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Son Frere (2004)
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Reviews Counted:25
Fresh:23
Rotten:2
Average Rating:7.1/10
Theatrical Release:Apr 2, 2004 Limited
Synopsis: This harrowing family tale about illness and grief is directed by the commanding Patrice Chereau (QUEEN MARGOT, INTIMACY). Captivating at every moment, the film thrives on the emotional intensity... This harrowing family tale about illness and grief is directed by the commanding Patrice Chereau (QUEEN MARGOT, INTIMACY). Captivating at every moment, the film thrives on the emotional intensity of its characters. Thomas (Bruno Todeschini) has been diagnosed with a strange blood disease, and he calls on his brother Luc (Eric Caravaca) for help. Though they both live in Paris, they are not close, using Luc's homosexuality as the barrier between them. Stereotypes are dissipated through these characters--Luc is gay yet self-assured and healthy; Thomas is straight yet self-defeating and sick. The chronology jerks forward months at a time--February, July, March, and so forth--as if time is on pause, and it might just stop. Thomas's illness is unpredictable, and his hospital stays happen unexpectedly, keeping everyone--parents, Thomas' girlfriend Claire (Nathalie Boutefeu), and Luc's boyfriend Vincent--in a state of constant anxiety. With painful-to-watch hospital scenes and moments of tortured emotional outpouring, SON FRERE is a poignant portrait of coping with human mortality. [More]
Starring: Bruno Todeschini, Eric Caravaca, Nathalie Boutefeu, Maurice Garrel
Starring: Bruno Todeschini, Eric Caravaca, Nathalie Boutefeu, Maurice Garrel, Sylvain Jacques, Catherine Ferran, Fred Ulysse, Antoinette Moya
Director: Patrice Chereau
Director: Patrice Chereau
Screenwriter: Anne-Louise Trividic, Patrice Chereau
Producer: Pierre Chevalier
Studio: Strand Releasing
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Reviews for Son Frere
While it's not the most dramatically gripping film, Son achieves an effective sense of realism with handheld camerawork, natural lighting and very convincing performances.
Patrice Chereau's film is not always pleasant to sit through, but it has the raw, unsettling power, and the surprising tenderness, of a Lucian Freud painting brought to life.
One of the best films about such a deceptively simple thing as brotherly love to have come out of France in quite a while.
Fine performances, but it feels like they are being reined in to keep their emotional distance - from each other and from the audience. Still... it can be devastating.
It's in [the hospital] sequences that the film works best, as director Patrice Chéreau imbues the story with little touches that feel authentic
Beneath its surface of chronic suffering and hospital details, Chereau's best drama etches a humane, sensitive, and richly moving portrait of fraternal love struggling to mitigate human frailty.
An unsentimental, almost uninflected, account of a preparation for death, told with a painful clarity that eventually bleeds into compassion.
Patrice Chéreau cuts to the core of human agony with the kind of raw precision that escapes most living directors.
Both [Todeschini] and Caravaca do a great deal with very little histrionics to make auds care for two brothers who are clearly re-learning to appreciate their family ties, but who only rarely confront each other about their respective emotional journeys.
Insightful and often painful to watch, Patrice Chereau's sensitive drama captures the reality of chronic illness.
The movie brings disease back to metaphoric ground zero and, in the process, links the sick and the healthy in one significant but often overlooked manner: We're all prisoners of our own bodies.
Affords painful insight into what happens to relationships during a serious illness.
The same black-and-blue realism that made French director Patrice Chereau's romance Intimacy such a memorable, if gloomy, experience is once again evident in this moody adaptation of Philippe Besson's novel.
While visually impressive -- the film won the Silver Bear for best director at the 2003 Berlin Film Festival -- Son Frere is draining to look at.
A harrowingly accurate portrait of the indignities sometimes suffered by hospitalized patients -- and the sacrifices their families make.
The actors bring a startling physicality to their roles--the skin speaks volumes.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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