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Stalag 17 (1953)
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Reviews Counted:28
Fresh:27
Rotten:1
Average Rating:8.3/10
Consensus: Stalag 17 survives the jump from stage to screen with flying colors, thanks to Billy Wilder's typically sterling direction and a darkly funny script.
Runtime: 2 hrs
Genre: Dramas
Synopsis: Billy Wilder's adaptation of the Broadway hit stars William Holden as the cynical Sefton. Set in the eponymous German prison camp during WWII, the director's broad, black comedy focuses on a group... Billy Wilder's adaptation of the Broadway hit stars William Holden as the cynical Sefton. Set in the eponymous German prison camp during WWII, the director's broad, black comedy focuses on a group of decidedly unheroic prisoners. While they spend most of their time trying to entertain each other with comedy routines and pin-ups, they also occasionally entertain thoughts of escape. But escape is the last thing on the mind of the hard, calculating Sefton, a wheeler-dealer who's salted away a stash of creature comforts which are the envy of the barracks. When a couple of prisoners are killed while attempting to escape, Sefton collects the money he won by betting against their success, and many believe that it was he who informed the Germans. After a new prisoner, Lt. Dunbar (Don Taylor) talks openly about having bombed a German ammo train, he's immediately subjected to a harsh interrogation by sadistic commandant Oberst von Scherbach (Otto Preminger). Their suspicions confirmed, the prisoners take revenge against Sefton. A film whose depiction of American G.I.s as ordinary, even selfish, people probably seemed seemed edgier in the 1950s than it does now, it remains a durable entertainment, with incisive performances by Holden and Preminger. [More]
Starring: William Holden, Don Taylor, Otto Preminger, Neville Brand
Starring: William Holden, Don Taylor, Otto Preminger, Neville Brand, Peter Graves, Robert Strauss, Harvey Lembeck, Sig Ruman
Director: Billy Wilder
Director: Billy Wilder
Producer: Billy Wilder
Composer: Franz Waxman
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Reviews for Stalag 17
As with many of Wilder's films, you tend to forget just how funny it is %u2014 the way the master director cuts tension with incisive wit and barely controlled silliness.
The resulting letdown is terrific, but along the way there is some of the funniest men-at-loose-ends interplay that Wilder has ever put on film.
Grimly hilarious, subversive and defiant, rough around the edges, and more than a little sad.
Interesting depiction with a pretty decent performance from Holden and supported by a credible cast.
The good greatly outweighs the bad, particularly in the profile of Holden's character, a pragmatic, self-centered cynic whose heroism, when it is finally called upon, appears to come from deep within the barriers he has placed inside of himself.
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