5

November 14, 2010
Tim Robey
Daily Telegraph

Grau uses his rigorously grim scenario to mount a slightly studenty thesis about an underclass feeding on itself.

Full Review Source: Daily Telegraph | Original Score: 3/5

November 12, 2010

Sight and Sound
June 18, 2012
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