Told with immense style and panache by Canadian director Bronwen Hughes, Stander is one heck of a ride.
Stander (2004)
Tomatometer
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Reviews Counted:62
Fresh:45
Rotten:17
Average Rating:6.5/10
Consensus: An unsatisfying account of Stander's life.
Rated: R [See Full Rating] for violence, language, some sexuality and nudity
Runtime: 1 hr 56 mins
Genre: Action/Adventure
Theatrical Release:Aug 6, 2004 Limited
Synopsis: STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The... STANDER is the gripping true story of the life of Andre Stander, the youngest Captain in the Johannesburg Police Force and South Africa’s most notorious bank robber. Portrayed by Tom Jane (The Punisher, 61*) in a mercurial, star-turn performance, Andre Stander is a young, white policeman enjoying the comforts of middle-class married life in late-1970s South Africa, a country riven by Apartheid. Deeply affected by the indiscriminate killing he witnesses and takes part in during Riot Patrol, Stander wordlessly makes a decision to defy the very system he has spent a lifetime enforcing. Stander’s form of civil disobedience, however, takes an unusual form: a series of audacious, high-flying bank robberies, with the young police officer oftentimes returning to the scene of the crime as the lead investigating officer. Finally apprehended by his colleagues, Stander is jailed and subsequently befriends outlaws Allan Heyl and Lee McCall. Following a daring prison break, the “Stander Gang” commits dozens of bank robberies across the country, heists that grow increasingly bolder over time. In the eyes of the public, the Stander Gang’s nose-thumbing disrespect for authority makes them into near-legendary folk heroes, modern-day equivalents of Bonnie & Clyde. To the South African government, however, the former police officer is a cause of embarrassment, and the Stander Gang are the most wanted men in the country. Equal parts heist movie, love story, and historically accurate indictment of a corrupt political institution (on the tenth anniversary of Apartheid’s end), STANDER is the most riveting, uncanny biopic in recent memory. Filmed entirely on location in South Africa, STANDER is directed by Bronwen Hughes (Forces of Nature, Harriet The Spy), and co-stars Dexter Fletcher (Lock, Stock and Two Smoking Barrels), David Patrick O’Hara (Braveheart, The Devil’s Own), and Deborah Kara Unger (Crash, The Hurricane, The Game) as Andre Stander’s wife. -- © Newmarket Films [More]
Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers
Starring: Thomas Jane, Dexter Fletcher, Deborah Kara Unger, Marius Weyers, Ashleigh Taylor
Director: Bronwen Hughes
Director: Bronwen Hughes
Screenwriter: Ken Friedman, Bronwen Hughes
Producer: Julia Verdin, Marty Katz
Studio: Newmarket Films
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Reviews for Stander
The problem with this film is there aren’t enough car chases and the film itself looks rather cheap.
Desperately repetitive and painfully dull. A more accurate title for Stander would be, Not Another Bank Robbery!
It is less a character study than an action pageant, cycling through the exploits of its anti-hero with an emphasis on flash and adrenaline.
Maryland native Thomas Jane affects a very convincing South African accent for the title role in this compelling,exploitative true-life drama about a Johannesburg police captain turned bank robber.
A second-rate action picture that's content to use apartheid as a colorful background.
Jane is charming and charismatic as the fancy flatfoot, but the script favors heists and shoot-outs over character insight and motivation.
A unique take on the bank robbery genre. It features crimes based on attitude, not technology or prowess.
Stander profiles a South African cop who turns bank robber, but the story of this rebel-without-a-cause is way overdrawn.
An exciting, hard-driving, fast-moving gangster picture and a sharp commentary on apartheid.
The story is so eager to highlight macho action scenes that it loses track of the important historical and political issues it raises.
This true story is an unsettling character study of a man self-destructively addicted to flouting authority.
A picture we've seen quite often before, and one that doesn't offer sufficiently new insight into its standard plot to make it fresh or compelling.
It's Jane, breaking out of pretty-boy roles in vacuous movies, who provides Stander its vortex of violent conflict and makes the film both kinetic and socially resonant.
Seems so conflicted about whether to give us the Stander fact or the Stander legend that the character remains, in spite of Jane's often impressive acting, as enigmatic to us as he did to those entrusted with his capture.
Directed by Bronwen Hughes ... with striking verve, Stander efficiently conveys the anarchic ironies of the situation.
Hughes abandons the wealth-redistribution theme, morphing the movie into a mere buddy flick about amoral fugitives on the road.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
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| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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