Unfortunately, the film called to mind Gong Li's tragic fate as the unhappily married wife in Zhang Yimou's superior film "Raise The Red Lantern."
Springtime in a Small Town (2004)
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Reviews Counted:35
Fresh:31
Rotten:4
Average Rating:7.4/10
Consensus: Visually sumptuous and well acted.
Theatrical Release:May 14, 2004 Limited
Synopsis: A country town in South China. It's the spring of 1946 … less than a year since the defeated Japanese withdrew from China. A young woman languishes on the bomb-damaged walls of the small town. She... A country town in South China. It's the spring of 1946 … less than a year since the defeated Japanese withdrew from China. A young woman languishes on the bomb-damaged walls of the small town. She is bored … frustrated … unfulfilled. The sound of a distant train whistle triggers thoughts of escape. Dai Liyan is the only surviving male of the Dai family. He married Yuwen eight years ago, just before the war started. When Japanese planes bombed the town, they evacuated to Suzhou; they returned to the family's ancestral home after the war to find it half in ruins, and moved back into the relatively intact Flower Pavilion. But then Dai Liyan fell ill with suspected tuberculosis. He and Yuwen began sleeping in separate rooms. Liyan gave up the thought of having children. The couple lives with Liyan's sister Xiu, who goes to a local school, and the family's elderly retainer Lao Huang. Liyan's health is not improved by watching his wife become his nursemaid: her vivacity has given way to a numbed ennui, and she cries alone in her room at night. But everything changes when an unexpected visitor arrives from Shanghai. Zhang Zhichen, now a qualified doctor, is Dai Liyan's old friend from college. He cuts a dashing figure in this rural setting. He is perturbed to find Liyan in such poor physical condition - and amazed to find him married to Yuwen, his own childhood neighbor and his first sweetheart. In the excitements of the reunion, long suppressed emotions are kept in check. Soon after though, Zhichen learns from Liyan that all passion has died in his marriage. Zhichen has a private word with Yuwen and both of them realize they still have strong feelings for each other. When Zhichen leaves to catch the Shanghai train, many things have changed in the Dai household … [More]
Starring: Wu Jan, Hu Jingfan, Lu Sisi, Xin Bajqing
Starring: Wu Jan, Hu Jingfan, Lu Sisi, Xin Bajqing
Director: Tian Zhuangzhuang
Director: Tian Zhuangzhuang
Screenwriter: Cheung Ah
Producer: Bill Kong, Marc Sillam, Yatmin Tang
Composer: Li Zhau
Studio: Palm Pictures
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Reviews for Springtime in a Small Town
Filmmaker Tian Zhuangzhuang triumphantly returns to narrative filmmaking with a visually masterful work of quiet power.
Well served by the performances of its lead trio. All are relative newcomers to film acting, yet they subtly convey the suppressed longings beneath their characters' polite façades.
After more than a decade in artistic exile, China's Tian Zhuangzhuang has resurfaced with a veritable vengeance, delivering what may well be the crowning achievement of his storied, turbulent career.
Reinventing his source just as boldly as he has reinvented his artistic identity, Tian circumvents the usual mentality of remakes by making his material brand-new.
Crafted in a style that seems to be learned from films of the thirties and, for all its scope, might have been adapted from a stage play.
It's heartbreak without the hysterics, and it's as beautiful as a still-life painting which makes you cry without you even understanding why.
Each frame is as delicately poised and lit as a Vermeer portrait of a woman, beckoning but unknowable.
This is tastefully boring festival fare, strictly for those who like their movies slow and their subtitles prominent.
Even potentially crushing situations are diffused by the respect each character has for one another.
A map of the inner rhythms of love and jealousy and sacrifice drawn with a master's steady stroke.
The filmmaking is remote and austere, qualities often at odds with the story's emotions.
stunning to watch and willing to keep even the most dramatic difficulties between two people to low key climaxes
Connoisseurs of Chinese film will be pleased to discover that Tian's meticulous talent has not withered during his enforced hiatus.
There aren't a lot of plot complications in Springtime, a remake of a celebrated 1948 Chinese film of the same name. It's the way Tian tells his story that impresses.
A movie that drifts across the screen with the delicacy of linen floating on a warm breeze, whose slow, sensual camera movements are like tiptoes on rice paper, yet which can sting us with the suddenness of a bee concealed in clover.
What makes [it] so effective is Tian’s very carefully wrought visual style and the performances of his tiny cast.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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