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Springtime in a Small Town (2004)
Tomatometer
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Reviews Counted: 35
Fresh: 31
Rotten:4
Average Rating: 7.4/10
Consensus: Visually sumptuous and well acted.
Theatrical Release:May 14, 2004 Limited
Synopsis: A country town in South China. It's the spring of 1946 … less than a year since the defeated Japanese withdrew from China. A young woman languishes on the bomb-damaged walls of the small town. She... A country town in South China. It's the spring of 1946 … less than a year since the defeated Japanese withdrew from China. A young woman languishes on the bomb-damaged walls of the small town. She is bored … frustrated … unfulfilled. The sound of a distant train whistle triggers thoughts of escape. Dai Liyan is the only surviving male of the Dai family. He married Yuwen eight years ago, just before the war started. When Japanese planes bombed the town, they evacuated to Suzhou; they returned to the family's ancestral home after the war to find it half in ruins, and moved back into the relatively intact Flower Pavilion. But then Dai Liyan fell ill with suspected tuberculosis. He and Yuwen began sleeping in separate rooms. Liyan gave up the thought of having children. The couple lives with Liyan's sister Xiu, who goes to a local school, and the family's elderly retainer Lao Huang. Liyan's health is not improved by watching his wife become his nursemaid: her vivacity has given way to a numbed ennui, and she cries alone in her room at night. But everything changes when an unexpected visitor arrives from Shanghai. Zhang Zhichen, now a qualified doctor, is Dai Liyan's old friend from college. He cuts a dashing figure in this rural setting. He is perturbed to find Liyan in such poor physical condition - and amazed to find him married to Yuwen, his own childhood neighbor and his first sweetheart. In the excitements of the reunion, long suppressed emotions are kept in check. Soon after though, Zhichen learns from Liyan that all passion has died in his marriage. Zhichen has a private word with Yuwen and both of them realize they still have strong feelings for each other. When Zhichen leaves to catch the Shanghai train, many things have changed in the Dai household … [More]
Starring: Wu Jan, Hu Jingfan, Lu Sisi, Xin Bajqing
Starring: Wu Jan, Hu Jingfan, Lu Sisi, Xin Bajqing
Director: Tian Zhuangzhuang
Director: Tian Zhuangzhuang
Screenwriter: Cheung Ah
Producer: Bill Kong, Marc Sillam, Yatmin Tang
Composer: Li Zhau
Studio: Palm Pictures
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Reviews for Springtime in a Small Town
If you can go with the film's leisurely flow and accept the restraints it holds its lovers in check with, it can be a spellbinding film experience.
Only a director who truly knows repression could have made a movie so subtle and so understanding.
Crafted in a style that seems to be learned from films of the thirties and, for all its scope, might have been adapted from a stage play.
Even potentially crushing situations are diffused by the respect each character has for one another.
There aren't a lot of plot complications in Springtime, a remake of a celebrated 1948 Chinese film of the same name. It's the way Tian tells his story that impresses.
[Springtime in a Small Town is] a quiet, thoughtful and beautifully wrought film.
Springtime in a Small Town moves at a leisurely pace. And because it's a work of taste and tact, you can watch it in a pleasurable state.
The drama can seem tepid from a contemporary Western perspective. But there's usually a tasty morsel of cinematography or performance just around the corner.
Reinventing his source just as boldly as he has reinvented his artistic identity, Tian circumvents the usual mentality of remakes by making his material brand-new.
It's heartbreak without the hysterics, and it's as beautiful as a still-life painting which makes you cry without you even understanding why.
What makes [it] so effective is Tian’s very carefully wrought visual style and the performances of his tiny cast.
This isn't a radical film by any means, but in its gentle tempo, its avoidance of the obvious and stubborn insistence on the decency of its three touchingly human characters, 'Springtime in a Small Town' weighs in as refreshingly, pleasurably different.
A movie that drifts across the screen with the delicacy of linen floating on a warm breeze, whose slow, sensual camera movements are like tiptoes on rice paper, yet which can sting us with the suddenness of a bee concealed in clover.
After more than a decade in artistic exile, China's Tian Zhuangzhuang has resurfaced with a veritable vengeance, delivering what may well be the crowning achievement of his storied, turbulent career.
The filmmaking is remote and austere, qualities often at odds with the story's emotions.
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