The documentary makes no waves and tries to be as upbeat as the musicians it tells about.
Standing in the Shadows of Motown (2002)
Tomatometer
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Reviews Counted:88
Fresh:81
Rotten:7
Average Rating:7.5/10
Consensus: A toe-tapping tribute to the band that gave Motown its sound.
Rated: PG [See Full Rating] for language and thematic elements
Runtime: 1 hr 50 mins
Genre: Musical & Performing Arts
Theatrical Release:Nov 15, 2002 Limited
Box Office: $1,234,246
Synopsis: By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them... By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note an a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story in STANDING IN THE SHADOWS OF MOTOWN. Fourteen years in the making, this film is based upon a book of the same title that won the 1989 Rolling Stone / BMl "Ralph J. Gleason Music Book Award", STANDING IN THE SHADOWS OF MOTOWN was shot entirely in film, on location in Detroit throughout December of 2000 and January of 2001. This one hour and fifty-six minute documentary tells the Funk Brothers' saga through archival footage and still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Funk Brothers backing up Chaka Kahn, Ben Harper, Bootsy Collins, Montell Jordan, Meshell Ndegeocello, Joan Osborne, and Gerald Levert. With the tumultuous sixties as a backdrop, Motown's unsung heroes take the viewer on a compelling journey in time as they trace the evolution of The Motown Sound" from its origins in Detroit to its demise in Los Angeles during the seventies. Through the eyes of the riveting characters who ruled Hitsville's studio by day and the club scene of Detroit by night, we enter a world of unparalleled soul and emotion as the Funk Brothers revisit the sites of their musical roots, triumphs, and eventual heartbreak. For more than four decades, from the dance floors of the world, to the Detroit riots of 1967, to the war in Vietnam, the music the Funk Brothers created has played a major role in the cultural fabric of all of our lives. STANDING IN THE SHADOWS OF MOTOWN finally puts some faces on that music and introduces these heroic musical figures to the world. -- © 2002 Artisan Entertainment [More]
Starring: Joan Osborne, Gerald Levert, Meshell Ndegéocello, Bootsy Collins
Starring: Joan Osborne, Gerald Levert, Meshell Ndegéocello, Bootsy Collins, Ben Harper, Chaka Kahn, Montell Jordan, Tom Scott, Jack Ashford, Bob Babbitt, Johnny Griffith, Joe Hunter, Uriel Jones, Joe Messina, Eddie "Chank" Willis
Director: Paul Justman
Director: Paul Justman
Producer: Sandy Passman, Allan "Dr. Licks" Slutsky, Paul Justman
Studio: Artisan Entertainment
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Reviews for Standing in the Shadows of Motown
Totally overwrought, deeply biased, and wholly designed to make you feel guilty about ignoring what the filmmakers clearly believe are The Greatest Musicians of All Time.
As a documentary, Motown isn’t all that great. But as a celebration of music, it’s absolutely incredible.
I promise, you'll never listen to a Motown classic in the same way ever again.
It's poignant, surprising, triumphant, funny, and you can dance to it.
Try as you might to resist, if you've got a place in your heart for Smokey Robinson, this movie will worm its way there.
You may not end up dancing in the street, but don't be surprised if you cut a step or two in the parking lot.
Documentaries just don't get much more fun than Standing in the Shadows of Motown
The movie lets us realize this Sound, still so alive and vibrant today, was created by flesh-and-blood people, each of whom has a compelling story to tell.
This documentary made me laugh, made me cry, and I had to bite my tongue to keep from singing along. It's informative, entertaining, and hard not to love.
A good music documentary, probably one of the best since The Last Waltz.
The sheer joy and pride they took in their work -- and in each other -- shines through every frame.
A jubilant, highly entertaining, sometimes bittersweet valentine to a neglected confluence of musicians, who reunite 41 years after laying their first Motown notes to tell their story.
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