Keep your day job, Nicolas Cage. This shockingly inept directorial debut reveals the brooding actor to be a hackneyed helmer.
Sonny (2002)
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Reviews Counted:26
Fresh:6
Rotten:20
Average Rating:4.2/10
Rated: R [See Full Rating] for strong sexuality, language, some drug use and violence
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:Dec 27, 2002 Limited
Synopsis: Nicholas Cage's directorial debut SONNY is the story of a young man (James Franco) who returns to the life he left behind in New Orleans after a brief stint in the Army. That life, provided by his... Nicholas Cage's directorial debut SONNY is the story of a young man (James Franco) who returns to the life he left behind in New Orleans after a brief stint in the Army. That life, provided by his mother Jewel (Brenda Blethyn), is one of small-time prostitution: mom is a madam, and Sonny has been in the brothel all his life. His brief excursion into the broader world makes Sonny want a different life, but he finds that his old habits--as well as the pull of young call girl Carol (Mena Suvari), and the bond with his mother's companion Henry (Harry Dean Stanton)--make leaving nearly impossible. For his first shot at directing, Cage chose a particularly gritty, knotted story in SONNY. Barry Markowitz's rich cinematography is nearly tactile, and Cage makes the interesting choice of having the colorful (in more ways than one) city of New Orleans mostly push through the edges of the movie, which is primarily shot in close-up. Those tight shots reveal the simmering rage in Franco's character, as well as the strange Oedipal twist of the hustling son who tries to please his mother by having sex with other women. [More]
Starring: James Franco, Mena Suvari, Brenda Blethyn, Harry Dean Stanton
Starring: James Franco, Mena Suvari, Brenda Blethyn, Harry Dean Stanton, Scott Caan
Director: Nicolas Cage
Director: Nicolas Cage
Screenwriter: John Carlen
Producer: Nicolas Cage, Norm Golightly, Paul Brooks
Composer: Clint Mansell
Studio: Samuel Goldwyn Films
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Reviews for Sonny
Enchanted with low-life tragedy and liberally seasoned with emotional outbursts ... What is sorely missing, however, is the edge of wild, lunatic invention that we associate with Cage's best acting.
There's too much forced drama in this wildly uneven movie, about a young man’s battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present.
John Carlen’s script is full of unhappy, two-dimensional characters who are anything but compelling.
Back to the housewives with ya, and now that Cage has the vanity project out of his system, he can go back to making more movies with Spike Jonze.
It's as if a bored Cage spent the duration of the film's shooting schedule waiting to scream: "Got AIDS yet?"
Preposterous and tedious, Sonny is spiked with unintentional laughter that, unfortunately, occurs too infrequently to make the film even a guilty pleasure.
Too defensive and earnest about its topic to be either fun or illuminating.
Actors generally make good actor's directors, but Sonny is a mixed bag in that department.
Sunk by way too much indulgence of scene-chewing, teeth-gnashing actorliness.
Nicolas Cage isn't the first actor to lead a group of talented friends astray, and this movie won't create a ruffle in what is already an erratic career.
Amid the cliché and foreshadowing, Cage manages a degree of casual realism ... that is routinely dynamited by Blethyn.
As the sulking, moody male hustler in the title role, [Franco] has all of Dean's mannerisms and self-indulgence, but none of his sweetness and vulnerability.
A well-intentioned effort that's still too burdened by the actor's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility.
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| Tomatometer Percentage | Movie |
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