Parts seem like they were lifted from Terry Gilliam's subconscious, pressed through Kafka's meat grinder and into Buñuel's casings
Songs from the Second Floor (2002)
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Reviews Counted:33
Fresh:29
Rotten:4
Average Rating:7.5/10
Runtime: 1 hr 39 mins
Genre: Dramas
Synopsis: In this surreal Swedish film from director Roy Andersson, a toxic green light colors each scene, setting the story in a bleak post modern world. The economy is failing, as is the stability of the... In this surreal Swedish film from director Roy Andersson, a toxic green light colors each scene, setting the story in a bleak post modern world. The economy is failing, as is the stability of the human psyche, and even as the story relies heavily on order and structure, rooting itself in organized settings--the train station, the board room table, the hospital, the business conference--the action and dialogue strays into a nonsensical, backwards, impossible place. Darkly comic and relentlessly bizarre, SONGS FROM THE SECOND FLOOR is like a Fellini film in slow motion, or a David Lynch film drained of color, or an abstract Monty Python comedy. Structured around the ominous statement "Beloved is the one who sits down" by the poet Cesar Vallejo, the movie is organized into vaguely related vignettes, all occurring in adjacent locations at almost the same point in time, and occasionally overlapping. The characters in Andersson's film wear business suits. They are sickly pale, and very puffy and unhealthy looking. They wander aimlessly but with instinctive purpose, perpetually suffering bad luck, and following daily routines that often end in gruesome injury, drunkenness, death, or just plain weirdness. A badly burned man who has just set his office building on fire rides the subway expressionless, while all the other passengers sing opera loudly and in unison. A failed crucifix salesman angrily unloads a truck full of Jesuses at the dump, flinging the crosses into a giant ghastly pile. A young girl is selected by a group of executives to be sacrificed, and at a ceremony attended by clergymen, businessmen, and hundreds of other officials, she is pushed off a cliff. This artistic, visually engrossing, and conceptually awe-inspiring film competed at Cannes in 2001. [More]
Starring: Lars Nordh, Stefan Larsson, Lucio Vucina, Hasse Soderholm
Starring: Lars Nordh, Stefan Larsson, Lucio Vucina, Hasse Soderholm, Torbjorn Fahlstrom, Klas Gosta Olsson
Director: Roy Andersson
Director: Roy Andersson
Producer: Lisa Alwert, Philippe Bober
Composer: Benny Andersson
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Reviews for Songs from the Second Floor
This is cruel, misanthropic stuff with only weak claims to surrealism and black comedy.
A macabre and very stylized Swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters.
This is wild surreal stuff, but brilliant and the camera just kind of sits there and lets you look at this and its like you're going from one room to the next and none of them have any relation to the other.
There's really only one good idea in this movie, but the director runs with it and presents it with an unforgettable visual panache.
Andersson creates a world that's at once surreal and disturbingly familiar; absurd, yet tremendously sad.
The stunning, dreamlike visuals will impress even those viewers who have little patience for Euro-film pretension.
It's almost as if it's an elaborate dare more than a full-blooded film.
A heartbreakingly thoughtful minor classic, the work of a genuine and singular artist.
Easier to respect than enthuse over, Andersson's rigorous personal vision is not only distanced but distancing.
At once wickedly funny and deeply disturbing, Andersson's deadpan, apocalyptic tone poem conjures up an exquisitely hermetic vision of mankind at the final buzzer.
If you're in the mood to wallow in the emptiness of Western society, then Songs is certainly a mind-boggling piece of work.
A deliciously nonsensical comedy about a city coming apart at its seams.
Leaping from one arresting image to another, Songs from the Second Floor has all the enjoyable randomness of a very lively dream and so manages to be compelling, amusing and unsettling at the same time.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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