The picture's extraordinary beauty is inescapable.
Spring, Summer, Fall, Winter... And Spring (2004)
Tomatometer
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Reviews Counted:91
Fresh:86
Rotten:5
Average Rating:8/10
Consensus: A visually stunning and contemplative piece of work.
Theatrical Release:Apr 2, 2004 Limited
Box Office: $2,105,230
Synopsis: The exquisitely beautiful and very human drama SPRING, SUMMER, FALL, WINTER… AND SPRING, starring director KIM Ki-duk, is entirely set on and around a tree-lined lake where a tiny Buddhist... The exquisitely beautiful and very human drama SPRING, SUMMER, FALL, WINTER… AND SPRING, starring director KIM Ki-duk, is entirely set on and around a tree-lined lake where a tiny Buddhist monastery floats on a raft amidst a breath-taking landscape. The film is divided into five segments with each season representing a stage in a man's life. Under the vigilant eyes of Old Monk (wonderful veteran theatre actor OH Young-soo), Child Monk learns a hard lesson about the nature of sorrow when some of his childish games turn cruel. In the intensity and lushness of summer, the monk, now a young man, experiences the power of lust, a desire that will ultimately lead him, as an adult, to dark deeds. With winter, strikingly set on the ice and snow-covered lake, the man atones for his past actions, and spring starts the cycle anew… With an extraordinary attention to visual details, such as using a different animal (dog, rooster, cat, snake) as a motif for each section, writer/director/editor KIM Ki-duk has crafted a totally original yet universal story about the human spirit, moving from Innocence, through Love and Evil, to Enlightenment and finally Rebirth. SPRING The wooden doors of a gated threshold open on a small monastery raft that floats upon the tranquil surface of a mountain pond. The hermitage's sole occupants are an Old Monk (OH Young-soo) and his boy protégé Child Monk (KIM Jong-ho). While exploring the world in and around their secluded idyll, Child Monk indulges in the capricious cruelties of boyhood. After tying stones to a fish, a frog, and a snake, Child Monk awakens to find himself fettered by a large stone Old Monk has bound to him. The old man calmly instructs the boy to release the animals, promising him that if any of the creatures die "you'll carry the stone in your heart for the rest of your life.” SUMMER The doors open again on Boy Monk now aged 17 (SEO Jae-kyung) who meets a woman (KIM Jung-young) making a pilgrimage with her spiritually ill daughter (HAYeo-jin). "When she finds peace in her soul," Old Monk reassures the mother, "her body will return to health." The girl awakens desire in Boy Monk and the sensual flirtation between the two of them culminates in passionate lovemaking on pond-side rocks. After a furtive but tender tryst in the abbey's rowboat, the lovers are discovered by Old Monk. The girl, now healed, is sent back to her mother. Forsaking his monastery home, the infatuated Boy Monk follows her. FALL Long absent from the monastery, Young Adult Monk (KIM Young-Min), now a thirty year old fugitive, returns to the abbey raft still consumed by a jealous rage that has compelled him to commit a violent crime. When Young Adult Monk attempts penitence as cruel as his misdeed, Old Monk punishes him. The Old Monk instructs Young Adult Monk to carve Pranjaparpamita (Buddhist) sutras into the hermitage's deck in order to find peace in his heart. Two policemen arrive at the abbey to arrest Young Adult Monk but thanks to Old Monk, they let Young Adult Monk continue carving the sutras. Young Adult Monk collapses from exhaustion and the two policemen finish decorating the sutras before taking Young Adult Monk into custody. Alone again, Old Monk prepares a ritual funereal pyre for himself. WINTER The doors open on the now frozen pond and abandoned monastery. The now mature Adult Monk (played by director KIM Ki-duk) returns to train himself for the penultimate season in his spiritual journey-cycle. A veiled woman arrives bearing an infant that she leaves in Adult Monk's care. In a pilgrimage of contrition, Adult Monk drags a millstone to the summit of a mountain overlooking the pond. As he gazes down on the pond that buoys the monastery and the mountainsides that gently hold the pond like cupped hands, Adult Monk acknowledges the unending cycle of seasons and the accompanying ebb and flow of life's joys and sorrows. ... AND SPRING The doors open once again on a beautiful spring day. Grown from a child to a man and from a novice to a master, Adult Monk has been reborn as teacher for his new protégé. Together, Adult Monk and his young pupil are to start the cycle anew…. DIRECTOR'S STATEMENT "I intended to portray the joy, anger, sorrow and pleasure of our lives through four seasons and through the life of a monk who lives in a temple on Jusan Pond surrounded only by nature." -- KIM Ki-duk [More]
Starring: Kim Ki-Duk, Oh Young-soo, Kim Jong-ho, Seo Jae-kyung
Starring: Kim Ki-Duk, Oh Young-soo, Kim Jong-ho, Seo Jae-kyung, Kim Jung-young, Hayeo-Jin, Kim Young-min
Director: Kim Ki-Duk
Director: Kim Ki-Duk
Screenwriter: Kim Ki-Duk
Producer: Kim Ki-Duk
Studio: Sony Pictures Classics
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Reviews for Spring, Summer, Fall, Winter... And Spring
As with most collections of short stories, some are more interesting than others. And the pacing is extremely slow -- almost meditative.
The payoff of this intoxicating film is less a deep, coherent message than a series of gorgeous surface images: the smoky visuals, the calm, committed rapport with nature, the dramatic seasonal shifts.
As the seasons pass, lessons are learned, mistakes are made and, inevitably, many audience members are put to sleep.
The story is compelling, but Spring, Summer sends your thoughts off in mystical directions, as you contemplate what it has to say about grace, learning from mistakes and accepting that we are all part of a plan, even if that plan is not clear.
This subtly entrancing paean to seasons earthly and emotional is to the developing male psyche what Whale Rider is to the female, and deserves equal acclaim.
With its heart-stopping setting, gorgeous images and a lovely little story, it's as fresh as woodland dew.
The floating monastery strikes one, at first, as far too empty a stage for a movie of any length, but it becomes, in the end, a meditation on walls, rules and memory, on the keeping out and the keeping in of life.
By turns humorous and tragic, Kim's film folds Buddhist belief into scenarios that capture the eye while they provoke the mind.
Misidentified as gentle, the picture just approaches conflict in a better way.
Proves that the most local story is sometimes the most universal, the simplest tale sometimes the most complex.
A little gem, it keeps its conflicting or varying themes of tranquility and violence, sacred and profane love, recklessness and wisdom, in almost perfect balance.
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