Stander is the political crime biopic starring Thomas Jane. Standard is the narrative and presentation. Snoozer is the effect it has on the audience.
Stander (2004)
Tomatometer
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Reviews Counted:62
Fresh:45
Rotten:17
Average Rating:6.5/10
Consensus: An unsatisfying account of Stander's life.
Rated: R [See Full Rating] for violence, language, some sexuality and nudity
Runtime: 1 hr 56 mins
Genre: Action/Adventure
Theatrical Release:Aug 6, 2004 Limited
Synopsis: STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The... STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The Punisher, 61*) in a mercurial, star-turn performance, Andre Stander is a young, white policeman enjoying the comforts of middle-class married life in late-1970s South Africa, a country riven by Apartheid. Deeply affected by the indiscriminate killing he witnesses and takes part in during Riot Patrol, Stander wordlessly makes a decision to defy the very system he has spent a lifetime enforcing. Stander’s form of civil disobedience, however, takes an unusual form: a series of audacious, high-flying bank robberies, with the young police officer oftentimes returning to the scene of the crime as the lead investigating officer. Finally apprehended by his colleagues, Stander is jailed and subsequently befriends outlaws Allan Heyl and Lee McCall. Following a daring prison break, the “Stander Gang” commits dozens of bank robberies across the country, heists that grow increasingly bolder over time. In the eyes of the public, the Stander Gang’s nose-thumbing disrespect for authority makes them into near-legendary folk heroes, modern-day equivalents of Bonnie & Clyde. To the South African government, however, the former police officer is a cause of embarrassment, and the Stander Gang are the most wanted men in the country. Equal parts heist movie, love story, and historically accurate indictment of a corrupt political institution (on the tenth anniversary of Apartheid’s end), STANDER is the most riveting, uncanny biopic in recent memory. Filmed entirely on location in South Africa, STANDER is directed by Bronwen Hughes (Forces of Nature, Harriet The Spy), and co-stars Dexter Fletcher (Lock, Stock and Two Smoking Barrels), David Patrick O’Hara (Braveheart, The Devil’s Own), and Deborah Kara Unger (Crash, The Hurricane, The Game) as Andre Stander’s wife. -- © Newmarket Films [More]
Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers
Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers, Ashleigh Taylor
Director: Bronwen Hughes
Director: Bronwen Hughes
Screenwriter: Ken Friedman, Bronwen Hughes
Producer: Julia Verdin, Marty Katz
Studio: Newmarket Films
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Reviews for Stander
[Stander is a] taut, well-made crime drama that agreeably showcases Thomas Jane in the title role.
Stander is a rough and ready crime drama that throbs with visual touches and inspired performances.
Crime may not pay, but as Stander says, 'It's supposed to be fun'...it takes you through the gamut of emotions and manages to be mostly entertaining throughout the journey.
Worth a look, thanks mostly to Mr. Jane's troubled swagger and Ms. Hughes' sharp eye.
Adds up to what is less a movie than an entertainingly episodic rap sheet.
The South African tale of Andre Stander adds fuel to the old chestnut that truth is stranger than fiction...a wild and gripping ride.
Stander's keenest challenges, however, are directed at action movie conventions.
Stander attempts to pass itself off as a fast-paced caper picture doubling as a socially conscious apartheid drama but ends up equally unconvincing in both departments.
STANDER dispenses with unnecessary dialogue and doesn't posit facile explanations, which is good, but it fails to put you, the audience, into Andre Stander's skin.
Holds together fairly well, considering that it's both an unsparing depiction of Apartheid-era South Africa and a rollicking deadpan-funny crime yarn.
Like its protagonist, the film feels slightly off its rocker, a weird grab bag of disparate emotions, yet you don’t ever really stop enjoying its company.
As the film speeds along, the portrayal of Stander becomes soulless. His motivations are drowned out by the screeching gateways.
[Jane] at once captures the appeal of the celebrity outlaw -- not to mention looks great in the '70s-era wardrobe -- and the gravity of a man wrestling with his conscience in an environment of moral degeneracy.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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