Probes deeper than any other Iraq war documentary.
Standard Operating Procedure (2008)
Tomatometer
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Reviews Counted:95
Fresh:76
Rotten:19
Average Rating:7.1/10
Consensus: Well researched and finely crafted, Standard Operating Procedure is another gem from master documentarian Errol Morris.
Theatrical Release:Apr 25, 2008 Limited
Synopsis: Master filmmaker Errol Morris turns his keen eye to the Abu Ghraib prison scandal in this intense and provocative documentary. Using interviews with the soldiers that appeared in the now infamous... Master filmmaker Errol Morris turns his keen eye to the Abu Ghraib prison scandal in this intense and provocative documentary. Using interviews with the soldiers that appeared in the now infamous torture photos, Morris strings their stories together with vivid reenactments and striking digital technology for a wrenching look at the events at the prison. With his trademark straight-into-the-lens interview style, it is chilling to see the familiar faces of Lynndie England and Sabrina Harmon as they try to articulate their experiences. The lawlessness and confusion in the prison quickly become evident, and as their stories unfold, the film slowly strips away the many puzzling questions that surround the incidents, exposing a much larger truth about corruption within the US military, corruption that appears to reach far beyond the handful of soldiers that took the fall for the scandal. Morris's reenactments are extremely vivid, and often shot in a beautifully cinematic style. While these techniques make for riveting filmmaking, they are sometimes considered controversial by documentary purists, and some might criticize his detailed recreations of such deeply disturbing events. However, others might deem the reenactments necessary to really bringing home the reality of what happened. Regardless of his methods, Morris does a masterly job of untangling such a complex, twisted story. He shines a glaring light on one of America's most shameful moments and, more importantly, exposes how little we truly know about our military's methods. [More]
Director: Errol Morris
Director: Errol Morris
Producer: Errol Morris, Julie Ahlberg
Composer: Danny Elfman
Studio: Sony Pictures Classics
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Reviews for Standard Operating Procedure
Director Errol Morris tackled the Iraqi prison subject -- among the mass of recent Iraq war documentaries -- because he 'wasn't sure anyone else would tell it if I didn't tell it'.
Morris has certainly achieved a gloss ... but at a cost to the factual content.
What's epic in Morris' still and haunting assembly of talking heads is an indictment of photography, and by extension, history.
Morris addresses the far more difficult question of why . . . the tragic flaw within the human psyche that could allow this travesty to occur, spelling out in stark terms why such behavior is, as the title says, is standard operating procedure
Morris doesn't let these low-echelon soldiers off the hook, but he's aware they were used to deflect attention from the system that allowed them -- in fact, encouraged or even ordered them -- to cross the line into that dark place that our leaders
In some ways, Standard Operating Procedure is too appalling to appreciate. It's like watching the Nuremberg Trials, Nazis purposefully passing the buck higher and higher up, fully aware that no one above a certain rank is around to take the blame.
Morris's signature touches can occasionally seem studied to the point of annoyance but the cumulative power of his busy, artsy style generally enhances the horror, making it no more palatable than necessary.
Relentless unpleasantness may be the most appropriate quality of this movie that disturbs in so many different ways.
Quite unforgettable. Thorough in its investigation, complex in its analysis, and humane in its outcry, it is hard to imagine any documentary of more importance being released this year.
Even with an amazing filmmaker like Morris, it's impossible to yet fully focus the photos from Abu Ghraib and truly know what happened, who was right, who was wrong, and when it will happen again.
Fascinating and horrifying, especially if you take a step back and view it thinking about what it tells us about the society in which these abuses took place.
Morris marshals the witnesses, demonstrates that photographs are unreliable evidence, and leaves a verdict to the audience.
As Spc. Jeremy Sivitz puts it with great understatement, 'When you're in war, things change.' Morris forces us to ask ourselves what we would have done in their position, whether or not we like the answer.
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