Opening

74% Fast & Furious 6 May 24
28% The Hangover Part III May 23
73% Epic May 24
97% Before Midnight May 24
73% We Steal Secrets: The Story Of Wikileaks May 24
82% Fill the Void May 24
—— A Green Story May 24
—— Alyce Kills May 24

Top Box Office

86% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
98% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

La Stanza del Figlio (The Son's Room) Reviews

Page 1 of 5
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Your appreciation of it will depend on what experiences you bring to it and what associations you choose to make.

Full Review Source: St. Paul Pioneer Press | Original Score: 2.5/4

February 28, 2002
Arthur Lazere
culturevulture.net

Instead of building character, [The Son's Room] makes its points serially and plays like the outline of a B minus term paper in which the assigned subject is Kubler-Ross.

Full Review Source: culturevulture.net

January 31, 2002
Jeremy Heilman
MovieMartyr.com

Full Review Source: MovieMartyr.com | Original Score: 1/4

March 5, 2002
Dennis Schwartz
Ozus' World Movie Reviews

The Son's Room is a sob story that is too pat for my taste.

Full Review Source: Ozus' World Movie Reviews | Original Score: C

October 11, 2002
J. Hoberman
Village Voice
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A movie more to be prescribed than recommended -- as visually bland as a dentist's waiting room, complete with soothing Muzak and a cushion of predictable narrative rhythms.

Full Review Source: Village Voice

January 29, 2002
Lou Lumenick
New York Post
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Despite pitch-perfect performances, the craft of Moretti's direction and his honorable intentions, The Son's Room was not especially moving.

| Original Score: 2.5/4

February 1, 2002
Ed Gonzalez
Slant Magazine

More maudlin than sharp.

Full Review Source: Slant Magazine | Original Score: 2/4

October 10, 2001
Harvey S. Karten
Compuserve

Ultimately the project comes across as clinical, detached, uninvolving, possibly prompting audience members to wonder, 'What's the point?'

Full Review Source: Compuserve

January 16, 2002
Kevin John Bozelka
Milwaukee Journal Sentinel

Moretti plays Giovanni, a psychiatrist who predictably finds it difficult to sustain interest in his profession after the family tragedy. Too predictably, in fact.

| Original Score: 2.5/4

May 30, 2002
Michael Rechtshaffen
Hollywood Reporter
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While there will be those who applaud the film for generally steering clear of heavy-handed manipulation, the scenes nevertheless have a prefabricated, synthetic feel that prevent the material from being tangibly affecting.

July 3, 2001
Walter Chaw
Film Freak Central

the "too-scripted" pieces about weighty topics in La Stanzo del figlio begin to take on the hue and cry of self-satisfaction.

Full Review Source: Film Freak Central | Original Score: 2/4

October 12, 2001
Frank Swietek
One Guy's Opinion

A film...whose studied deliberation comes perilously close to ponderousness.

Full Review Source: One Guy's Opinion | Original Score: C

January 25, 2002

Hollywood.com

Full Review Source: Hollywood.com | Original Score: 2.5/4

March 2, 2002
Roger Ebert
Chicago Sun-Times
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Sometimes in a quite ordinary way a director can reach out and touch us.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

March 1, 2002
James Berardinelli
ReelViews
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By daring to be honest and unsparing, The Son's Room is meaningful.

Full Review Source: ReelViews | Original Score: 3.5/4

January 31, 2002
Richard Roeper
Ebert & Roeper
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The Son's Room, possesses a quiet, haunting realism, fueled by an excellent script and assured performances all around.

Full Review Source: Ebert & Roeper

February 11, 2002
Jim Lane
Sacramento News & Review

A gentle, compassionate drama about grief and healing.

Full Review Source: Sacramento News & Review | Original Score: 4/5

May 6, 2002
Brian Gibson
Vue Weekly (Edmonton, Canada)

A work of powerful understatement, artfully crafted and subtly acted.

December 1, 2003
Peter Howell
Toronto Star
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It is in Moretti's nature to never be completely gloomy. Yet in striving for greater seriousness, he has proven himself capable of far more meaningful work that the comedian in him has ever before demonstrated, or admitted to.

Full Review Source: Toronto Star

February 1, 2002
Claudia Puig
USA Today
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Stands apart for its raw, quiet emotion and its shattering sense of truth.

Full Review Source: USA Today | Original Score: 3/4

March 5, 2002
Derek Adams
Time Out
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February 9, 2006
Rich Cline
Shadows on the Wall
December 10, 2001
Jean Lowerison
San Diego Metropolitan
October 21, 2002
Urban Cinefile Critics
Urban Cinefile
August 17, 2002
Lee Hill
Senses of Cinema
March 27, 2002
Peter Rainer
New York Magazine
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February 3, 2002
Jason Anderson
eye WEEKLY
February 3, 2002
Margaret A. McGurk
Cincinnati Enquirer
October 15, 2002
Cynthia Fuchs
Nitrate Online
November 5, 2002
Alexander Walker
This is London
December 15, 2003
Christopher Tookey
Daily Mail [UK]
December 15, 2003

Guardian [UK]
February 16, 2002

FilmFour.com
February 26, 2002

Arizona Republic
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March 15, 2002

Boston Phoenix
March 24, 2002

Seattle Post-Intelligencer
May 31, 2002

Houston Chronicle
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June 1, 2002
Page 1 of 5
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